\header {
title = "Sängers Morgenlied"
- composer = "Franz Schubert"
+ composer = "Franz Schubert"
date = "27. Februar 1815"
source = "Edition Peters"
editor = "Paul Losse"
- enteredby="Rune Zedeler"
- maintainer="rune@zedeler.dk"
+ enteredby="Han-Wen Nienhuys"
+ maintainer="hanwen@xs4all.nl"
texidoc = "The source is a rather tightly set Peters in Edition is
a heavy font. The Peters edition (4622c) was `herausgegeben' by
systems. Lily does so too if you tune down spacing-increment, but
chooses line breaks differently.
+ Further manual tweaks: the slur in measure 12 has been flattened
+ manually. The beam in measure 3, left-hand, technically is wrong,
+ but has been added following the original.
+
"
}
-\version "2.1.3"
+\version "2.1.22"
manuscriptBreak = { \break }
+
+
+
\paper {
- staffheight = 6.0 \mm
-
- #(define fonts (scale-font-list (/ (* 6 mm) (* 20 pt)) ))
-
- \include "params-init.ly"
+ #(paper-set-staff-size (* 5.8 mm))
linewidth = #(* mm 160)
indent = 8\mm
+ interscoreline = 2.\mm
}
modernAccidentals = {
- \property Staff.extraNatural = ##f
- \property Staff.autoAccidentals = #'(Staff (same-octave . 0) (any-octave . 0) (same-octave . 3))
- \property Staff.autoCautionaries = #'()
+ \set Staff.extraNatural = ##f
+ \set Staff.autoAccidentals = #'(Staff (same-octave . 1) (any-octave . 0))
+ \set Staff.autoCautionaries = #'()
}
s1*0^\markup { \bold \large\bigger\bigger { \hspace #-3.0 Lieblich, etwas geschwind } }
R2.
r4 r8 c4 g8 |
- e4 c8 << { f8. g16 } \\ { f8.[ g16] } >> a8 |
+ e4 c8
+ <<
+ \new Voice { \stemUp f8. g16 }
+ { \stemDown f8.[ g16] } >> \stemBoth a8 |
fis4 g8 c16[ b a g] f[ e] |
d4 f8 a16[ g fis g] f[ d] |
g4. r8 gis gis |
g4.~ g8-\fermata g8 g |
as4 as8 g4 g8 |
fis4 fis8 r8 g g |
- a4 a8 g4 g8 |
+ a!4 a8 g4 g8 |
fis4 fis8 d'16[ c b a] g[ f] |
e4 g8 d4 g8 e4 r8 b'16[ c d b] g[ f] |
e4 g8 d4 a'16[ g] |
}
+ignoreMelisma = \set ignoreMelismata = ##t
+ignoreMelismaOff = \unset ignoreMelismata
+
+
firstVerse = \lyrics {
- \property LyricsVoice . stanza = "1."
+ \set stanza = "1."
- Sü -- ßes Licht! Aus gol -- de -- nen Pfor -- ten brichst du __ \manuscriptBreak
- sie -- gend durch __ die Nacht. Schö -- ner Tag, du __ bist er -- wacht. __ Mit \manuscriptBreak
- ge -- heim -- nis -- vol -- len Wor -- ten, in me -- lo -- di -- schen Ak -- kor -- den, grüß __ ich __ \manuscriptBreak
+ Sü -- ßes Licht! Aus
+ \ignoreMelisma
+ gol --
+ \ignoreMelismaOff
+
+ de -- nen Pfor -- ten brichst du __ \manuscriptBreak |
+ sie -- gend durch __ die Nacht. Schö -- ner Tag, du __ bist er -- wacht. __ Mit ge -- |
+ \manuscriptBreak
+ heim -- nis -- vol -- len Wor -- ten, in me -- lo -- di -- schen Ak -- kor -- den, grüß __ ich __ \manuscriptBreak |
dei -- ne Ro -- sen -- pracht, grüß ich __ dei -- ne Ro -- sen -- pracht.
}
secondVerse = \lyrics {
- \property LyricsVoice . stanza = "2."
-
- Ach, der Lie -- be sanf "" -- tes We -- hen schwellt mir
- das be -- weg -- te __ Herz, sanft, wie ein ge -- lieb -- ter Schmerz. __ Dürft ich
- nur auf gold -- nen Hö -- hen mich im Mor -- gen -- duft er -- ge -- hen! Sehn -- sucht
- zieht mich him -- mel -- wärts, Sehn -- sucht zieht mich him -- mel -- wärts
+ \set stanza = "2."
