\include "deutsch.ly"
-%% 19 is broken --hwn.
-%\include "paper19.ly"
-\include "paper16.ly"
-\version "1.9.1"
+#(set-global-staff-size 16)
+\version "2.1.22"
\header {
title = "Romanzen"
copyright = "Public Domain"
}
-u = { \translator Staff = up \stemDown }
-m = { \translator Staff = mid \stemUp }
-d = { \translator Staff = down \stemUp }
+u = { \change Staff = up \stemDown }
+m = { \change Staff = mid \stemUp }
+d = { \change Staff = down \stemUp }
forcedBreak = \break
global = \notes { \key fis \major \time 6/8
- \property Score.beatLength = #(ly:make-moment 3 8)
+ \set Score.beatLength = #(ly:make-moment 3 8)
\repeat volta 2 { s2.*8 } s2.*26 \bar "|."
}
righta = \notes \transpose c cis' {
% \stemUp \slurUp \tieUp
\stemUp
- \property Voice.Slur \override #'attachment = #'(stem . stem)
+ \override Slur #'attachment = #'(stem . stem)
\repeat volta 2 {
- \property Voice.TextScript \override #'extra-offset = #'(-8.0 . 2.5)
+ \override TextScript #'extra-offset = #'(-8.0 . 2.5)
\m a,16[^\p( \u c^\markup {
\large "Einfach ("
- \note #3 #0 #1
+ \note #"8" #1
\large " = 100)" }
a c ] \m g,[ \u c^3 ] \m b,[ \u c^2 b c] \m a,[ \u c^3]) |
- \property Voice.TextScript \revert #'extra-offset
+ \revert TextScript #'extra-offset
\m f,[( \u c f c] \m g,[ \u c^4] \m a,[ \u c^2 a c8 c16)] |
\m c16[( \u f c' f] \m b,[ \u f] \m d[ \u f^3 d' f^2] \m c[ \u f)^4] |
\m f,16[( \u c16^3 f c] \m g,[ \u c^4] \m a,[ \u c^2 a c8 c16)] |
}
\forcedBreak
\stemUp \slurUp \tieUp
- b4^5( <<a g>>8~<<a g>> a g^4 |
+ b4^5( <a g>8~<a g> a g^4 |
f4^5 e8^5~e d4)^4 |
- as4^4( <<g f>>8~<<g f>> g^5 f^4 |
+ as4^4( <g f>8~<g f> g^5 f^4 |
es4^5 d8^5~d c4)^4 |
- c^4( es8^5~<<es as,_1>> d^3 f) |
- e4^4( g8^5~<<g ces_4>> f^3 as) |
+ c^4( es8^5~<es as,_1> d^3 f) |
+ e4^4( g8^5~<g ces_4> f^3 as) |
g4^4 b8^5~b a c'^5~ |
c' b^4 ges^5 des^3 b,^5 \d ges,16[^4 f,] |
e,^2^\markup { \large "ritard..." } cis,^1 \u r8 r r4 r16 \d gis,^2^"R.H."] |
as' des'^1 c'8^\markup { \finger "2-3" } h~h c'16) \clef F e,16[(^2 f, g,] |
\forcedBreak
- as,[^5 h,,^2)] \clef G <<c a^3>>8[( <<c g^2>>16 c'] <<c es ges c'^5>>4.~
- <<c es ges c'>>8) s4 s8 r16 h^2( c' d' |
+ as,[^5 h,,^2)] \clef G <c a^3>8[( <c g^2>16 c'] <c es ges c'^5>4.~
+ <c es ges c'>8) s4 s8 r16 h^2( c' d' |
es' ges-1 f-2 a-1 c'-2 f'-4 \stemUp \tieUp e'-5 d' c' b-4 a^\prall^\markup { \finger "2-4-3" } g |
- f) f'-5( e'-5 d'-4 c'-3 f')-5 <<f^4 a^5>>4( <<e^3 g^5>>8 |
- <<a, f^4>>4 <<g, e^3>>8 f16^4 d'^5~ d'8.[ c'16^4] |
+ f) f'-5( e'-5 d'-4 c'-3 f')-5 <f^4 a^5>4( <e^3 g^5>8 |
+ <a, f^4>4 <g, e^3>8 f16^4 d'^5~ d'8.[ c'16^4] |
\forcedBreak
- < f8)^3_\pp \context Voice = another { \m a,16[ \u c8 c16] } > \m g,[ \u c_3] \m b,[^\markup { \finger "2-1" } \u c8 c16] \m a,[ \u c]~ | \stemBoth
+ << f8)^3_\pp \context Voice = another { \m a,16[ \u c8 c16] } >> \m g,[ \u c_3] \m b,[^\markup { \finger "2-1" } \u c8 c16] \m a,[ \u c]~ | \stemBoth
c16 c8_4 c c16~c c8_2 c c16~ |
c16 c8 c c16~c c8 c c16~ |
c16 c8 c c16 r4^\fermata r8 | \bar "|."
