+\version "1.3.146"
\header {
- filename = "praeludium-fuga-E.ly";
- title = "praeludium and fuga in E-major";
- opus = "BWV 566";
- composer = "Johann Sebastian Bach (1685-1750)";
- enteredby = "JCN";
- copyright = "public domain";
+ filename = "praeludium-fuga-E.ly"
+ title = "praeludium and fuga in E-major"
+ opus = "BWV 566"
+ composer = "Johann Sebastian Bach (1685-1750)"
+ enteredby = "JCN"
+ copyright = "public domain"
}
%{
description
2nd fuga transposed subject -- 4 bar excerpt.
We try to imitate the Griepenkerl/Keller edition which
gives the best approximation to Bach's original layout
-
%}
%{
Tested Features:
* organ staff...
%}
-\version "1.0.14";
-praeludium_commands = \notes {
- \time 4/4;
- \key e;
+
+praeludiumCommands = \notes {
+ \time 4/4
+ \key e \major
}
-praeludium_right = \notes {
- \$praeludium_commands
- \clef violin;
+praeludiumRight = \notes {
+ \praeludiumCommands
+ \clef violin
% 13 -- how to type -- where to split -- this more neatly?
- \type Staff <
- \type Voice = I \relative c'' { \stemup r4 dis4 e4. e8 ~ |
- \shifton e4 [d8 fis8] \shiftoff gis4 ~ [gis8 fis16 e ] |
+ \context Staff <
+ \context Voice = I \relative c'' { \stemUp r4 dis4 e4. e8 ~ |
+ \shiftOn e4 [d8 fis8] \shiftOff gis4 ~ [gis8 fis16 e ] |
fis4 ~ [fis8 e16 dis] e4 r8 e8 }
- \type Voice = III \relative c'' { \stemup \shifton r4 bis cis \shiftoff cis |
- a' ~ [a16 gis a b] \shifton dis,4 cis ~ |
+ \context Voice = III \relative c'' { \stemUp \shiftOn r4 bis cis \shiftOff cis |
+ a' ~ [a16 gis a b] \shiftOn dis,4 cis ~ |
[cis8 dis16 ais] bis4 cis r8 b }
- \type Voice = IV \relative c'' {
+ \context Voice = IV \relative c'' {
- %\stemup
+ %\stemUp
%{
this is a diversion from the Griepenkerl/Keller
- edition; a hack to avoid collisions
+ edition a hack to avoid collisions
%}
- \stemdown
- \shifton s4 gis }
+ \stemDown
+ \shiftOn s4 gis }
- \type Voice = II \relative c' { \stemdown
-% \shifton % idem
+ \context Voice = II \relative c' { \stemDown
+% \shiftOn % idem
- r4 fis \shiftoff gis gis |
+ r4 fis \shiftOff gis gis |
a4. cis8 gis2 |
fis4 gis gis r8 e8 }
> |
% 16
}
-praeludium_left = \notes \relative c {
- \$praeludium_commands
- \clef bass;
+praeludiumLeft = \notes \relative c {
+ \praeludiumCommands
+ \clef bass
% 13
- \type Staff <
- \type VoiceTwo { r4 }
- \type VoiceOne { \stemup s4 dis' cis cis ~ |
+ \context Staff <
+ \context Voice = two { r4 }
+ \context Voice = one { \stemUp s4 dis' cis cis ~ |
[cis8 a d cis] [bis gis] cis4 |
dis2 cis4 r8 cis }
- \type VoiceOne { \stemup bis2 }
- \type VoiceThree { \stemup \shifton r4 gis ~ [gis8 gis] ~ \stemdown \shiftoff gis4 |
+ \context Voice = one { \stemUp bis2 }
+ \context Voice = three { \stemUp \shiftOn r4 gis ~ [gis8 gis] ~ \stemDown \shiftOff gis4 |
a4. fis8 gis4. a8 ~ |
a4 gis4 gis r8 gis }
-% { \stemup \shifton s4 fis4 e}
+% { \stemUp \shiftOn s4 fis4 e}
% a quick hack to avoid some collisons
- \type VoiceFour { \stemdown \shifton s4 fis4 e}
- \type VoiceTwo { \stemdown s4 dis4 cis4 }
+ \context Voice = four { \stemDown \shiftOn s4 fis4 e}
+ \context Voice = two { \stemDown s4 dis4 cis4 }
> |
%16
}
-praeludium_pedal = \notes \relative c{
- \$praeludium_commands
- \clef bass;
+praeludiumPedal = \notes \relative c{
+ \praeludiumCommands
+ \clef bass
%13
r4 fis,4-\ltoe e4.-\lheel e'8-\rheel |
}
-fugaII_commands = \notes{
- \time3/4;
- \key e; % E-major
+fugaIICommands = \notes{
+ \time3/4
+ \key e \major % E-major
}
