Merge branch 'master' of ssh+git://hanwen@git.sv.gnu.org/srv/git/lilypond

[lilypond.git] / input / lsr / dodecaphonic-style-accidentals-for-each-note-including-naturals.ly

diff --git a/input/lsr/dodecaphonic-style-accidentals-for-each-note-including-naturals.ly b/input/lsr/dodecaphonic-style-accidentals-for-each-note-including-naturals.ly
index 34c1022392e29b604e34bc72d84da2e90edc92de..70d106df8bb9b10412fc721edd44f743dbe94a53 100644 (file)
--- a/input/lsr/dodecaphonic-style-accidentals-for-each-note-including-naturals.ly
+++ b/input/lsr/dodecaphonic-style-accidentals-for-each-note-including-naturals.ly
@@ -1,19 +1,19 @@
-%% Do not edit this file; it is auto-generated from LSR!
-%% Tags: pitches
-\version "2.11.35"
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
+\version "2.11.38"
 
-\header { texidoc = "
+\header {
+  lsrtags = "pitches"
+ texidoc = "
 In early XXth century works, starting with Schönberg, Berg and Webern
-(the \"second\" Viennese school), every pitch in the twelve- note scale
+(the \"second\" Viennese school), every pitch in the twelve-tone scale
 has to be regarded as equal, without any hierarchy such as the
 classical (tonal) degrees. Therefore, these composers print one
 accidental for each note, even at natural pitches, to emphasize their
 new approach to music theory and language. This snippet shows how to
 achieve such notation rules with LilyPond.
 " }
-
-% thanks to Rune Zedeler for this cool function :)
-
+% begin verbatim
 webernAccidentals = {
     % the 5s are just "a value different from any accidental"
     \set Staff.keySignature = #'((0 . 5) (1 . 5) (2 . 5) (3 . 5)