c_3 g,_2 es, g, h,_4 g, d, g, c g,8 f,16 |
c g, es, g, es c_3 as, c^2 d^3 c h, c |
e des b,\< des g e_3 ces_4 d_2 f^3 d cis d |
- \property Voice.PhrasingSlur \override #'extra-offset = #'(0 . 3)
- \property Voice.PhrasingSlur \override #'beautiful = #42
+ \override PhrasingSlur #'extra-offset = #'(0 . 3)
+ \override PhrasingSlur #'beautiful = #42
g\( fes des fes b g_3 es_1\! ges_2 a^3 ges f_1 ges_2 |
r ges_2 b des_1 ges b,_2 des ges,^1 b, \d des,^1 \stemDown \transpose c' c { b,[_1 as,] |
g,8 b,16[ g, e, cis,] d,\)_4 \< f, h, d_3 f_2 r16\! }
- \property Voice.PhrasingSlur \revert #'extra-offset
- \property Voice.PhrasingSlur \revert #'beautiful
+ \revert PhrasingSlur #'extra-offset
+ \revert PhrasingSlur #'beautiful
- \translator Staff=mid
+ \change Staff=mid
\relative c { \stemDown \slurDown
a4^1( g8^1 b4^1 a8^1 |
f8..^1 f32^1 g8^2 a4.)^1 |
c4^1( b8 d4 c8 |
f,8.. f32^1 g8^2 a4.) |
- a4^1( c8^1_\accent~[c b)] [g16^1( b^2] |
+ a4^1( c8^1_\accent~[c b)] g16^1([ b^2] |
c4)^1 es8^1~es d^1 f^1~ |
- \property PianoStaff.Arpeggio \override #'direction = #1
+ \override PianoStaff.Arpeggio #'direction = #1
f f8.. f32^1( as4.)^\fermata\arpeggio ~ |
- \property PianoStaff.Arpeggio \revert #'direction
+ \revert PianoStaff.Arpeggio #'direction
\stemUp \tieUp as r4 r8 |
}
s2. s
- \u s4. \grace {f8(} f4) e8 |
+ \u s4. \grace {
+ \override Stem #'stroke-style = #"grace"
+ f8(
+ \revert Stem #'stroke-style }
+ f4) e8 |
f g16_2 b_1 a_2 gis_1 c_2 h, c cis_1 d_2 b,_1 |
- \tieDown c4.~<<f, c >>16\< \tieBoth <<f h>>~ << f^3 h >>8[\>\! << e b^2>> \!] |
- \translator Staff=mid
+ \tieDown c4.~<f, c >16\< \tieBoth <f h>~ < f^3 h >8[\>\! < e b^2> \!] |
+ \change Staff=mid
\transpose c' c {
a4^1( g8^1 b4 a8^2 |
- f8..^1 f32^1 g8^2 a8..) \slurUp <<f f'^3>>32( <<g g'^4>>8 |
- <<a a'^5>>8..) <<f f'^3>>32( <<g g'^4>>8 <<a a'^5 >>4.\>) ~ |
+ f8..^1 f32^1 g8^2 a8..) \slurUp <f f'^3>32( <g g'^4>8 |
+ <a a'^5>8..) <f f'^3>32( <g g'^4>8 <a a'^5 >4.\>) ~ |
a~ a\!^\fermata \bar "|."
}
}
e4^1 d8^1~d c4)^1 |
}
\d \tieBoth \slurDown
- <
+ <<
\transpose c' c {
g4 a8~a f g | a4 g8~g f e |
d4 g8~g es f | g4 f8~f es d |
c4 r8 f4 as8~ | as g b as4 ces'8~ |
- ces' b des' c'4 \context Voice=another { \stemUp \tieUp <<es' es>>8~ |
+ ces' b des' c'4 \context Voice=another { \stemUp \tieUp <es' es>8~ |
es' des'4^1~ \stemDown des'8.[ c'16] }
}
\transpose c' c, {
g4(-4 a8-3~a f-5 g-4 | a4-3 g8-\markup { \finger "4-3" } ~g f-4 e-5 |
d4)-\markup { \finger "4-5" }( g8-3~g es f-4 | g4-3 f8-4~f es d-4 |
c4) r8 f4-4( as8-5~ | as g-4 b)-5 as4-5( ces'8-4~ |
- ces' b des'-4 c'4)-5( <<es'-4 es''>>8 |
+ ces' b des'-4 c'4)-5( <es'-4 es''>8 |
\stemDown \tieDown des'4.)_5~des'~ |
- \property Voice.NoteColumn \override #'horizontal-shift = #-1 des' s
+ \override NoteColumn #'horizontal-shift = #-1 des' s
}
- >
- \translator Staff=down \stemUp \slurUp \tieUp \phrasingSlurUp
+ >>
+ \change Staff=down \stemUp \slurUp \tieUp \phrasingSlurUp
f4^1( e8^1 g4^1 f8^1 |
d8..^1 d32^2 e8^1 f4.) |
a4^1( g8 b4 a8 |
d' d'8..^\accent d'32-1 s4. |
s2.*2
s8 r16 h\( c' d' es' as g8\arpeggio fis(
- ges)\) f16-2( a-1 c'-3 f')-1 \grace {\stemDown \slurUp b,[( f] \stemUp } e')-1( d' c' b-1 a-2\prall g
- f16)-4 f' <<c' e'>> d'-1 c'-2 h-1 s4.