-fugaII_right = \notes \relative c'' {
- \$fugaII_commands
- \clef violin;
+fugaIIRight = \notes \relative c'' {
+ \fugaIICommands
+ \clef violin
%15
- \type Staff <
- \type Voice = VA { \stemup [b8 fis8] b4 }
- \type Voice = VB { \stemdown fis2 }
+ \context Staff <
+ \context Voice = VA { \stemUp [b8 fis8] b4 }
+ \context Voice = VB { \stemDown fis2 }
>
- %{ this chord is usually set like this:
- |
- x||
- x||
- x|
- |x
- |
- %}
- \type Staff <
- { \stemup \shiftoff e4 }
- { \stemup \shifton cis }
- { \stemup \shifton ais }
- { \stemdown fis }
- > |
- %16
- \type Staff <
- \type VoiceOne { dis2 dis4 |
+
+ \context Staff \notes\relative c''<
+ \context Voice=one {
+ \property Voice.NoteColumn \override #'horizontal-shift = #0
+ \stemUp\slurUp\tieUp
+ e4
+ }
+ \context Voice=two {
+ \stemUp\slurUp\tieUp
+ \property Voice.NoteColumn \override #'horizontal-shift = #1
+ cis
+ }
+ \context Voice=three {
+ \property Voice.NoteColumn \override #'horizontal-shift = #2
+ \stemUp\slurUp\tieUp
+ ais
+ }
+ \context Voice=four {
+ \stemDown\slurDown\tieDown
+ \property Voice.NoteColumn \override #'horizontal-shift = #-1
+ fis
+ }
+ >
+
+ %16
+ \context Staff <
+ \context Voice = one { dis2 dis4 |
cis2 cis4 |
b4. [cis8 dis e] }
- \type VoiceThree { \stemup \shifton [b8 fis] b2 ~ |
+ \context Voice = three { \stemUp \shiftOn [b8 fis] b2 ~ |
[b8 a!16 gis] a2 ~ |
a4 gis2 }
- \type VoiceTwo { \stemdown fis2. ~ |
+ \context Voice = two { \stemDown fis2. ~ |
fis ~ |
fis4 e2 }
> |
%19
}
-fugaII_left = \notes {
- \$fugaII_commands
- \clef bass;
+fugaIILeft = \notes {
+ \fugaIICommands
+ \clef bass
%15
- \type Staff <
- \type VoiceTwo { \stemdown b2 \stemup ais4 |
+ \context Staff <
+ \context Voice = two { \stemDown b2 \stemUp ais4 |
b2 b4 }
- \type VoiceTwo { \stemdown s2 e4 |
+ \context Voice = two { \stemDown s2 e4 |
fis2 fis4 }
>
- \stemdown cis2 e4 |
+ \stemDown cis2 e4 |
b4. b8 b4 |
%19
}
-fugaII_pedal = \notes \relative c {
- \$fugaII_commands
- \clef bass;
+fugaIIPedal = \notes \relative c {
+ \fugaIICommands
+ \clef bass
%15
dis4.-\ltoe e8-\rtoe cis4 |
%19
}
-breakmusic = \notes {
- %\time4/4;
+breakmusic = \notes {
+ %\time4/4
r1
}
% these should be two separate scores...
\score{
- \type Score <
- \type PianoStaff <
- \type Staff = treble {
- \praeludium_right \breakmusic \fugaII_right }
- \type Staff = bass {
- \praeludium_left \breakmusic \fugaII_left }
+ \context Score <
+ \context PianoStaff <
+ \context Staff = treble {
+ \property Score.midiInstrument = "church organ"
+ \praeludiumRight \breakmusic \fugaIIRight }
+ \context Staff = bass {
+ \praeludiumLeft \breakmusic \fugaIILeft }
>
- \type Staff = pedal {
- \praeludium_pedal \breakmusic \fugaII_pedal }
+ \context Staff = pedal {
+ \praeludiumPedal \breakmusic \fugaIIPedal }
>
\paper {
- \translator {
- \VoiceContext
- \name "VoiceOne";
- ydirection = "1";
- }
- \translator {
- \VoiceContext
- \name "VoiceTwo";
- ydirection = "-1";
- }
- \translator {
- \VoiceContext
- \name "VoiceThree";
- ydirection = "1";
- hshift = "1";
- }
- \translator {
- \VoiceContext
- \name "VoiceFour";
- ydirection = "-1";
- hshift = "1";
- }
- \translator {
- \StaffContext
-
- \accepts VoiceFour;
- \accepts VoiceThree;
- \accepts VoiceTwo;
- \accepts VoiceOne;
- }
-% \translator { \OrchestralScoreContext }
+
+ \translator { \OrchestralScoreContext }
}
\midi {
- \tempo 4 =96; }
+ \tempo 4 =96 }
}
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