2nd fuga transposed subject -- 4 bar excerpt.
We try to imitate the Griepenkerl/Keller edition which
gives the best approximation to Bach's original layout
-
%}
%{
Tested Features:
* organ staff...
%}
-\version "1.0.6";
+\version "1.3.4";
\clef violin;
% 13 -- how to type -- where to split -- this more neatly?
- \type Staff <
- \type Voice = I \relative c'' { \stemup r4 dis4 e4. e8 ~ |
+ \context Staff <
+ \context Voice = I \relative c'' { \stemup r4 dis4 e4. e8 ~ |
\shifton e4 [d8 fis8] \shiftoff gis4 ~ [gis8 fis16 e ] |
fis4 ~ [fis8 e16 dis] e4 r8 e8 }
- \type Voice = III \relative c'' { \stemup \shifton r4 bis cis \shiftoff cis |
+ \context Voice = III \relative c'' { \stemup \shifton r4 bis cis \shiftoff cis |
a' ~ [a16 gis a b] \shifton dis,4 cis ~ |
[cis8 dis16 ais] bis4 cis r8 b }
- \type Voice = IV \relative c'' {
+ \context Voice = IV \relative c'' {
%\stemup
%{
\stemdown
\shifton s4 gis }
- \type Voice = II \relative c' { \stemdown
+ \context Voice = II \relative c' { \stemdown
% \shifton % idem
r4 fis \shiftoff gis gis |
\clef bass;
% 13
- \type Staff <
- { \stemup r4 dis' cis cis ~ |
+ \context Staff <
+ \context Voice = two { r4 }
+ \context Voice = one { \stemup s4 dis' cis cis ~ |
[cis8 a d cis] [bis gis] cis4 |
dis2 cis4 r8 cis }
- { \stemup bis2 }
- { \stemup \shifton r4 gis ~ [gis8 gis] ~ \stemdown \shiftoff gis4 |
+ \context Voice = one { \stemup bis2 }
+ \context Voice = three { \stemup \shifton r4 gis ~ [gis8 gis] ~ \stemdown \shiftoff gis4 |
a4. fis8 gis4. a8 ~ |
a4 gis4 gis r8 gis }
% { \stemup \shifton s4 fis4 e}
% a quick hack to avoid some collisons
- { \stemdown \shifton s4 fis4 e}
- { \stemdown s4 dis4 cis4 }
+ \context Voice = four { \stemdown \shifton s4 fis4 e}
+ \context Voice = two { \stemdown s4 dis4 cis4 }
> |
%16
}
\clef violin;
%15
- \type Staff <
- { \stemup [b8 fis8] b4 }
- { \stemdown fis2 }
+ \context Staff <
+ \context Voice = VA { \stemup [b8 fis8] b4 }
+ \context Voice = VB { \stemdown fis2 }
>
- %{ this chord is usually set like this:
- |
- x||
- x||
- x|
- |x
- |
- %}
- \type Staff <
- { \stemup \shiftoff e4 }
- { \stemup \shifton cis }
- { \stemup \shifton ais }
- { \stemdown fis }
- > |
- %16
- \type Staff <
- { \stemup dis2 dis4 |
+
+ \context Staff \notes\relative c''<
+ \context Voice=one {
+ \property Voice.horizontalNoteShift=0
+ \property Voice.verticalDirection=1
+ e4
+ }
+ \context Voice=two {
+ \property Voice.verticalDirection=1
+ \property Voice.horizontalNoteShift=1
+ cis
+ }
+ \context Voice=three {
+ \property Voice.horizontalNoteShift=2
+ \property Voice.verticalDirection=1
+ ais
+ }
+ \context Voice=four {
+ \property Voice.verticalDirection=-1
+ \property Voice.horizontalNoteShift=-1
+ fis
+ }
+ >
+
+ %16
+ \context Staff <
+ \context Voice = one { dis2 dis4 |
cis2 cis4 |
b4. [cis8 dis e] }
- { \stemup \shifton [b8 fis] b2 ~ |
+ \context Voice = three { \stemup \shifton [b8 fis] b2 ~ |
[b8 a!16 gis] a2 ~ |
a4 gis2 }
- { \stemdown fis2. ~ |
+ \context Voice = two { \stemdown fis2. ~ |
fis ~ |
fis4 e2 }
> |
\clef bass;
%15
- \type Staff <
- { \stemdown b2 \stemup ais4 |
+ \context Staff <
+ \context Voice = two { \stemdown b2 \stemup ais4 |
b2 b4 }
- { \stemdown s2 e4 |
+ \context Voice = two { \stemdown s2 e4 |
fis2 fis4 }
>
\stemdown cis2 e4 |
% these should be two separate scores...
\score{
- \type Score <
- \type GrandStaff <
- \type Staff = treble {
+ \context Score <
+ \context PianoStaff <
+ \context Staff = treble {
+ \property Score.midiInstrument = "church organ"
\praeludium_right \breakmusic \fugaII_right }
- \type Staff = bass {
+ \context Staff = bass {
\praeludium_left \breakmusic \fugaII_left }
>
- \type Staff = pedal {
+ \context Staff = pedal {
\praeludium_pedal \breakmusic \fugaII_pedal }
>
- \paper{}
+ \paper {
+
+ \translator { \OrchestralScoreContext }
+ }
\midi {
\tempo 4 =96; }