-%{
- Test of how to make an ``incipit'' to indicate scordatora
- tuning of a violin part, using the clefStyle property.
- The two first bars of Biber's Rosary sonata III.
+\version "1.7.18"
+\header { texidoc = "@cindex Incipit
+This shows how to make an ``incipit'' to indicate scordatora
+tuning of a violin part, using the clefStyle property.
+The two first bars of Biber's Rosary sonata III. " }
- /Mats B
-%}
violinincipit = \notes\relative c''{
- \clef "french";
- \time 2/2;
+ \clef "french"
+ \time 2/2
\property Staff.TimeSignature \override #'style = #'old
a4. b8 c4 fis |
-% <b1 fis' b d>
+% <<b fis' b d>>1
\property Staff.TimeSignature \override #'style = #'C
}
bcincipit = \notes\relative c{
- \clef bass;
+ \clef bass
\property Staff.TimeSignature \override #'style = #'old
b2. cis4 |
\property Staff.TimeSignature \override #'style = #'C
violin = \notes\relative c''{
% Key signatures with different alterations in different octaves
% are broken since 1.3.58!
-% \specialkey \keysignature f' fis'' g' gis'';
- \key d \major;
- \time 2/2;
- \clef treble;
+% \specialkey \keysignature f' fis'' g' gis''
+ \key d \major
+ \time 2/2
+ \clef treble
a4. b8 c4 fis |
- gis~ gis8 fis16^\trill ()e b8 c \context Staff<{\voiceOne a d}{\voiceTwo es,4}>|
+V gis~ gis8 fis16^\trill (e-) b8 c
+ <{ a d}\\ { es,4}>|
}
BC = \notes\relative c{
- \key d \major;
- \time 2/2;
- \clef "bass";
+ \key d \major
+ \time 2/2
+ \clef "bass"
- \key;
+ \key \default
b2. cis4 |
d e fis g |
}
<
\context Staff = violin {\notes{
\property Staff.Clef \override #'transparent = ##t
- \violinincipit \bar ".|";
+ \violinincipit \bar ".|"
\property Staff.Clef \revert #'transparent
\endincipit
\violin
}}
\context Staff = BC{\notes{
\property Staff.Clef \override #'transparent = ##t
- \bcincipit \bar ".|";
+ \bcincipit \bar ".|"
\property Staff.Clef \revert #'transparent
\endincipit
\BC
}}
>
+ \paper { raggedright = ##t }
}
+