Merge commit 'origin'

[lilypond.git] / input / lsr / dodecaphonic-style-accidentals-for-each-note-including-naturals.ly

diff --git a/input/lsr/dodecaphonic-style-accidentals-for-each-note-including-naturals.ly b/input/lsr/dodecaphonic-style-accidentals-for-each-note-including-naturals.ly
index 2bbe754a774cf803b1905fb10add866bc9f203a7..f146956390057e99ca4d94ba1de24ea50d8f76d5 100644 (file)
--- a/input/lsr/dodecaphonic-style-accidentals-for-each-note-including-naturals.ly
+++ b/input/lsr/dodecaphonic-style-accidentals-for-each-note-including-naturals.ly
@@ -1,10 +1,9 @@
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% Do not edit this file; it is auto-generated from input/new
 %% This file is in the public domain.
-\version "2.11.51"
+%% Note: this file works from version 2.12.0
+\version "2.13.1"
 
 \header {
-  lsrtags = "pitches"
-
   doctitlees = "Alteraciones de estilo dodecafónico para todas las notas, incluidas las naturales"
   texidoces = "
 En las obras de principios del s.XX, empezando por Schoenberg, Berg y
@@ -19,39 +18,45 @@ notación.
 
 "
 
+ texidocde = "
+ In Werken des fürhen 20. Jahrhundert, angefangen mit Schönberg, Berg
+ und Webern (die zweite Wiener Schule), wird jeder Ton der 
+ Zwölftonleiter als gleichwertig erachtet, ohne hierarchische
+ Ordnung.  Deshalb wird in dieser Musik für jede Note ein Versetzungszeichen
+ ausgegeben, auch für unalterierte Tonhöhen, um das neue Verständnis
+ der Musiktheorie und Musiksprache zu verdeutlichen.
+ 
+ Dieser Schnipsel zeigt, wie derartige Notationsregeln zu erstellen sind.
+ "
+ 
+doctitlede = "Versetzungszeichen für jede Note im Stil der Zwölftonmusik"
 
-  texidoc = "
-In early 20th century works, starting with Schoenberg, Berg and Webern
-(the \"Second\" Viennese school), every pitch in the twelve-tone scale
-has to be regarded as equal, without any hierarchy such as the
-classical (tonal) degrees. Therefore, these composers print one
-accidental for each note, even at natural pitches, to emphasize their
-new approach to music theory and language.
+  lsrtags = "pitches"
+  texidoc = "In early 20th century works, starting with Schoenberg,
+Berg and Webern (the \"Second\" Viennese school), every pitch in the
+twelve-tone scale has to be regarded as equal, without any hierarchy
+such as the classical (tonal) degrees.  Therefore, these composers
+print one accidental for each note, even at natural pitches, to
+emphasize their new approach to music theory and language.
 
 This snippet shows how to achieve such notation rules. 
-
 "
+
   doctitle = "Dodecaphonic-style accidentals for each note including naturals"
 } % begin verbatim
-webernAccidentals = {
-  % the 5s are just "a value different from any accidental"
-  \set Staff.keySignature = #'((0 . 5) (1 . 5) (2 . 5) (3 . 5)
-                               (4 . 5) (5 . 5) (6 . 5))
-  \set Staff.extraNatural = ##f
-  #(set-accidental-style 'forget)
-}
+
 
 \score {
-  {
-    \webernAccidentals
+  \new Staff {
+    #(set-accidental-style 'dodecaphonic)
     c'4 dis' cis' cis'
     c'4 dis' cis' cis'
     c'4 c' dis' des'
   }
   \layout {
     \context {
-    \Staff
-    \remove "Key_engraver"
+      \Staff
+      \remove "Key_engraver"
     }
   }
 }