-\version "1.9.1"
+\version "2.1.30"
\header {
texidoc = " Chord names are generated from a list pitches. The
-functions constructing the names are customisable. This file shows
-Jazz chords, following Ignatzek (1995), page 17 and 18, Banter chords,
-and an alternative Jazz chord notation.
+functions which construct these names can be customised. Here are shown
+Jazz chords, following Ignatzek (pp. 17-18, 1995) and
+an alternative Jazz chord notation.
+Chords following Banter (1987) can also be printed from this file, but
+are turned off for brevity.
"
chs = \notes \transpose c' c'
{
- <<c e g>>1
- <<c es g>>% m = minor triad
- <<c e gis>>
- <<c es ges>> \break
- <<c e g bes>>
- <<c es g bes>>
- <<c e g b>> % triangle = maj
- <<c es ges beses>>
- <<c es ges b>> \break
- <<c e gis bes>>
- <<c es g b>>
- <<c e gis b>>
- <<c es ges bes>>\break
- <<c e g a>> % 6 = major triad with added sixth
- <<c es g a>> % m6 = minor triad with added sixth
- <<c e g bes d'>>
- <<c es g bes d'>> \break
- <<c es g bes d' f' a' >>
- <<c es g bes d' f' >>
- <<c es ges bes d' >>
- <<c e g bes des' >> \break
- <<c e g bes dis'>>
- <<c e g bes d' f'>>
- <<c e g bes d' fis'>>
- <<c e g bes d' f' a'>>\break
- <<c e g bes d' fis' as'>>
- <<c e gis bes dis'>>
- <<c e g bes dis' fis'>>
- <<c e g bes d' f' as'>>\break
- <<c e g bes des' f' as'>>
- <<c e g bes d' fis'>>
- <<c e g b d'>>
- <<c e g bes d' f' as'>>\break
- <<c e g bes des' f' as'>>
- <<c e g bes des' f' a'>>
- <<c e g b d'>>
- <<c e g b d' f' a'>>\break
- <<c e g b d' fis'>>
- <<c e g bes des' f ' a'>>
- <<c f g>>
- <<c f g bes>>\break
- <<c f g bes d'>>
- <<c e g d'>> % add9
- <<c es g f'>>
+ <c e g>1
+ <c es g>% m = minor triad
+ <c e gis>
+ <c es ges> \break
+ <c e g bes>
+ <c es g bes>
+ <c e g b> % triangle = maj
+ <c es ges beses>
+ <c es ges b> \break
+ <c e gis bes>
+ <c es g b>
+ <c e gis b>
+ <c es ges bes>\break
+ <c e g a> % 6 = major triad with added sixth
+ <c es g a> % m6 = minor triad with added sixth
+ <c e g bes d'>
+ <c es g bes d'> \break
+ <c es g bes d' f' a' >
+ <c es g bes d' f' >
+ <c es ges bes d' >
+ <c e g bes des' > \break
+ <c e g bes dis'>
+ <c e g bes d' f'>
+ <c e g bes d' fis'>
+ <c e g bes d' f' a'>\break
+ <c e g bes d' fis' as'>
+ <c e gis bes dis'>
+ <c e g bes dis' fis'>
+ <c e g bes d' f' as'>\break
+ <c e g bes des' f' as'>
+ <c e g bes d' fis'>
+ <c e g b d'>
+ <c e g bes d' f' as'>\break
+ <c e g bes des' f' as'>
+ <c e g bes des' f' a'>
+ <c e g b d'>
+ <c e g b d' f' a'>\break
+ <c e g b d' fis'>
+ <c e g bes des' f ' a'>
+ <c f g>
+ <c f g bes>\break
+ <c f g bes d'>
+ <c e g d'> % add9
+ <c es g f'>
}
efullmusicJazzAlt = \notes
{
- <<c e gis>>1-\markup { "+" }
- <<c e g b>>-\markup { \normal-size-super
+ <c e gis>1-\markup { "+" }
+ <c e g b>-\markup { \normal-size-super
% \override #'(font-family . math) "N" }
\override #'(font-family . math) "M" }
%%c:3.5.7 = \markup { \override #'(font-family . math) "M" }
%%c:3.5.7 = \markup { \normal-size-super "maj7" }
- <<c es ges>>-\markup { \super "o" } % should be $\circ$ ?
