-% JS Bach, Das Wohltemperirtes Clavier I, Fuga II (c-minor)
-%
-% Public Domain -- typed by by HWN
-%
-\version "0.0.50";
-
-global = \melodic{
- \meter 4/4 ;
- \grouping 2*2;
- \key bes es as;
-}
+%{
+ title: Das Wohltemperirte Clavier I, Fuga II (c-minor)
+ description: following Henle's Urtext
+ composer(s): JS Bach
+ entered-by: HWN
+ corrected-by: Werner Lemberg (tested with pl 64; 1997-05-17)
+ copyright: Public Domain
+
+ Tested Features: stem direction, multivoice, forced accidentals.
+
+ Remarks: the stem direction algorithm is severely broken (look at the
+ bass dux) with pl64.
+
+
+%}
+
+\version "0.0.58";
+
+ % should add \need{dutch.ini} for
+ % correct parsing of note names
+
+global =
+ \melodic {
+ \meter 4/4; % should be \meter C
+ \key bes es as;
+ }
-dux = \melodic {
- \clef "violin";
- \octave c' ;
- \duration \last ;
-
- \stem -1;
- r8-"dux"
- [c'16 b] [c'8 g] [as c'16 b] [c'8 d'] |
- [g c'16 b] [c'8 d'] [f16 g] as4 [g16 f] |
- [es c' b a] [ g f es d] [c8 es' d' c'] |
- [bes a bes c'] [fis g a fis] |
- g4 r16 [c d es] [f g as8(] [)as16 d es f ]|
- [g a bes8(] [)bes16 es f g ] [as g f es] [d8 c'16 b]|
- c'4 r4 r8 [f' es' d']
- r8 [as g f] [g f16 es] [f8 d] |
- g4 r8 b [c' c'16 b] [c'8 g] |
-%% 10
- as4 r8 a [bes bes16 a] [bes8 f] |
- g4 r8 g [as as g f] | % should jump staff
- \octave c;
- r8 [as bes c'] r8 [as16 g] [as8 f8] |
- [bes8 c bes as ] [bes g f es] |
- [f des' c' bes ] [c' as g f] |
- [g8 %jump!
- \octave c';
- g16 fis] [g8 c] [es g16 fis] [g8 a] |
- [d g16 fis] [g8 a] [c16 d] es4 [d16 c] |
- 'bes8 r8 r16 [d e fis ] [g a bes8( ] [)bes16 e f g] |
- [a bes c'8(] [)c'16 fis16 g a ] [bes8 es16 d] [es8 'g] |
- ['as f16 e] [f8 'a8] ['bes g16 f] [g8 'b] |
-% 20
- [c16 f es d] [c Bes As G] [F8 as g f] |
- [es d es f] [B c d B] |
- c4 r8 e8 [f f16 e] [f8 c] |
- d4 r8 d8 [es8 es16 d] [es8 Bes] |
- c2 () [c8 d16 es][ f es f d] |
- B8 r8 r B c r r es |
- d r r f()f r r f |
- [es as g f] [es d es f] |
- [B c d B] [B c] r c |
- [f16 d es c]()[c8 B] c4 r8 e |
- f4 r8 <f8 as b> [f es16 d] [es8 <f a] > |
+dux =
+ \melodic {
+ \clef "violin";
+ \octave c';
+ \duration \last;
+ \stem -1;
+ r8 [c'16 b] [c'8 g] [as c'16 b] [c'8 d'] |
+ [g c'16 b] [c'8 d'] [f16 g] as4 [g16 f] |
+ [es c' b a] [g f! es d] [c8 es' d' c'] |
+ [bes a bes c'] [fis g a fis] |
+%% 5
+ g4 r16 [c d es] [f g as8~] [as16 d es f]|
+ [g a bes8~] [bes16 es f g] [as g f es] [d8 c'16 b]|
+ c'4 r4 r8 [f' es' d']
+ r8 [as g f] [g f16 es] [f8 d] |
+ g4 r8 b [c' c'16 b] [c'8 g] |
+%% 10
+ as4 r8 a [bes bes16 a] [bes8 f] |
+ g4 r8 g [as as g f] |
+ \octave c; r8 [as bes c'] r8 [as16 g] [as8 f8] |
+ [bes8 c' bes as] [bes g f es] |
