Merge branch 'master' of ssh+git://hanwen@git.sv.gnu.org/srv/git/lilypond

[lilypond.git] / input / lsr / dodecaphonic-style-accidentals-for-each-note-including-naturals.ly

diff --git a/input/lsr/dodecaphonic-style-accidentals-for-each-note-including-naturals.ly b/input/lsr/dodecaphonic-style-accidentals-for-each-note-including-naturals.ly
index a303f0ee02077c5e6b6d1f3f49cf7eee079c2f43..70d106df8bb9b10412fc721edd44f743dbe94a53 100644 (file)
--- a/input/lsr/dodecaphonic-style-accidentals-for-each-note-including-naturals.ly
+++ b/input/lsr/dodecaphonic-style-accidentals-for-each-note-including-naturals.ly
@@ -1,11 +1,12 @@
 %% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
 %% This file is in the public domain.
-%% Tags: pitches
-\version "2.11.35"
+\version "2.11.38"
 
-\header { texidoc = "
+\header {
+  lsrtags = "pitches"
+ texidoc = "
 In early XXth century works, starting with Schönberg, Berg and Webern
-(the \"second\" Viennese school), every pitch in the twelve- note scale
+(the \"second\" Viennese school), every pitch in the twelve-tone scale
 has to be regarded as equal, without any hierarchy such as the
 classical (tonal) degrees. Therefore, these composers print one
 accidental for each note, even at natural pitches, to emphasize their