Merge branch 'master' of ssh+git://hanwen@git.sv.gnu.org/srv/git/lilypond

[lilypond.git] / input / lsr / dodecaphonic-style-accidentals-for-each-note-including-naturals.ly

diff --git a/input/lsr/dodecaphonic-style-accidentals-for-each-note-including-naturals.ly b/input/lsr/dodecaphonic-style-accidentals-for-each-note-including-naturals.ly
index d447a6e41949588b9c5d4838c254aadb4b6e9fd3..70d106df8bb9b10412fc721edd44f743dbe94a53 100644 (file)
--- a/input/lsr/dodecaphonic-style-accidentals-for-each-note-including-naturals.ly
+++ b/input/lsr/dodecaphonic-style-accidentals-for-each-note-including-naturals.ly
@@ -1,11 +1,12 @@
 %% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
 %% This file is in the public domain.
-%% Tags: pitches
-\version "2.11.35"
+\version "2.11.38"
 
-\header { texidoc = "
+\header {
+  lsrtags = "pitches"
+ texidoc = "
 In early XXth century works, starting with Schönberg, Berg and Webern
-(the \"second\" Viennese school), every pitch in the twelve- note scale
+(the \"second\" Viennese school), every pitch in the twelve-tone scale
 has to be regarded as equal, without any hierarchy such as the
 classical (tonal) degrees. Therefore, these composers print one
 accidental for each note, even at natural pitches, to emphasize their
@@ -13,8 +14,6 @@ new approach to music theory and language. This snippet shows how to
 achieve such notation rules with LilyPond.
 " }
 % begin verbatim
-% thanks to Rune Zedeler for this cool function :)
-
 webernAccidentals = {
     % the 5s are just "a value different from any accidental"
     \set Staff.keySignature = #'((0 . 5) (1 . 5) (2 . 5) (3 . 5)