-% scsii-menuetto.ly
-%
-% Solo Cello Suites
-% J. S. Bach
-%
-% Suite II part v
-% Menuetto I
-%
-% Copyright (c) 1995,1996,1997 Jan Nieuwenhuizen <jan@digicash.com>
-%
-% The purpose of this file is to demonstrate features of LilyPond.
-% (there is an accompanying LaTeX file, scsii-menuetto.tex)
-%
+\header{
+filename = "scsii-menuetto.ly";
+title = "Cello Suite II";
+subtitle = "Part V";
+instrument = "Menuetto I"; % duh
+description = "Cello suite transcribed for Viola";
+source = "?";
+opus = "BWV 1008 no. 5";
+composer = "Johann Sebastian Bach (1685-1750)";
+enteredby = "JCN";
+copyright = "public domain";
+}
+
+%{
+ Tested Features:breaking algorithm, chords, multivoice, accents
+%}
+\version "0.1.7";
+
+%% Stuff from MPP version
% \lefttitle{Menuetto}
% \tempo{Moderato}
% \metron{4=120}
%
-% \meter{3/4}
-% \key\F % key is F ( f-major )
-% \clef\alto % use alto clef
-% \duration8 % default duration is 'eight note
+% \key\F % \key is F ( f-major )
%
-% \verb{\nobarnumbers} % issue MusiXTeX command
-% \barnumbering0
% \slope{30} % Fool MusiXTeX into 30 / 10 steeper beam
-% \stemlength3 % shorter stemlength
% % because piece is set very tightly
-%%1 % double comments are included in .tex file
-ii_menuetto = music {
- $\clef"alto"
- \key {bes}
- \octave{}
- \duration{8}
- { a2 f2 d2_"\f" } bes4-. |
+
+IImenuetto = \melodic{
+ \clef"alto";
+ \property Staff.instrument = cello
+ \meter 3/4;
+ \key bes;
+ \octave c';
+
+ \duration 8;
+ < a2 f2 d2 \f > bes4-. |
%%2
- { [ bes^"1" e c_"2"_"4" }
-% (^ )
- a bes-. g-. ] a4-.^"4" |
+ \textstyle "finger"; % ugh.
+
+ < [ bes8^"1" e8 c8_"2"_"4" >
+ a8 bes8-. g8-. ] a4-.^"4" |
+
%%3
-% { d4 `bes4-.\stemup } stemup: 2 voices?
- { d4 `bes4-. } g4-. [ f-. e-. ] |
+ < d4 'bes4-. > g4-. [ f8-. e8-. ] |
%%4
-% { f `a } (^ e ) d cis-. `b-. `a-. ]
-% [ f ( e ) d cis-. `b-. `a-. ]
- { [ f `a } e d cis-. `b-. `a-. ]
+ < [ f8 'a > e8 d8 cis8-. 'b8-. 'a8-. ]
%%5
- { a2 f2 d2 } bes4-. | % @bes4-. |
+ < a2 f2 d2 > bes!4-. |
%%6
-% { bes( e } ) a
- { [ bes e } a bes-. g-. ]
- 'c4-. | % ='c4-. |
+ < [ bes8 e8 > a8 bes8-. g8-. ]
+ c'!4-. |
%%7
- { a4-. f4}
-% { 'd4-.-\upbow f4 `bes4\stemdown }
- { 'd4-.-\upbow f4 `bes4 }
-% { 'e4-.-\downbow g4 `g4\stemdown } |
- { 'e4-.-\downbow g4 `g4 } |
+ < a4-. f4>
+ < d'4-.-\upbow f4 'bes4 >
+ < e'4-.-\downbow g4 'g4 > |
%%8
-% { 'cis2.-\upbow e2. `a2.\stemdown } :|:%%sorry!!
- { 'cis2.-\upbow e2. `a2. } \bar ":|:"%%!! sorry!