+ [f des' c' bes] [c' as g f] |
+%% 15
+ g8 \octave c'; [g16 fis] [g8 c] [es g16 fis] [g8 a] |
+% [d g16 fis] [g8 a] [c16 d] es4 [d16 c] |
+ [d g16 fis] [g8 a] [c16 d] es4 [d16 c] |
+ % wouldn't it be better if I can write
+ % `a' instead of `a!' here to get really
+ % an `a natural'? Processing this melody
+ % alone (only having `a') would yield a
+ % different result! (WL)
+%% I don't understand the complaint. The ! makes no difference in output. HWN
+
+ 'bes8 r8 r16 [d e fis] [g a bes8~] [bes16 e f g] |
+ [a bes c'8~] [c'16 fis16 g a] [bes8 es!16 d] [es8 'g] |
+ ['as f16 es] [f8 'a8] ['bes g16 f] [g8 'b] |
+%% 20
+ [c16 f es d] [c Bes! As G] [F8 as g f] |
+ [es d es f] [B c d B] |
+ c4 r8 e8 [f f16 e] [f8 c] |
+ d4 r8 d8 [es8 es16 d] [es8 Bes] |
+ c2 ~ [c8 d16 es][ f es f d] |
+%% 25
+ B8 r8 r B c r r es |
+ d r r f~ f r r f |
+ [es as g f] [es d es f] |
+ [B c d B] [B c] r c |
+ [f16 d es c]~ [c8 B] c4 r8 e |
+%% 30
+ f4 r8 f [f es16 d] [es8 <f as]> |
+% f4 r8 <f as b> [f es16 d] [es8 <f as]> |
+ % bug! if you say
+ % f4 r8 <f as b> ...
+ % the chord overlaps. WL
+%% confirmed. added to TODO. HWN
<B d> r <B d> r <G2 c> |
-}
+ }
-comes = \melodic {
- \octave c'' ;
- \stem 1;
- r1 |
- r1 |
- r8-"comes" [g16 fis] [g8 c] [es g16 f] [g8 a]|
- [d8 g16 fis] [g8 a] [c16 d] es4 [d16 c] |
- ['bes8 es16 d] [es8 'g8] ['as f16 es] [f8 'a]
- ['bes8 g16 f] [g8 'b] [c8 d16 es] f4( |
- [) f8 es16 d] [c16 'bes 'as 'g] ['f8 as g f]
- [es d es f] ['b c d 'b] |
- [c g16 fis] [g8 d] es4 r8 e8 |
+
+comes =
+ \melodic {
+ \octave c'';
+ \stem 1;
+ r1 |
+ r1 |
+ r8 [g16 fis] [g8 c] [es g16 fis] [g8 a] |
+ [d8 g16 fis] [g8 a] [c16 d] es4 [d16 c] |
+%% 5
+ ['bes8 es16 d] [es8 'g8] ['as f16 es] [f8 'a]
+ ['bes8 g16 f] [g8 'b] [c8 d16 es] f4~ |
+ [f8 es16 d] [c16 'bes 'as 'g] ['f8 as g f]
+ [es d es f] ['b c d 'b] |
+ [c g16 fis] [g8 d] es4 r8 e8 |
%% 10
- [f f16 e] [f8 c8] d4 r8 d |
- [es8 es16 d] [es8 'bes] [c es16 d] [es8 f] |
- ['bes es16 d] [es8 f] ['as16 'bes] c4 ['bes16 'as] |
- [G16 Es F G] [As Bes c d] [es d c d] [es f g a] |
- [bes F G As] [Bes c d e] [f es d es] [ f g a b] |
- [c'8 b16 a] [g f e d] [c8 es d c] |
- [Bes A Bes c] [Fis G A Fis] |
- [G8 d16 c] d8 r8 r8 [e16 d] e8 r8 |
- r [fis16 e] fis8 r r [G16 F] G8 r8 |
- r8 [A16 G] A8 r r [B16 A] B8 r |
+ [f f16 e] [f8 c8] d4 r8 d |
+ [es8 es16 d] [es8 'bes] [c es16 d] [es8 f] |
+ ['bes es16 d] [es8 f] ['as16 'bes] c4 ['bes16 'as] |
+ [G16 Es F G] [As Bes c d] [es d c d] [es f g a] |
+ [bes F G As] [Bes c d e] [f es d es] [ f g a b] |
+%% 15
+ [c'8 b16 a] [g f es d] [c8 es d c] |
+ [Bes A Bes c] [Fis! G A Fis] |
+ % see comment above about forced acc.
