lilypond-book robustness: ensure EOL at the end of @verbatim

[lilypond.git] / input / lsr / creating-slurs-across-voices.ly

diff --git a/input/lsr/creating-slurs-across-voices.ly b/input/lsr/creating-slurs-across-voices.ly
index 9e8cd55c9736e045a111effcd143bec05b63a0a8..b132962104cf7e5164a239ac338585077a1dfde5 100644 (file)
--- a/input/lsr/creating-slurs-across-voices.ly
+++ b/input/lsr/creating-slurs-across-voices.ly
@@ -1,16 +1,17 @@
 %% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
 %% This file is in the public domain.
-\version "2.11.57"
+\version "2.13.1"
 
 \header {
   lsrtags = "expressive-marks, keyboards, unfretted-strings"
 
+%% Translation of GIT committish: dff50e8e1d3134657a6b6203b9c93826dc4cef65
   texidoces = "
 En determinadas situaciones es necesario crear ligaduras de
 expresión entre notas que están en voces distintas.
 
 La solución es añadir notas invisibles a una de las voces
-utilizando @code{\hideNotes}.
+utilizando @code{\\hideNotes}.
 
 Este ejemplo es el compás 235 de la Chacona de la segunda Partita
 para violín solo, BWV 1004, de Bach.
@@ -31,22 +32,26 @@ solo violin, BWV 1004.
 "
   doctitle = "Creating slurs across voices"
 } % begin verbatim
+
 \relative c' {
-  << {
-    d16( a') s a s a[ s a] s a[ s a]
-  }
-  \\
-  {
-    \slurUp
-    bes,16[ s e](
-    \hideNotes a)
-    \unHideNotes f[(
-    \hideNotes a)
-    \unHideNotes fis](
-    \hideNotes a)
-    \unHideNotes g[(
-    \hideNotes a)
-    \unHideNotes gis](
-    \hideNotes a)
-  } >>
+  <<
+    {
+      d16( a') s a s a[ s a] s a[ s a]
+    }
+    \\
+    {
+      \slurUp
+      bes,16[ s e](
+      \hideNotes a)
+      \unHideNotes f[(
+      \hideNotes a)
+      \unHideNotes fis](
+      \hideNotes a)
+      \unHideNotes g[(
+      \hideNotes a)
+      \unHideNotes gis](
+      \hideNotes a)
+    }
+  >>
 }
+