-\header {
-texidoc="LilyPond 1.3 is more flexible than some users realise. Han-Wen could be very rich.
-";
-}
-
-% Btw, I've leant an el-neato trick for formatting code in email messages,
-% using inderect buffers.
-%
-% M-x make-indirect-buffer RET RET foo RET C-x b foo RET
-% Select region and then narrow: C-x n n
-% Set mode, eg: M-x sch TAB RET
-%
-
-%{
- I've just entered a request on cosource.com :
+\version "1.5.18"
- http://www.cosource.com/cgi-bin/cos.pl/wish/info/387
-
+\header {
+texidoc="
+@example
Here's a copy of my feature request :
-
+@quotation
Your task, if you accept it is to implement a \smarttranspose
command> that would translate such oddities into more natural
- notations. Double accidentals should be removed, as well as #E
- (-> F), bC (-> B), bF (-> E), #B (-> C).
+ notations. Double accidentals should be removed, as well as E-sharp
+ (-> F), bC (-> B), bF (-> E), B-sharp (-> C).
+@end quotation
You mean like this. (Sorry 'bout the nuked indentation.)
-Add IMPLEMENT_TYPE_P(Music, "music?"); to music.cc, and presto, done.
-
-That's an easy $ 100; if I'd make $ 200/hour for every hour I worked
-on Lily, I'd be very rich :)
-
-%}
+Modified to use the standard transpose mechanism. The question is
+how useful these enharmonic modifications are. Mats B.
+@end example
+"
+}
#(define (unhair-pitch p)
(let* ((o (pitch-octave p))
(a (pitch-alteration p))
- (n (pitch-notename p)))
+ (n (pitch-notename p)))
(cond
((and (> a 0) (or (eq? n 6) (eq? n 2)))
(set! a (- a 1)) (set! n (+ n 1)))
((and (< a 0) (or (eq? n 0) (eq? n 3)))
(set! a (+ a 1)) (set! n (- n 1))))
-
+
(cond
((eq? a 2) (set! a 0) (set! n (+ n 1)))
((eq? a -2) (set! a 0) (set! n (- n 1))))
(if (< n 0) (begin (set! o (- o 1)) (set! n (+ n 7))))
- (if (> n 7) (begin (set! o (+ o 1)) (set! n (- n 7))))
-
+ (if (> n 6) (begin (set! o (+ o 1)) (set! n (- n 7))))
+
(make-pitch o n a)))
-#(define (smart-transpose music pitch)
+#(define (simplify music)
(let* ((es (ly-get-mus-property music 'elements))
- (e (ly-get-mus-property music 'element))
- (p (ly-get-mus-property music 'pitch))
- (body (ly-get-mus-property music 'body))
- (alts (ly-get-mus-property music 'alternatives)))
+ (e (ly-get-mus-property music 'element))
+ (p (ly-get-mus-property music 'pitch)))
(if (pair? es)
- (ly-set-mus-property
- music 'elements
- (map (lambda (x) (smart-transpose x pitch)) es)))
-
- (if (music? alts)
- (ly-set-mus-property
- music 'alternatives
- (smart-transpose alts pitch)))
-
- (if (music? body)
- (ly-set-mus-property
- music 'body
- (smart-transpose body pitch)))
+ (ly-set-mus-property
+ music 'elements
+ (map (lambda (x) (simplify x)) es)))
(if (music? e)
- (ly-set-mus-property
- music 'element
- (smart-transpose e pitch)))
-
+ (ly-set-mus-property
+ music 'element
+ (simplify e)))
+
(if (pitch? p)
- (begin
- (set! p (unhair-pitch (Pitch::transpose p pitch)))
- (ly-set-mus-property music 'pitch p)))
-
- music))
+ (begin
+ (set! p (unhair-pitch p))
+ (ly-set-mus-property music 'pitch p)))
+ music))
music = \notes \relative c' { c4 d e f g a b c }
\score {
\notes \context Staff {
\transpose ais' \music
- \apply #(lambda (x) (smart-transpose x (make-pitch 0 5 1)))
- \music
+ \apply #simplify \transpose ais' \music
}
- \paper { linewidth = -1.; }
+ \paper { linewidth = -1. }
}
+