release: 0.1.7

[lilypond.git] / input / scsii-menuetto.ly

diff --git a/input/scsii-menuetto.ly b/input/scsii-menuetto.ly
index 85c6a8e1e1df341b09fa54d37322ac5a62177471..35ba9023f2ef40a1fd3c6e805bdb959eae87147c 100644 (file)
--- a/input/scsii-menuetto.ly
+++ b/input/scsii-menuetto.ly
@@ -1,16 +1,21 @@
-% scsii-menuetto.ly
-%
-% Solo Cello Suites
-% J. S. Bach
-%
-% Suite II part v
-% Menuetto I
-%
-% Copyright (c) 1995,1996,1997 Jan Nieuwenhuizen <jan@digicash.com>
-% 
-% The purpose of this file is to demonstrate features of LilyPond.
-% (there is an accompanying LaTeX file, scsii-menuetto.tex)
-%
+%{MudelaHeader
+
+ filename: scsii-menuetto.ly
+ title: Solo Cello Suites, Suite II part V, Menuetto I
+ description: Cello suite transcribed for Viola
+ source: ?
+ opus: BWV 1008 no. 5
+ composers: Johann Sebastian Bach (1685-1750)
+ entered-by: JCN
+ copyright: public domain
+
+ Tested Features:breaking algorithm, chords, multivoice, accents
+
+
+EndMudelaHeader
+%}
+
+\version "0.1.1";
 
 %% Stuff from MPP version
 % \lefttitle{Menuetto}
@@ -20,89 +25,95 @@
 % \key\F               % \key is F ( f-major )
 %
 % \slope{30}           % Fool MusiXTeX into 30 / 10 steeper beam
-% \stemlength3         % shorter \stemlength
 %              % because piece is set very tightly
 
-ii_menuetto = \melodic{
-       \clef"alto"
-       \meter{3/4}
-       \key {bes}
-       \octave{c}
+IImenuetto = \melodic{
+       \clef"alto";
+       \meter 3/4;
+       \key bes;
+       \octave c';
 
-       \duration{8}
-       < a2 f2 d2 df > bes4-.  |
+       \duration 8;
+               < a2 f2 d2 \f > bes4-.  |
 %%2
-       < [ bes^"1" e c_"2"_"4" >
+       < [ bes8^"1" e c_"2"_"4" >
                a bes-. g-. ] a4-.^"4" |
 %%3
-       < d4 'bes4-. > g4-. [ f-. e-. ] |
+       < d4 'bes4-. > g4-. [ f8-. e-. ] |
 %%4
        < [ f 'a > e d cis-. 'b-. 'a-. ]
 %%5
-       < a2 f2 d2 > bes4-. | %   @bes4-. |
+       < a2 f2 d2 > bes!4-. |
 %%6
-       < [ bes e > a bes-. g-. ]
-       c'4-. | % =c'4-. |
+       < [ bes8 e > a bes-. g-. ]
+       c'!4-. |
 %%7
        < a4-. f4>
-       < d'4-.-upbow f4 'bes4 >
-       < e'4-.-downbow g4 'g4 > |
+       < d'4-.-\upbow f4 'bes4 >
+       < e'4-.-\downbow g4 'g4 > |
 %%8
-       < cis'2.-upbow e2. 'a2. > \bar ":|:"%%!! sorry!
+       < cis'2.-\upbow e2. 'a2. > 
+               \bar ":|:";
 %%9
-       \clef "violin"
-       < e'2 a2 df >
-       [ d'( e'16 )f'16 ] |
+       \clef "violin";
+       < e'2 a2 \f >
+       [ d'8( e'16 )f'16 ] |
 %%10
-       < [ e' g > d' cis'_"2" e' a( )g ] |
+       < [ e'8 g > d' cis'_"2" e' a~  g ] |
 %%11
-       < \multivoice  
-               {\stem{1} a4(\stem{1}) d'4 cis'4-. }
-               { \stem{-1} f2 e4 } > |
+       < \multi 2;  
+               {\stem \up; a4~  d'4 cis'4-. }
+               { \stem \down; f2 e4 } > |
 %%12
-       < [ g'^"4" d > f' e' f' d'^"3"( ) c' ] |
+       < [ g'8^"4" d > f' e' f' d'^"3"~   c' ] |
 %%13
-       \clef "alto"% 
-       < \multivoice
-                { \stem{1} bes2 c'4 }
-                { \stem{-1} g4(\stem{-1}) f4 e4 }% ugh
+       \clef "alto";
+       < \multi 2;
+                { \stem \up; bes2 c'4 }
+                { \stem \down; g4~  f4 e4 }% ugh
        > |
 %%14
-       < [ a f > g a f ] < d'4-upbow e4 'bes4 > |
+       < [ a8 f > g a f ] < d'4-\upbow e4 'bes4 > |
 %%15
-       < c'4-\downbow f4 'a4 > [ bes( )a g a ] |
+       < c'4-\downbow f4 'a4 > [ bes8~  a g a ] |
 %%16
        [ f( e )f a-. g-. bes-. ] |
 %%17
        < a2^"0" fis2_"3" > bes4 |
 %%18
-       < { [ c'( )bes c' a ] } { [ es ] } > fis4 |
+       < { [ c'8~  bes c' a ] } { [ es ] } > fis4 |
 %%19
-       < d'4-downbow g4 'bes4 > < c'4-upbow g4 c4 > < [ bes d > a ] |
+       < d'4-\downbow g4 'bes4 > < c'4-\upbow g4 c4 > < [ bes8 d > a ] |
 %%20
-       < { [ c'( bes a )bes g( )bes ] } { [ d ] } { [ g ] } > |
+       < { [ c'8 ( bes a )bes g~  bes ] } { [ d ] } { [ g ] } > |
 %%21
-       < \multivoice  {\stem{1}  d'4(\stem{1} ) cis'4 d'4 }  { \stem{-1} g2 f4 } > |
+       < \multi 2;  
+               {\stem \up;  d'4 (\stem \up; ) cis'4 d'4 }  
+               { \stem \down; g2 f4 } 
+       > |
 %%22
-       < { [ g( )f g e ] } { [ cis ] } > < f4 d4 > |
+       < { [ g8 ~  f g e ] } { [ cis ] } > < f4 d4 > |
 %%23
-       [ 'g g ] < e4. 'a4. > d-upbow |
+       [ 'g8 g ] < e4. 'a4. > d-\upbow |
 %%24
-       < d2.^"fine" 'a2. 'd2._"3 mins."> \bar ":|" % \bar ":||"
+       < d2.^"fine" 'a2. 'd2._"3 mins."> 
+       \bar ":|";
 %% \tighten            % use one line less
        
 }
 
 \score{
-       \staff{ $ii_menuetto }
+       \melodic{ 
+               \id "Staff" "cello"; \IImenuetto 
+       }
        \paper{
-               \width 195\mm
-               \unitspace 9\mm  % to get lily to use only three lines
-               \geometric 1.4
-               \output "scsii-menuetto.out"
+               unitspace= 9.0\mm  ;% to get lily to use only three lines
+               geometric= 1.40;
+               linewidth= 195.0\mm;
+               \output "scsii-menuetto.out";
        }
        \midi{ 
-               \tempo 4:120
-               \output "scsii-menuetto.midi"
+               \tempo 4 = 120;
+               \output "scsii-menuetto.midi";
        }
 }