-% scsii-menuetto.ly
-%
-% Solo Cello Suites
-% J. S. Bach
-%
-% Suite II part v
-% Menuetto I
-%
-% Copyright (c) 1995,1996,1997 Jan Nieuwenhuizen <jan@digicash.com>
-%
-% The purpose of this file is to demonstrate features of LilyPond.
-% (there is an accompanying LaTeX file, scsii-menuetto.tex)
-%
+%{MudelaHeader
+
+ filename: scsii-menuetto.ly
+ title: Solo Cello Suites, Suite II part V, Menuetto I
+ description: Cello suite transcribed for Viola
+ source: ?
+ opus: BWV 1008 no. 5
+ composers: Johann Sebastian Bach (1685-1750)
+ entered-by: JCN
+ copyright: public domain
+
+ Tested Features:breaking algorithm, chords, multivoice, accents
+
+EndMudelaHeader
+%}
+
+\version "0.1.1";
+
+%% Stuff from MPP version
% \lefttitle{Menuetto}
% \tempo{Moderato}
% \metron{4=120}
%
-% \meter{3/4}
% \key\F % \key is F ( f-major )
-% \clef\alto % use alto \clef
-% \duration8 % default \duration is eight' note
%
-% \verb{\no\barnumbers} % issue MusiXTeX \co\mmand
-% \barnumbering0
% \slope{30} % Fool MusiXTeX into 30 / 10 steeper beam
-% \stemlength3 % shorter \stemlength
% % because piece is set very tightly
-%%1 % double co\mments are included in .tex file
-ii_menuetto = \music {
- \clef"alto"
- \key {bes}
- \octave{}
- \duration{8}
- { a2 f2 d2_"\f" } bes4-. |
+
+IImenuetto = \melodic{
+ \clef"alto";
+ \meter 3/4;
+ \key bes;
+ \octave c';
+
+ \duration 8;
+ < a2 f2 d2 \f > bes4-. |
%%2
- { [ bes^"1" e c_"2"_"4" }
-% (^ )
- a bes-. g-. ] a4-.^"4" |
+ < [ bes8^"1" e c_"2"_"4" >
+ a bes-. g-. ] a4-.^"4" |
%%3
-% { d4 `bes4-.\stemup } \stemup: 2 \voices?
- { d4 `bes4-. } g4-. [ f-. e-. ] |
+ < d4 'bes4-. > g4-. [ f8-. e-. ] |
%%4
-% { f `a } (^ e ) d cis-. `b-. `a-. ]
-% [ f ( e ) d cis-. `b-. `a-. ]
- { [ f `a } e d cis-. `b-. `a-. ]
+ < [ f 'a > e d cis-. 'b-. 'a-. ]
%%5
- { a2 f2 d2 } bes4-. | % @bes4-. |
+ < a2 f2 d2 > bes!4-. |
%%6
-% { bes( e } ) a
- { [ bes e } a bes-. g-. ]
- c'4-. | % =c'4-. |
+ < [ bes8 e > a bes-. g-. ]
+ c'!4-. |
%%7
- { a4-. f4}
-% { d'4-.-\upbow f4 `bes4\stemdown }
- { d'4-.-\upbow f4 `bes4 }
-% { e'4-.-\downbow g4 `g4\stemdown } |
- { e'4-.-\downbow g4 `g4 } |
+ < a4-. f4>
+ < d'4-.-\upbow f4 'bes4 >
+ < e'4-.-\downbow g4 'g4 > |
%%8
-% { cis'2.-\upbow e2. `a2.\stemdown } :|:%%sorry!!
- { cis'2.-\upbow e2. `a2. } \bar ":|:"%%!! sorry!
