+%{
+
+ Six Petits Preludes,
+ Collection Johann Peter Kellner
+ ca 1703 - 1707
+
+ Kellner was a student of Bach's that copied some 90 works of his master.
+
+%}
\header{
-filename = "preludes-1.ly";
-%
-% page 1
-%
-% Clavierb"uchlein f"ur W. Fr. Bach
-% Clav. W. Fr. Bach: 2-Praeambulum I
-% ca 1720
-composer = "Johann Sebastian Bach (1685-1750)";
-enteredby = "jcn";
-copyright = "public domain";
+ copyright = "public domain";
+ source = "Ed. Henry Lemoine Urtext";
+ title = "Pr\\\"aludum";
+
+ opus = "BWV 924";
+ composer = "Johann Sebastian Bach (1685-1750)";
+ enteredby = "jcn,hwn";
+
+ % mutopia headers.
+ mutopiatitle = "Prelude";
+ mutopiacomposer = "J.S.Bach";
+ mutopiaopus = "BWV924";
+ mutopiainstrument = "Piano";
+ style = "baroque";
+ copyright = "Public Domain";
+ maintainer = "Jan Nieuwenhuizen";
+ maintainer_email = "janneke@gnu.org";
+ tagline = "\\\\This music is part of the Mutopia project, http://sca.uwaterloo.ca/Mutopia/\\\\It has been typeset and placed in the public domain by " + \maintainer + ".\\\\Unrestricted modification and redistribution is permitted and encouraged - copy this music and share it!";
+ maintainer = "janneke@gnu.org";
+ lastupdated = "1999/Nov/14";
}
+%{
+
+TODO: this file needs additional layouting: the trills look
+differently in Lemoine, and the sharps should be below the trill.
+
+Additionally, the performance of trills should be explained.
+
+Lemoine puts fermatas on ending bar lines everywhere.
+
+1.2.x versions of lily contain a version with dynamics and fingerings.
+
+%}
+
+
\version "1.3.4";
upper = \context Staff=upper \notes\relative c {
\context Voice=i
\property Voice . textStyle = "italic"
-% rediculous dim...
-% r16\p_"legato"\< g''-1( c-3 )e-5 r g,-1( c )e
- r16\p\< g''-1( c-3 )e-5 r g,-1( c )e
- r g,( c )d r b-1( d-2 \!)g-5 |
- r16\mf a,( d-2 ) g-5 r a,(\< d )f-4
- r a,( d )e-3 r c-1( e-2 \!)a-5 |
- r16\f b, e a-5 r b, e-3 g-5
- r c,-1 e-3 f-4 r g, d'-3 f-5 |
-% all text is fat currently...
-% r g,-"poco a poco dim." d'-4 e r g, c-2 e
- r g, d'-4 e r g, c-2 e
- r a,-1 c-3 d-4 r e, b'-3 d-5 |
- r e, b' c-4 r e, a-2 c
- r f,-1 a-3 bes-4 r c, g'-3 bes-5 |
- r c, g' a-4 r c, f-2 a
- r d, f-2 b-5 r e, g-2 c-5 |
- r\p d, g c-5 r d, g b-4
- r c, g'-3 b-5 r c, fis-2 a-4 |
- r b, d a'-5 r b, d g-4
- r a, c g'-5 r a, c f!-4 |
+
+ r16 g'' c e r g, c e
+ r g, c d r b d g |
+ r16 a, d g r a, d f
+ r a, d e r c e a |
+ r16 b, e a r b, e g
+ r c, e f r g, d' f |
+
+ r g, d' e r g, c e
+ r a, c d r e, b' d |
+ r e, b' c r e, a c
+ r f, a bes r c, g' bes |
+ r c, g' a r c, f a
+ r d, f b r e, g c |
+ r d, g c r d, g b
+ r c, g' b r c, fis a |
+ r b, d a' r b, d g
+ r a, c g' r a, c f! |
% ugh arpeggio
<
{ \stemup f4 r }
>
\stemboth
\translator Staff=lower\stemup
- r16 g,,-5( b-4 d
- [ f-1 \translator Staff=upper\stemdown g16-1 b d ] |
- \stemup )b
+ r16 g,, b d
+ [ f \translator Staff=upper\stemdown g16 b d ] |
+ \stemup b
\translator Staff=lower\stemdown
- [ g-5( b-4 d-2 ] f-1
+ [ g b d ] f
\translator Staff=upper\stemup
- [ g16-1 b-2 d ] )b
+ [ g16 b d ] b
\translator Staff=lower\stemup
\clef "violin";
- [ g-4 b-2 d-1 ]
+ [ g b d ]
\stemup
% urg, below translator change affects previous beam too!?