+ < cis'2.-\upbow e2. 'a2. >
+ \bar ":|:";
%%9
- \clef "violin"
-% { 'e2 a2_f\stemdown }
- { 'e2 a2_"\f" }
- [ 'd( 'e16 )'f16 ] |
+ \clef "violin";
+ < e'2 a2 \f >
+ [ d'8( e'16 )f'16 ] |
%%10
-% [ { 'e( g } ) 'd 'cis_{ }_{ }_2 'e
- { [ 'e g } 'd 'cis_"2" 'e a( )g ] |
+ < [ e'8 g8 > d' cis'_"2" e' a () g8 ] |
%%11
-% { a4\stemup( f2\stemdown } ) 'd4\stemup
-% { 'cis4\stemup-. e4\stemdown }
- { \multivoice \music {\stem{1} a4(\stem{1}) 'd4 'cis4-. } \music { \stem{-1} f2 e4 } } |
+ \multi 2 <
+ {\stemup a4() d'4 cis'4-. }
+ { \stemdown f2 e4 } > |
+ \stemboth
%%12
-% { 'g^4 d\stemdown } (^ 'f 'e ) 'f 'd^3(^ ) ='c ] |
- { [ 'g^"4" d } 'f 'e 'f 'd^"3"( ) 'c ] |
-% %13
-% { bes2\stemup g4\stemdown } ( ) f4
-% { 'c4\stemup e4\stemdown }
-% { bes2 g4 } f4 { 'c4 e4 } |
- \clef "alto"%
- { \multivoice
- \music { \stem{1} bes2 'c4 }
- \music { \stem{-1} g4(\stem{-1}) f4 e4 }% ugh
- } |
-%%%14
-%% [ { a( f } ) g a f ] { 'd4-\upbow e4 `bes4\stemdown } |
- { [ a f } g a f ] { 'd4-\upbow e4 `bes4 } |
-%%%15
-%% { 'c4-\downbow f4 `a4\stemdown } [ bes( )a g a ] |
-% { 'c4-\downbow f4 `a4 } [ bes( )a g a ] |
-%%%16
- [ f( e )f a-. g-. bes-. ] |
-%% \tighten % use one line less
-%% \newline % start new line
-%% |
-%%%17
-%% { a2^0^\tr fis2_3 } bes4 |
- { a2^"0" fis2_"3" } bes4 |
-%%%18
-%% [ { 'c( es } ) bes 'c a ] fis4^\tr |
- { \music{ [ 'c( )bes 'c a ] } \music{ [ es ] } } fis4 |
-%%%19
- { 'd4-\downbow g4 `bes4 } { 'c4-\upbow g4 c4 } { [ bes d } a ] |
-%%%20
-%% [ { 'c( d `g } bes a ) bes g ( ) bes ] |
- { \music{ [ 'c( bes a )bes g( )bes ] } \music{ [ d ] } \music{ [ g ] } } |
-%%%21
-%% { 'd4\stemup g2\stemdown } (^ ) 'cis4\stemup { 'd4\stemup =f4\stemdown } |
- { \multivoice \music {\stem{1} 'd4(\stem{1} ) 'cis4 'd4 } \music { \stem{-1} g2 f4 } } |
-%%%22
-%% [ { g( cis } )f g e ] { f4 d4 } |
- { \music{ [ g( )f g e ] } \music{ [ cis ] } } { f4 d4 } |
-%%%23
-%% [ `g g ] { e4.\stemup^\tr `a4.\stemdown } d\stemup-\upbow |
- [ `g g ] { e4. `a4. } d-\upbow |
-%%%24
-%% { d2.^{fine} `a2. `d2.\stemup_{ }_{ }_{3 mins.}} s4 :||
-%% { \textstyle "italic" d2.^"fine" `a2. \textstyle "roman" `d2._"3 mins."} | % :||
- { d2.^"fine" `a2. `d2._"3 mins."} \bar ":||"
-%% \tighten % use one line less
- $
+ < [ g'8^"4" d8 > f' e' f' d'^"3"() c' ] |
+%%13
+ \clef "alto";
+ \multi 2 <
+ { \stemup bes2 c'4 }
+ { \stemdown g4() f4 e4 }% ugh
+ > |
+ \stemboth
+%%14
+ < [ a8 f8 > g8 a8 f8 ] < d'4-\upbow e4 'bes4 > |
+%%15
+ < c'4-\downbow f4 'a4 > [ bes8() a8 g8 a8 ] |
+%%16
+ [ f( e8 )f a8-. g8-. bes8-. ] |
+%%17
+ < a2^"0" fis2_"3" > bes4 |
+%%18
+ < { [ c'8 () bes8 c' a8 ] } es8 > fis4 |
+%%19
+ < d'4-\downbow g4 'bes4 > < c'4-\upbow g4 c4 > < [ bes8 d8 > a8 ] |
+%%20
+ < { [ c'8 ( bes8 a8 )bes g() bes8 ] } d8 g8 > |
+%%21
+ \multi 2 <
+ {\stemup d'4( \stemup )cis'4 d'4 }
+ { \stemdown g2 f4 }
+ > |
+ \stemboth
+%%22
+ < { [ g8 () f8 g8 e8 ] } cis8 > < f4 d4 > |
+%%23
+ [ 'g8 g8 ] < e4. 'a4. > d8-\upbow |
+%%24
+ \textstyle "roman"; % ugh
+ < d2.^"fine" 'a2. 'd2._"3 mins.">
+ \bar ":|";
}
-score {
- staff {
- melodic music { ii_menuetto }
- }
- commands {
- meter {3 * 4}
+\score{
+ \melodic{
+ \IImenuetto
}
- paper {
- symboltables { table_sixteen }
- width 195mm
- unitspace 9mm % to get lily to use only three lines
- geometric 1.4
- output "scsii-menuetto.out"
+ \paper{
+ linewidth= 150.0\mm;
+ \output "scsii-menuetto.out";
}
- midi {
- tempo 4:120
- output "scsii-menuetto.midi"
+ \midi{
+ \tempo 4 = 120;
+ \output "scsii-menuetto.midi";
}
}
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