+ < cis'2.-\upbow e2. 'a2. >
+ \bar ":|:";
%%9
- \clef "violin"
-% { e'2 a2_f\stemdown }
- { e'2 a2_"\f" }
- [ d'( e'16 )f'16 ] |
+ \clef "violin";
+ < e'2 a2 \f >
+ [ d'8( e'16 )f'16 ] |
%%10
-% [ { e'( g } ) d' cis'_{ }_{ }_2 e'
- { [ e' g } d' cis'_"2" e' a( )g ] |
+ < [ e'8 g > d' cis'_"2" e' a~ g ] |
%%11
-% { a4\stemup( f2\stemdown } ) d'4\stemup
-% { cis'4\stemup-. e4\stemdown }
- { \multi\voice \\music {\stem{1} a4(\stem{1}) d'4 cis'4-. } \\music { \stem{-1} f2 e4 } } |
+ < \multi 2;
+ {\stem \up; a4~ d'4 cis'4-. }
+ { \stem \down; f2 e4 } > |
%%12
-% { g'^4 d\stemdown } (^ f' e' ) f' d'^3(^ ) =c' ] |
- { [ g'^"4" d } f' e' f' d'^"3"( ) c' ] |
-% %13
-% { bes2\stemup g4\stemdown } ( ) f4
-% { c'4\stemup e4\stemdown }
-% { bes2 g4 } f4 { c'4 e4 } |
- \clef "alto"%
- { \multi\voice
- \\music { \stem{1} bes2 c'4 }
- \\music { \stem{-1} g4(\stem{-1}) f4 e4 }% ugh
- } |
-%%%14
-%% [ { a( f } ) g a f ] { d'4-\upbow e4 `bes4\stemdown } |
- { [ a f } g a f ] { d'4-\upbow e4 `bes4 } |
-%%%15
-%% { c'4-\downbow f4 `a4\stemdown } [ bes( )a g a ] |
-% { c'4-\downbow f4 `a4 } [ bes( )a g a ] |
-%%%16
+ < [ g'8^"4" d > f' e' f' d'^"3"~ c' ] |
+%%13
+ \clef "alto";
+ < \multi 2;
+ { \stem \up; bes2 c'4 }
+ { \stem \down; g4~ f4 e4 }% ugh
+ > |
+%%14
+ < [ a8 f > g a f ] < d'4-\upbow e4 'bes4 > |
+%%15
+ < c'4-\downbow f4 'a4 > [ bes8~ a g a ] |
+%%16
[ f( e )f a-. g-. bes-. ] |
-%% \tighten % use one line less
-%% \newline % \start new line
-%% |
-%%%17
-%% { a2^0^\tr fis2_3 } bes4 |
- { a2^"0" fis2_"3" } bes4 |
-%%%18
-%% [ { c'( es } ) bes c' a ] fis4^\tr |
- { \\music{ [ c'( )bes c' a ] } \\music{ [ es ] } } fis4 |
-%%%19
- { d'4-\downbow g4 `bes4 } { c'4-\upbow g4 c4 } { [ bes d } a ] |
-%%%20
-%% [ { c'( d `g } bes a ) bes g ( ) bes ] |
- { \\music{ [ c'( bes a )bes g( )bes ] } \\music{ [ d ] } \\music{ [ g ] } } |
-%%%21
-%% { d'4\stemup g2\stemdown } (^ ) cis'4\stemup { d'4\stemup =f4\stemdown } |
- { \multi\voice \\music {\stem{1} d'4(\stem{1} ) cis'4 d'4 } \\music { \stem{-1} g2 f4 } } |
-%%%22
-%% [ { g( cis } )f g e ] { f4 d4 } |
- { \\music{ [ g( )f g e ] } \\music{ [ cis ] } } { f4 d4 } |
-%%%23
-%% [ `g g ] { e4.\stemup^\tr `a4.\stemdown } d\stemup-\upbow |
- [ `g g ] { e4. `a4. } d-\upbow |
-%%%24
-%% { d2.^{fine} `a2. `d2.\stemup_{ }_{ }_{3 mins.}} s4 :||
-%% { \textstyle "italic" d2.^"fine" `a2. \textstyle "roman" `d2._"3 mins."} | % :||
- { d2.^"fine" `a2. `d2._"3 mins."} \bar ":|" % \bar ":||"
+%%17
+ < a2^"0" fis2_"3" > bes4 |
+%%18
+ < { [ c'8~ bes c' a ] } { [ es ] } > fis4 |
+%%19
+ < d'4-\downbow g4 'bes4 > < c'4-\upbow g4 c4 > < [ bes8 d > a ] |
+%%20
+ < { [ c'8 ( bes a )bes g~ bes ] } { [ d ] } { [ g ] } > |
+%%21
+ < \multi 2;
+ {\stem \up; d'4 (\stem \up; ) cis'4 d'4 }
+ { \stem \down; g2 f4 }
+ > |
+%%22
+ < { [ g8 ~ f g e ] } { [ cis ] } > < f4 d4 > |
+%%23
+ [ 'g8 g ] < e4. 'a4. > d-\upbow |
+%%24
+ < d2.^"fine" 'a2. 'd2._"3 mins.">
+ \bar ":|";
%% \tighten % use one line less
}
-score {
- \staff {
- \melodic \music { ii_menuetto }
- }
- \co\mmands {
- \meter {3 * 4}
+\score{
+ \melodic{
+ \id "Staff" "cello"; \IImenuetto
}
- \paper {
- symbol\tables { \table_sixteen }
- \width 195\mm
- \unitspace 9\mm % to get lily to use only three lines
- \geometric 1.4
- \output "scsii-menuetto.out"
+ \paper{
+ unitspace= 9.0\mm ;% to get lily to use only three lines
+ geometric= 1.40;
+ linewidth= 195.0\mm;
+ \output "scsii-menuetto.out";
}
- \midi {
- \tempo 4:120
- \output "scsii-menuetto.\midi"
+ \midi{
+ \tempo 4 = 120;
+ \output "scsii-menuetto.midi";
}
}
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