+ [G8 d16 c] d8 r8 r8 [e16 d] e8 r8 |
+ r [fis16 e] fis8 r r [G16 F] G8 r8 |
+ r8 [A16 G] A8 r r [B16 A] B8 r |
%% 20
- r8 [c16 'b] [c8 'g] [As c16 'c] [c8 d] |
- [G c16 B] [c8 d] [F16 G] As4 [G16 F] |
- [Es8 c16 B] [c8 G] As4 r8 A |
- [Bes8 Bes16 A] [Bes8 F8] g4 r8 G(|
- )[G As16 Bes] [c B c As] F2( |
- )[F8 d16 c] [d8 F] [Es es16 d] [es8 G] |
- [F f16 es] [f8 As] [G16 f es d] [c B A G] |
- [c8 f es d] r [As G f] |
- [G F16 Es] [F8 D] [As G] r A |
- [B c] [F16 Es D C] [C8 c16 B] [c8 G]|
- [As c16 B] [c8 d] [G8 c16 B] [c8 d] |
- [F16 G] As4 [G16 F] E2 |
-
-}
+ r8 [c16 'b] [c8 'g] [As c16 'b] [c8 d] |
+ [G c16 B] [c8 d] [F16 G] As4 [G16 F] |
+ [Es8 c16 B] [c8 G] As4 r8 A |
+ [Bes8 Bes16 A] [Bes8 F8] 'g4 r8 G~ |
+ [G As16 Bes] [c B c As] F2~ |
+%% 25
+ [F8 d16 c] [d8 F] [Es es16 d] [es8 G] |
+ [F f16 es] [f8 As] [G16 f es d] [c B A G] |
+ [c8 f es d] r [As G F] |
+ [G F16 Es] [F8 D] [As G] r A |
+ [B c] [F16 Es D C] C8 [c16 B] [c8 G] |
+%% 30
+ [As c16 B] [c8 <d 'b! 'as!]> [G8 c16 B] [c8 d] |
+ [F16 G] As4 [G16 F] E2 |
+ }
+
+bassdux =
+ \melodic {
+ \clef "bass";
+
+ \octave c';
+ r1 |
+ r |
+ r |
+ r |
+%% 5
+ r |
+ r1 |
+ r8 [c16 B] [c8 G] [As c16 B] [c8 d] |
+ [G c16 B] [c8 d] [F16 G] As4 [G16 F] |
+ \octave c; [es c' b a] [g f es d] [c d es d] [c Bes! As! G] |
+ % I think we shouldn't need to force
+ % accidents here because they are in
+ % another octave range. WL
+
+%% I don't understand the complaint. Accidentals are valid for one octave range
+%% only. Without ! (and printed flat), this still is valid. HWN
-bassdux = \melodic {
- \clef "bass";
- \octave c' ;
- r1 |
- r |
- r |
- r |
- r |
- r1 |
- r8 [c16 B] [c8 G] [As c16 B] [c8 d] |
- [G c16 B] [c8 d] [F16 G] As4 [G16 F] |
- \octave c;
- [es c' b a] [g f es d] [c d es d] [c Bes As G] |
%% 10
- [F bes as g ] [f es d c] [Bes c d c ] [Bes As G F]|
- [Es as g f] [es des c Bes] [As8 c' bes as] |
- [g8 f g as] [d es f d] |
- [es as g f] [g es d c] |
- [d bes as g] [as f es d] |
- es8 r8 r4 r8 [c Bes A] |
- r [es d c] [d c16 Bes] [c8 d] |
