+\version "1.7.18"
\header {
- filename = "praeludium-fuga-E.ly";
- title = "praeludium and fuga in E-major";
- opus = "BWV 566";
- composer = "Johann Sebastian Bach (1685-1750)";
- enteredby = "JCN";
- copyright = "public domain";
+ filename = "praeludium-fuga-E.ly"
+ title = "praeludium and fuga in E-major"
+ opus = "BWV 566"
+ composer = "Johann Sebastian Bach (1685-1750)"
+ enteredby = "JCN"
+ copyright = "public domain"
}
%{
description
* organ staff...
%}
-\version "1.3.110";
-praeludium_commands = \notes {
- \time 4/4;
- \key e \major;
+
+praeludiumCommands = \notes {
+ \time 4/4
+ \key e \major
}
-praeludium_right = \notes {
- \$praeludium_commands
- \clef violin;
+praeludiumRight = \notes {
+ \praeludiumCommands
+ \clef violin
% 13 -- how to type -- where to split -- this more neatly?
\context Staff <
%\stemUp
%{
this is a diversion from the Griepenkerl/Keller
- edition; a hack to avoid collisions
+ edition a hack to avoid collisions
%}
\stemDown
\shiftOn s4 gis }
% 16
}
-praeludium_left = \notes \relative c {
- \$praeludium_commands
- \clef bass;
+praeludiumLeft = \notes \relative c {
+ \praeludiumCommands
+ \clef bass
% 13
\context Staff <
%16
}
-praeludium_pedal = \notes \relative c{
- \$praeludium_commands
- \clef bass;
+praeludiumPedal = \notes \relative c{
+ \praeludiumCommands
+ \clef bass
%13
r4 fis,4-\ltoe e4.-\lheel e'8-\rheel |
}
-fugaII_commands = \notes{
- \time3/4;
- \key e \major; % E-major
+fugaIICommands = \notes{
+ \time3/4
+ \key e \major % E-major
}
-fugaII_right = \notes \relative c'' {
- \$fugaII_commands
- \clef violin;
+fugaIIRight = \notes \relative c'' {
+ \fugaIICommands
+ \clef violin
%15
\context Staff <
\context Staff \notes\relative c''<
\context Voice=one {
- \property Voice.horizontalNoteShift=0
- \property Voice.verticalDirection=1
+ \property Voice.NoteColumn \override #'horizontal-shift = #0
+ \stemUp\slurUp\tieUp
e4
}
\context Voice=two {
- \property Voice.verticalDirection=1
- \property Voice.horizontalNoteShift=1
+ \stemUp\slurUp\tieUp
+ \property Voice.NoteColumn \override #'horizontal-shift = #1
cis
}
\context Voice=three {
- \property Voice.horizontalNoteShift=2
- \property Voice.verticalDirection=1
+ \property Voice.NoteColumn \override #'horizontal-shift = #2
+ \stemUp\slurUp\tieUp
ais
}
\context Voice=four {
- \property Voice.verticalDirection=-1
- \property Voice.horizontalNoteShift=-1
+ \stemDown\slurDown\tieDown
+ \property Voice.NoteColumn \override #'horizontal-shift = #-1
fis
}
>
%19
}
-fugaII_left = \notes {
- \$fugaII_commands
- \clef bass;
+fugaIILeft = \notes {
+ \fugaIICommands
+ \clef bass
%15
\context Staff <
%19
}
-fugaII_pedal = \notes \relative c {
- \$fugaII_commands
- \clef bass;
+fugaIIPedal = \notes \relative c {
+ \fugaIICommands
+ \clef bass
%15
dis4.-\ltoe e8-\rtoe cis4 |
%19
}
-breakmusic = \notes {
- %\time4/4;
+breakmusic = \notes {
+ %\time4/4
r1
}
\context PianoStaff <
\context Staff = treble {
\property Score.midiInstrument = "church organ"
- \praeludium_right \breakmusic \fugaII_right }
+ \praeludiumRight \breakmusic \fugaIIRight }
\context Staff = bass {
- \praeludium_left \breakmusic \fugaII_left }
+ \praeludiumLeft \breakmusic \fugaIILeft }
>
\context Staff = pedal {
- \praeludium_pedal \breakmusic \fugaII_pedal }
+ \praeludiumPedal \breakmusic \fugaIIPedal }
>
\paper {
}
\midi {
- \tempo 4 =96; }
+ \tempo 4 =96 }
}