Merge branch 'lilypond/translation' of ssh://trettig@git.sv.gnu.org/srv/git/lilypond...

[lilypond.git] / input / lsr / dodecaphonic-style-accidentals-for-each-note-including-naturals.ly

diff --git a/input/lsr/dodecaphonic-style-accidentals-for-each-note-including-naturals.ly b/input/lsr/dodecaphonic-style-accidentals-for-each-note-including-naturals.ly
index e26193bc03d5ebab4555434f5b89201ff727fc3f..95481995d58acafaa341ace432a9c1eba66f22a5 100644 (file)
--- a/input/lsr/dodecaphonic-style-accidentals-for-each-note-including-naturals.ly
+++ b/input/lsr/dodecaphonic-style-accidentals-for-each-note-including-naturals.ly
@@ -1,19 +1,37 @@
 %% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
 %% This file is in the public domain.
-\version "2.11.38"
+\version "2.11.49"
 
 \header {
   lsrtags = "pitches"
- texidoc = "
-In early 20th century works, starting with Schönberg, Berg and Webern
+
+  doctitlees = "Alteraciones de estilo dodecafónico para todas las notas, incluidas las naturales"
+  texidoces = "
+En las obras de principios del s.XX, empezando por Schoenberg, Berg y
+Webern (la \"Segunda\" escuela de Viena), cada nota de la escala de
+doce tonos se debe tratar con igualdad, sin ninguna jerarquía como los
+grados clásicos tonales.  Por tanto, estos compositores imprimen una
+alteración accidental para cada nota, incluso en las notas naturales,
+para enfatizar su nuevo enfoque de la teoría y el lenguaje musicales.
+
+Este fragmento de código muestra cómo conseguir dichas reglas de
+notación.
+"
+
+
+  texidoc = "
+In early 20th century works, starting with Schoenberg, Berg and Webern
 (the \"Second\" Viennese school), every pitch in the twelve-tone scale
 has to be regarded as equal, without any hierarchy such as the
 classical (tonal) degrees. Therefore, these composers print one
 accidental for each note, even at natural pitches, to emphasize their
-new approach to music theory and language. This snippet shows how to
-achieve such notation rules with LilyPond. 
-" }
-% begin verbatim
+new approach to music theory and language.
+
+This snippet shows how to achieve such notation rules. 
+
+"
+  doctitle = "Dodecaphonic-style accidentals for each note including naturals"
+} % begin verbatim
 webernAccidentals = {
   % the 5s are just "a value different from any accidental"
   \set Staff.keySignature = #'((0 . 5) (1 . 5) (2 . 5) (3 . 5)
@@ -25,11 +43,14 @@ webernAccidentals = {
 \score {
   {
     \webernAccidentals
-    c' dis' cis' cis'
-    c' dis' cis' cis'
-    c' c' dis' des'
+    c'4 dis' cis' cis'
+    c'4 dis' cis' cis'
+    c'4 c' dis' des'
   }
   \layout {
-    \context { \Staff \remove "Key_engraver" }
+    \context {
+    \Staff
+    \remove "Key_engraver"
+    }
   }
 }