release: 1.1.43

[lilypond.git] / scm / accordion-script.scm

diff --git a/scm/accordion-script.scm b/scm/accordion-script.scm
index c1a5d0605d2337843c9a11d1c7205238f38926f8..63877537ec7aff171d2d3aa60ba732d80cf6321e 100644 (file)
--- a/scm/accordion-script.scm
+++ b/scm/accordion-script.scm
@@ -40,23 +40,8 @@
        ("accBayanbaseE" . ((accordion "Bayanbase" "E") #f 0 -1 0))
        ("accBayanbaseTE" . ((accordion "Bayanbase" "TE") #f 0 -1 0))
        ("accBayanbaseEE" . ((accordion "Bayanbase" "EE") #f 0 -1 0))
-       ("accBayanbaseTEE" . ((accordion "Bayanbase" "TFEE") #f 0 -1 0))
-;; I don't know what naming of standard base registers is best?
-;; The 'tenor-piano' style of names has been used in some old accordion
-;; scores I have seen. But you never name the registers. These four are
-;; the symbols that are most used then typesetting music, but in the real
-;; world it differs a lot from instrument to instrument what registers
-;; are available.
+       ("accBayanbaseTEE" . ((accordion "Bayanbase" "TEE") #f 0 -1 0))
        ("accStdbase" . ((accordion "Stdbase" "") #f 0 -1 0))
-;; tenor-piano
-       ("accStdbaseTp" . ((accordion "Stdbase" "FE") #f 0 -1 0))
-;; tenor
-       ("accStdbaseT" . ((accordion "Stdbase" "TFE") #f 0 -1 0))
-;; bass-piano
-       ("accStdbaseBp" . ((accordion "Stdbase" "MES") #f 0 -1 0))
-;; master  (changed from accStdbaseM)
-       ("accStdbaseMa" . ((accordion "Stdbase" "TFMES") #f 0 -1 0))
-
        ("accStdbaseFE" . ((accordion "Stdbase" "FE") #f 0 -1 0))
        ("accStdbaseTFE" . ((accordion "Stdbase" "TFE") #f 0 -1 0))
        ("accStdbaseMES" . ((accordion "Stdbase" "MES") #f 0 -1 0))