2nd fuga transposed subject -- 4 bar excerpt.
We try to imitate the Griepenkerl/Keller edition which
gives the best approximation to Bach's original layout
-
%}
%{
Tested Features:
* organ staff...
%}
-\version "1.1.52";
+\version "1.3.59";
praeludium_commands = \notes {
\time 4/4;
- \key e;
+ \key e \major;
}
praeludium_right = \notes {
% 13
\context Staff <
- \context VoiceTwo { r4 }
- \context VoiceOne { \stemup s4 dis' cis cis ~ |
+ \context Voice = two { r4 }
+ \context Voice = one { \stemup s4 dis' cis cis ~ |
[cis8 a d cis] [bis gis] cis4 |
dis2 cis4 r8 cis }
- \context VoiceOne { \stemup bis2 }
- \context VoiceThree { \stemup \shifton r4 gis ~ [gis8 gis] ~ \stemdown \shiftoff gis4 |
+ \context Voice = one { \stemup bis2 }
+ \context Voice = three { \stemup \shifton r4 gis ~ [gis8 gis] ~ \stemdown \shiftoff gis4 |
a4. fis8 gis4. a8 ~ |
a4 gis4 gis r8 gis }
% { \stemup \shifton s4 fis4 e}
% a quick hack to avoid some collisons
- \context VoiceFour { \stemdown \shifton s4 fis4 e}
- \context VoiceTwo { \stemdown s4 dis4 cis4 }
+ \context Voice = four { \stemdown \shifton s4 fis4 e}
+ \context Voice = two { \stemdown s4 dis4 cis4 }
> |
%16
}
fugaII_commands = \notes{
\time3/4;
- \key e; % E-major
+ \key e \major; % E-major
}
fugaII_right = \notes \relative c'' {
\context Voice = VA { \stemup [b8 fis8] b4 }
\context Voice = VB { \stemdown fis2 }
>
- %{ this chord is usually set like this:
- |
- x||
- x||
- x|
- |x
- |
- %}
- \context Staff <
- { \stemup \shiftoff e4 }
- { \stemup \shifton cis }
- { \stemup \shifton ais }
- { \stemdown fis }
- > |
- %16
- \context Staff <
- \context VoiceOne { dis2 dis4 |
+
+ \context Staff \notes\relative c''<
+ \context Voice=one {
+ \property Voice.horizontalNoteShift=0
+ \property Voice.verticalDirection=1
+ e4
+ }
+ \context Voice=two {
+ \property Voice.verticalDirection=1
+ \property Voice.horizontalNoteShift=1
+ cis
+ }
+ \context Voice=three {
+ \property Voice.horizontalNoteShift=2
+ \property Voice.verticalDirection=1
+ ais
+ }
+ \context Voice=four {
+ \property Voice.verticalDirection=-1
+ \property Voice.horizontalNoteShift=-1
+ fis
+ }
+ >
+
+ %16
+ \context Staff <
+ \context Voice = one { dis2 dis4 |
cis2 cis4 |
b4. [cis8 dis e] }
- \context VoiceThree { \stemup \shifton [b8 fis] b2 ~ |
+ \context Voice = three { \stemup \shifton [b8 fis] b2 ~ |
[b8 a!16 gis] a2 ~ |
a4 gis2 }
- \context VoiceTwo { \stemdown fis2. ~ |
+ \context Voice = two { \stemdown fis2. ~ |
fis ~ |
fis4 e2 }
> |
%15
\context Staff <
- \context VoiceTwo { \stemdown b2 \stemup ais4 |
+ \context Voice = two { \stemdown b2 \stemup ais4 |
b2 b4 }
- \context VoiceTwo { \stemdown s2 e4 |
+ \context Voice = two { \stemdown s2 e4 |
fis2 fis4 }
>
\stemdown cis2 e4 |
\context Score <
\context PianoStaff <
\context Staff = treble {
+ \property Score.midiInstrument = "church organ"
\praeludium_right \breakmusic \fugaII_right }
\context Staff = bass {
\praeludium_left \breakmusic \fugaII_left }
>
\paper {
- \translator {
- \VoiceContext
- \name "VoiceOne";
- verticalDirection = "1";
- }
- \translator {
- \VoiceContext
- \name "VoiceTwo";
- verticalDirection = "-1";
- }
- \translator {
- \VoiceContext
- \name "VoiceThree";
- verticalDirection = "1";
- horizontalNoteShift = "1";
- }
- \translator {
- \VoiceContext
- \name "VoiceFour";
- verticalDirection = "-1";
- horizontalNoteShift = "1";
- }
- \translator {
- \StaffContext
-
- \accepts VoiceFour;
- \accepts VoiceThree;
- \accepts VoiceTwo;
- \accepts VoiceOne;
- }
+
\translator { \OrchestralScoreContext }
}