- [G8 bes16 a] [bes8 d] [es c'16 bes] [c'8 e] |
- [f d'16 c'] [d'8 fis] g4 r16 [G A B] |
- [c16 d es8]()[es16 A Bes c] [d es f8]()[f16 'b c d]|
-%%20
- es8 r r e [f F Es D] |
- r [As G F] [G F16 Es] [F8 G] |
- [c16 d es d] [c Bes As G] [F bes as g] [f es d c] |
- [Bes c d c] [Bes As G F] [Es As g f ] [es d c Bes] |
- [As Bes c Bes] [As G F Es] [D g f es ] [d c B A] |
- g4 r4 r16 [G A B] [c d es f] |
- [g f as g] [f es d c] [B8 c16 B] [c8 G] |
- [As c16 B] [c8 d] [G c16 B] [c8 d] |
- [F16 G] As4 [G16 F] Es4 r8 es |
- [d c g G]
- < \multivoice
- { \stem 1; c2 (|)c1(|) c1 }
- { \stem -1; C2(|)C1(|) C1 }
- >
+ [F bes as g] [f es d c] [Bes c d c] [Bes As G F] |
+ [Es as g f] [es des c Bes] [As8 c' bes as] |
+ [g8 f g as] [d es f d] |
+ [es as g f] [g es d c] |
+ [d bes as g] [as f es d!] |
+%% 15
+ es8 r8 r4 r8 [c Bes A] |
+ r [es d c] [d c16 Bes] [c8 d] |
+ [G8 bes16 a] [bes8 d] [es c'16 bes] [c'8 e] |
+ [f d'16 c'] [d'8 fis] g4 r16 [G A B] |
+ [c16 d es8~] [es16 A Bes c] [d es f8~] [f16 'b c d] |
+%% 20
+ es8 r r e [f F Es! D] | % see comment above about octave range
+ r [As G F] [G F16 Es] [F8 G] |
+ [c16 d es d] [c Bes As G] [F bes as g] [f es d c] |
+ [Bes c d c] [Bes As G F] [Es as g f] [es d c Bes] |
+ [As Bes c Bes] [As G F Es] [D g f es] [d c B A] |
+%% 25
+ g4 r4 r16 [G A B] [c d es f] |
+ [g f as g] [f es d c] [B8 c16 B] [c8 G] |
+ [As c16 B] [c8 d] [G c16 B] [c8 d] |
+ [F16 G] As4 [G16 F] Es4 r8 es |
+ [d c g G]
+%% 30
+ < \multivoice
+ { \stem 1; c2~ | c1~ | c1 }
+ { \stem -1; C2~ | C1~ | C1 }
+ >
+ }
-}
% every "melody" declared in a staff has its own "voicegroup"
-trebstaf = \staff{
- \inputregister{ melodicregs}
- global dux comes
-}
-
-\score{
- trebstaf
- \staff{ \inputregister{ melodicregs}
- bassdux global
- }
- \paper{}
- \midi{
- \tempo 4:84
- }
+trebstaf =
+ \staff {
+ \inputregister{melodicregs}
+ global dux comes
+ }
+
+
+\score {
+ trebstaf
+ \staff {
+ \inputregister{melodicregs}
+ global bassdux
+ }
+ \paper{}
+ \midi {
+ \tempo 4:84
+ }
}
+% EOF
+
+
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