+ ges)\) f16-2( a-1 c'-3 f')-1 \grace {
+ \override Stem #'stroke-style = #"grace"
+ \stemDown \slurUp b,[( f] \stemUp
+ \revert Stem #'stroke-style }
+ e')-1( d' c' b-1 a-2\prall g
+ f16)-4 f' <c' e'> d'-1 c'-2 h-1 s4.
s2.
f4^1( e8 g4 f8 |
d8..^1 d32-2 e8^1 f8..) d32^2( e8^1 |
a) c_3 f, c c'[ f_2] b, f b f_3 d' as |
h, as d' as h, as( f'4.)^\fermata\arpeggio_2 ~
\d \stemDown f'8. \clef G \stemBoth \tieBoth \phrasingSlurDown
- \transpose c c' { e16[_4( f g] as[ des_3] c8[_4 <<h, d f d'>>)]~ |
- <<h, d f d'>>} \clef F <<c_3 f_1>>[( <<b,_4 e^2>>] <<a,_5 eis^1>>8.) h,16_4\( c d |
+ \transpose c c' { e16[_4( f g] as[ des_3] c8[_4 <h, d f d'>)]~ |
+ <h, d f d'>} \clef F <c_3 f_1>[( <b,_4 e^2>] <a,_5 eis^1>8.) h,16_4\( c d |
\voiceTwo
es as,_3 g,8 fis,~fis, g,_4\arpeggio gis,_5~ |
- gis, <<a, c>>16\) r16 r8 r4 cis8( |
+ gis, <a, c>16\) r16 r8 r4 cis8( |
d) e( f16_4 d_5 c4.)_ \markup { \finger "4-3" }~ |
\oneVoice
c16( h,_4 c_3 cis_1 d_2 b,_3 a,_4 as,_1 g,8 c,8) |
- \translator Staff = down \stemDown \tieDown
+ \change Staff = down \stemDown \tieDown
f16^\pp c f, c e c-3 g c-2 f, c f c |
d c f, c-3 e c f c-2 f, c-3 e c |
f c-2 f, c-3 e c ~ c c8 c c16 ~ |
}
\score { \notes
- \context PianoStaff <
+ \context PianoStaff <<
\pianoCautionaries
- \property PianoStaff.NoteCollision \override #'merge-differently-dotted = ##t
- \property PianoStaff.connectArpeggios = ##t
- \property PianoStaff.Arpeggio \override #'molecule-callback = \arpeggioBracket
+ \override PianoStaff.NoteCollision #'merge-differently-dotted = ##t
+ \set PianoStaff.connectArpeggios = ##t
+ \override PianoStaff.Arpeggio #'print-function = \arpeggioBracket
- \property PianoStaff.InstrumentName \set #'font-relative-size = #3
- \property PianoStaff.InstrumentName \set #'font-shape = #'italic
- \property PianoStaff.InstrumentName \set #'font-magnification = #3
+ \override PianoStaff.InstrumentName #'font-size = #6
+ \override PianoStaff.InstrumentName #'font-shape = #'italic
+ \override PianoStaff.InstrumentName #'font-magnification = #3
- \property PianoStaff.instrument="2. "
+ \set PianoStaff.instrument = "2. "
\context Staff = up {
- \property Staff.DynamicLineSpanner \override #'direction = #-1
- \clef G <\global \context Voice=upv \righta >
+ \override Staff.DynamicLineSpanner #'direction = #-1
+ \clef G <<\global \context Voice=upv \righta >>
}
\context Staff = mid {
- \property Staff.InstrumentName \set #'font-relative-size = #0
- \property Staff.InstrumentName \set #'font-shape = #'upright
- \property Staff.InstrumentName \set #'font-magnification = #1
- \property Staff.InstrumentName \set #'extra-offset = #'(0 . 6)
- % \property Staff.instrument="\\begin{turn}{-90}{Rechte Hand}\\end{turn}"
- \property Staff.instrument= \markup { \column << Rechte Hand >> }
- \clef F <\global \context Voice=midv \rightb>
+ \override Staff.InstrumentName #'font-size = #0
+ \override Staff.InstrumentName #'font-shape = #'upright
+ \override Staff.InstrumentName #'font-magnification = #1
+ \override Staff.InstrumentName #'extra-offset = #'(0 . 6)
+ % \set Staff.instrument = "\\begin{turn}{-90}{Rechte Hand}\\end{turn}"
+ \set Staff.instrument = \markup { \column < Rechte Hand > }
+ \clef F <<\global \context Voice=midv \rightb>>
}
\context Staff = down {
- \property Staff.DynamicLineSpanner \override #'direction = #1
+ \override Staff.DynamicLineSpanner #'direction = #1
\clef F
- < \global \context Voice=lva \lefta \context Voice=lvb \leftb >
+ << \global \context Voice=lva \lefta \context Voice=lvb \leftb >>
}
- >
+ >>
\paper {
interscoreline = 0.0
interscorelinefill = 1