- <<c es ges bes>>-\markup { \super \combine "o" "/" }
- <<c es ges beses>>-\markup { \super "o7" }
+ <c es ges>-\markup { \super "o" } % should be $\circ$ ?
+ <c es ges bes>-\markup { \super \combine "o" "/" }
+ <c es ges beses>-\markup { \super "o7" }
}
efullJazzAlt = #(sequential-music-to-chord-exceptions efullmusicJazzAlt #f)
epartialmusicJazzAlt = \notes{
- <<c d>>1-\markup { \normal-size-super "2" }
- <<c es>>-\markup { "m" }
- <<c f>>-\markup { \normal-size-super "sus4" }
- <<c g>>-\markup { \normal-size-super "5" }
+ <c d>1-\markup { \normal-size-super "2" }
+ <c es>-\markup { "m" }
+ <c f>-\markup { \normal-size-super "sus4" }
+ <c g>-\markup { \normal-size-super "5" }
%% TODO, partial exceptions
- <<c es f>>-\markup { "m" }-\markup { \normal-size-super "sus4" }
- <<c d es>>-\markup { "m" }-\markup { \normal-size-super "sus2" }
+ <c es f>-\markup { "m" }-\markup { \normal-size-super "sus4" }
+ <c d es>-\markup { "m" }-\markup { \normal-size-super "sus2" }
}
epartialJazzAlt = #(sequential-music-to-chord-exceptions epartialmusicJazzAlt #f)
-jazzAltProperties =
-
-\sequential {
- \property ChordNames.majorSevenSymbol = #whiteTriangleMarkup
- \property ChordNames.chordNameSeparator = #(make-simple-markup "/")
- \property ChordNames.chordNameExceptionsFull = #efullJazzAlt
- \property ChordNames.chordNameExceptionsPartial = #epartialJazzAlt
- \property ChordNames.chordNameFunction = #jazz-chord-names
+jazzAltProperties = \sequential {
+ \set majorSevenSymbol = #whiteTriangleMarkup
+ \set chordNameSeparator = #(make-simple-markup "/")
+ \set chordNameExceptionsFull = #efullJazzAlt
+ \set chordNameExceptionsPartial = #epartialJazzAlt
+ \set chordNameFunction = #jazz-chord-names
}
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-
banterProperties = \sequential {
- \property ChordNames.chordNameFunction = #banter-chord-names
+ \set chordNameFunction = #banter-chord-names
}
\score{
- <
- \context ChordNames {
- \property ChordNames.instrument = #"Ignatzek (default)"
- \property ChordNames.instr = #"Def"
- \chs }
- \newcontext ChordNames {
- \property ChordNames.instrument = #"Alternative"
- \property ChordNames.instr = #"Alt"
+ <<
+ \new ChordNames {
+ \set instrument = #"Ignatzek (default)"
+ \set instr = #"Def"
+ \chs
+ }
+
+ \new ChordNames {
\jazzAltProperties
- \chs }
+ \set instrument = #"Alternative"
+ \set instr = #"Alt"
+ \chs
+ }
- % This is the banter style.
- % it gives exceedingly verbose (wide) names
- % making this file take up to 4 pages.
-
%{
- \newcontext ChordNames {
+
+ %% This is the Banter (1987) style. It gives exceedingly
+ %% verbose (wide) names, making the output file take up to 4 pages.
+ %% (FIXME: how big is is now?)
+ %% Turned off by default.
+
+ %% FIXME: use smaller font for Banter (or remove some esoteric
+ %% chords).
+
+ \new ChordNames {
\banterProperties
+ \set instrument = #"Banter"
+ \set instr = #"Ban"
\chs
- }
+ }
%}
- \context Staff \notes \transpose c c' { \chs }
- >
- \paper{
+
+ \new Staff \notes \transpose c c' { \chs }
+ >>
+ \paper {
indent = 3.\cm
- \translator {
+ \context {
\ChordNamesContext
- ChordName \override #'word-space = #1
\consists Instrument_name_engraver
}
}
projects / lilypond.git / blobdiff