+++ /dev/null
-\version "2.12.0"
-\header {
-
-texidoc = " Chord names are generated from a list pitches. The
-functions which construct these names can be customised. Here are shown
-Jazz chords, following Ignatzek (pp. 17-18, 1995) and
-an alternative Jazz chord notation.
-
-Chords following Banter (1987) can also be printed from this file, but
-are turned off for brevity.
-
-"
-
-}
-
-chs = \transpose c' c'
-{
- <c e g>1
- <c es g>% m = minor triad
- <c e gis>
- <c es ges> \break
- <c e g bes>
- <c es g bes>
- <c e g b> % triangle = maj
- <c es ges beses>
- <c es ges b> \break
- <c e gis bes>
- <c es g b>
- <c e gis b>
- <c es ges bes>\break
- <c e g a> % 6 = major triad with added sixth
- <c es g a> % m6 = minor triad with added sixth
- <c e g bes d'>
- <c es g bes d'> \break
- <c es g bes d' f' a' >
- <c es g bes d' f' >
- <c es ges bes d' >
- <c e g bes des' > \break
- <c e g bes dis'>
- <c e g bes d' f'>
- <c e g bes d' fis'>
- <c e g bes d' f' a'>\break
- <c e g bes d' fis' as'>
- <c e gis bes dis'>
- <c e g bes dis' fis'>
- <c e g bes d' f' as'>\break
- <c e g bes des' f' as'>
- <c e g bes d' fis'>
- <c e g b d'>
- <c e g bes d' f' as'>\break
- <c e g bes des' f' as'>
- <c e g bes des' f' a'>
- <c e g b d'>
- <c e g b d' f' a'>\break
- <c e g b d' fis'>
- <c e g bes des' f ' a'>
- <c f g>
- <c f g bes>\break
- <c f g bes d'>
- <c e g d'> % add9
- <c es g f'>
-}
-
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% alternate Jazz notation
-
-efullmusicJazzAlt =
-{
- <c e gis>1-\markup { "+" }
- <c e g b>-\markup { \normal-size-super
- % \override #'(font-family . math) "N" }
- \override #'(font-family . math) "M" }
- %%c:3.5.7 = \markup { \override #'(font-family . math) "M" }
- %%c:3.5.7 = \markup { \normal-size-super "maj7" }
-
- <c es ges>-\markup { \super "o" } % should be $\circ$ ?
- <c es ges bes>-\markup { \super \combine "o" "/" }
- <c es ges beses>-\markup { \super "o7" }
-}
-
-efullJazzAlt = #(sequential-music-to-chord-exceptions efullmusicJazzAlt #f)
-
-epartialmusicJazzAlt = {
- <c d>1-\markup { \normal-size-super "2" }
- <c es>-\markup { "m" }
- <c f>-\markup { \normal-size-super "sus4" }
- <c g>-\markup { \normal-size-super "5" }
-
- %% TODO, partial exceptions
- <c es f>-\markup { "m" }-\markup { \normal-size-super "sus4" }
- <c d es>-\markup { "m" }-\markup { \normal-size-super "sus2" }
-}
-
-epartialJazzAlt = #(sequential-music-to-chord-exceptions epartialmusicJazzAlt #f)
-
-jazzAltProperties = \sequential {
- \set majorSevenSymbol = #whiteTriangleMarkup
- \set chordNameSeparator = #(make-simple-markup "/")
- \set chordNameExceptionsFull = #efullJazzAlt
- \set chordNameExceptionsPartial = #epartialJazzAlt
- \set chordNameFunction = #jazz-chord-names
-}
-
-banterProperties = \sequential {
- \set chordNameFunction = #banter-chord-names
-}
-
-\score{
- <<
- \new ChordNames {
- \set instrumentName = #"Ignatzek (default)"
- \set shortInstrumentName = #"Def"
- \chs
- }
-
- \new ChordNames {
- \jazzAltProperties
- \set instrumentName = #"Alternative"
- \set shortInstrumentName = #"Alt"
- \chs
- }
-
-%{
-
- %% This is the Banter (1987) style. It gives exceedingly
- %% verbose (wide) names, making the output file take up to 4 pages.
- %% (FIXME: how big is is now?)
- %% Turned off by default.
-
- %% FIXME: use smaller font for Banter (or remove some esoteric
- %% chords).
-
- \new ChordNames {
- \banterProperties
- \set instrumentName = #"Banter"
- \set shortInstrumentName = #"Ban"
- \chs
- }
-%}
-
- \new Staff \transpose c c' { \chs }
- >>
- \layout {
- indent = 3.\cm
- \context {
- \ChordNames
- \consists Instrument_name_engraver
- }
- }
-}
-