+ Ach, der Lie -- be sanf
+ -- tes We -- hen schwellt mir |
+ das be -- weg -- te __ Herz, sanft, wie ein ge -- lieb -- ter Schmerz. __ Dürft ich |
+ nur auf gold -- nen Hö -- hen mich im Mor -- gen -- duft er -- ge -- hen! Sehn -- sucht |
+ zieht mich him -- mel -- wärts, Sehn -- sucht zieht mich him -- mel -- wärts.
}
pianoRH = \notes \relative c''' \repeat volta 2 {
+ \modernAccidentals
g16(_\p fis a g fis g f e d c b a ) |
<g e>8( <es fis a> <d f b> <c e c'>) r8 r |
r8 c'( e,) f r a |
- \once \property Voice.DynamicLineSpanner \set #'padding =#3
+ \once \override DynamicLineSpanner #'padding =#3
r8_\> << { s8 s8-\! } << { fis( g)
} \\ { c,4 } >> >> r8 <e c g> <e c g> |
<d c a>4. r8 \clef bass <d b f> <d b f> |
- e,16_" "_\markup { \bold\italic cresc } g c g e g d gis b gis d gis |
+ e,16_" "_\markup { \bold\italic cresc. } g c g e g d gis b gis d gis |
c, e a e c e a,-\f d fis d a d |
b d g d b g r4\fermata \clef treble g''8 |
as4.( g 4.) | fis4. r4 <d g>8 ( |
r8 <e c g> <e c g> r <d b g > <d b g> |
r <e c g> <e c g> r <f d b g> <f d b g> |
r <e c g> <e c g> r <d b f> <d b f> |
- c16( b c e g b c b c e g <e b'>) |
+ c16(_\f b c e g b c b c e g <e b'>) |
<c c'>8 r r <c, g e>8 r r\fermata |
}
pianoLH = \notes \relative c'' \repeat volta 2 {
-
+ \modernAccidentals
g16( fis a g fis g f e d c b a) |
\clef bass g4.( c,8) r r
- \clef treble r4 <bes' c>8( <a c>) r <f c'> |
+ \clef treble r4 <bes' c>8([ <a c>)] r <f c'> |
\clef bass r8 dis( e) r c c |
f,4. r8 g g |
<c, c,>4. <e e,>4. |
g,8 r r g16 r16\fermata r8 g''8 |
as4.( g ) |
fis r4 <g b>8( |
- <f c'>4.) <g c>4.( | <a c>4.) <g b,> |
+ <f c'>4.)
+
+ \once \override Slur #'height-limit = #1.0
+
+ <g c>4.( | <a c>4.) <g b,> |
c,4 r8 g4 r8 |
c4 r8 g4 r8 |
c4 r8 g4 r8 |
\score {
<< \time 6/8
- \addlyrics
- \new Staff {
+ \new Staff <<
\context Staff \modernAccidentals
- \melody }
- \new Lyrics <<
- \context LyricsVoice = "singer-1" \firstVerse
- \context LyricsVoice = "singer-2" \secondVerse
- >>
+ \melody >>
+ \lyricsto "singer" \new Lyrics \firstVerse
+ \lyricsto "singer" \new Lyrics \secondVerse
\new PianoStaff <<
- \property PianoStaff.instrument = \markup {
+ \set PianoStaff.instrument = \markup {
\bold
- \huge "2. " }
+ \bigger\bigger\bigger\bigger \huge "2. " }
\new Staff \pianoRH
\new Staff \pianoLH
>>
\paper {
\translator {
- \LyricsVoiceContext
+ \LyricsContext
minimumVerticalExtent = #'(-1.0 . 0)
}
\translator {
\ScoreContext
- Beam \override #'thickness = #0.6
+ Beam \override #'thickness = #0.55
SpacingSpanner \set #'spacing-increment = #1.0
- Slur \set #'height-limit = #1.0
+ Slur \set #'height-limit = #1.5
+ }
+ \translator {
+ \PianoStaffContext
+ VerticalAlignment \override #'forced-distance = #10
+ }
+ \translator {
+ \StaffContext
+ minimumVerticalExtent = #'(-3. . 6)
+ }
+ }
+ \midi {
+ \tempo 4 = 70
}
- \translator { \PianoStaffContext
- VerticalAlignment \override #'forced-distance = #10
- }
-}
}
projects / lilypond.git / blobdiff