% howto separate translator command from previous beam end?
- \translator Staff=upper f-2 g-3 b-5 f-2 |
+ \translator Staff=upper f g b f |
\stemboth
- e-1\f c'-5( g-3 f-2 e-1 c'-5 g-3 e-2
- )d c'-5( f,-3 e-2 d-1 b'-5 f-3 d-2 |
- )c b'-5( e,-3 d-2 c-1 a'-5 e-3 c-2
- )b-1 a'-5( d,-3 c-2 b-1 g'-5 d-3 b-2 |
-% )a g'-5 c,-4 b a-"poco a poco dim." fis'-5 c-2 a-1
- )a g'-5 c,-4 b a fis'-5 c-2 a-1
- b-2 f' d-4 c b f' d-4 b-2 |
- g e' c-3 b a e'-5 c-3 a-1
- fis-2 d' b-3 a g-1 d'-5 b-4 g-2 |
- e c'-5 a-4 g-3 fis-2 c'-5 a-4 fis-2
- d c'-5 b-4 a b-4 g-2 d'-5 f,-1 |
- g-4 e-2 f-1 d'-5 c-4 b a g
- f'-5 d-3 es-4 c-2 fis,-1 es'-4 d-3 c-2 |
-% b-1 d-5 b-3 g-1 as-4-"cresc. e rall." f-2 g-3 d-1
- b-1 d-5 b-3 g-1 as-4 f-2 g-3 d-1
- es-2 fis-3 a-4 c-5
+ e c' g f e c' g e
+ d c' f, e d b' f d |
+ c b' e, d c a' e c
+ b a' d, c b g' d b |
+ a g' c, b a fis' c a
+ b f' d c b f' d b |
+ g e' c b a e' c a
+ fis d' b a g d' b g |
+ e c' a g fis c' a fis
+ d c' b a b g d' f, |
+ g e f d' c b a g
+ f' d es c fis, es' d c |
+ b d b g as f g d
+ es fis a c
<
{ \stemup r c8 b16 }
- \context Voice=ii { \stemdown d,8 f-2 }
+ \context Voice=ii { \stemdown d,8 f }
>
\stemboth |
- <c1\mf g e>
+ <c1 g e>
\bar "|.";
}
lower = \context Staff=lower \notes\relative c{
\context Voice=i
\property Voice . textStyle = "roman"
- c4-5 e-3 g-\mordent^"(\\textsharp)" g,4 |
- d'4-\mordent-5 f-3 a-\mordent^"(\\textsharp)" a,4 |
- e'-5 e'-\mordent-1 a,-4 b-\upprall |
- c4 e,-4 fis gis-\downprall |
- a4 c,-4 d e-\upprall |
- f4-1 e d-3-\prall c |
- g'-\mordent^"(\\textsharp)" g, g'-\mordent g, |
+ c4 e g^"\\textsharp"-\mordent g,4 |
+ d'4-\mordent f a-\mordent^"\\textsharp" a,4 |
+ e' e'-\mordent a, b-\upprall |
+ c4 e, fis gis-\downprall |
+ a4 c, d e-\upprall |
+ f4 e d-\prall c |
+ g'-\mordent^"\\textsharp" g, g'-\mordent g, |
g'-\mordent g, g'-\mordent g, |
g' r s s | s s s s \clef "bass"; |
<
\lower
>
>
- \paper{
- % no slur damping
- slur_slope_damping = 10.0;
- }
+ \paper { linewidth = 18.0 \cm; }
\midi{ \tempo 4 = 80; }
\header {
opus = "BWV 924";
projects / lilypond.git / blobdiff