Merge master into nested-bookparts

[lilypond.git] / input / lsr / ancient-notation-template----modern-transcription-of-mensural-music.ly

diff --git a/input/lsr/ancient-notation-template----modern-transcription-of-mensural-music.ly b/input/lsr/ancient-notation-template----modern-transcription-of-mensural-music.ly
index f42d442776147c07da7200973a75f4afe46dddde..320e35bf19cf04037730c816a5260045dea9de87 100644 (file)
--- a/input/lsr/ancient-notation-template----modern-transcription-of-mensural-music.ly
+++ b/input/lsr/ancient-notation-template----modern-transcription-of-mensural-music.ly
@@ -1,10 +1,36 @@
 %% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
 %% This file is in the public domain.
-\version "2.11.38"
+\version "2.11.62"
 
 \header {
   lsrtags = "ancient-notation, template"
- texidoc = "
+
+  texidoces = "
+Al transcribir música mensural, es útil un «incipit» al compienzo
+de la pieza para indicar la tonalidad y el tempo
+originales. Aunque los músicos actuales están acostumbrados a las
+barras de compás para reconocer con más facilidad los patrones
+rítmicos, durante el período de la música mensural aún no se
+habíen inventado las líneas divisorias; de hecho, la medida solía
+cambiar a cada pocas notas. Como compromiso, a menudo las líneas
+divisorias se imprimen entre los pentagramas en vez de hacerlo
+encima de ellos.
+
+"
+  doctitlees = "Plantilla de notación de música antigua (transcripción moderna de música mensural)"
+  
+  texidocde = "
+Bei der Transkription von Mensuralmusik ist es oft erwünscht, ein 
+Incipit an den Anfang des Stückes zu stellen, damit klar ist, wie 
+Tempo und Schlüssel in der Originalnotation gesetzt waren. Während 
+heutzutage Musiker an Taktlinien gewöhnt sind, um Rhythmen schneller 
+zu erkennen, wurden diese in der Mensuralmusik nicht verwendet. 
+Tatsächlich ändern sich die Rhythmen auch oft alle paar Noten. Als 
+ein Kompromiss werden die Notenlinien nicht auf dem System, sondern 
+zwischen den Systemen geschrieben.
+"
+
+  texidoc = "
 When transcribing mensural music, an incipit at the beginning of the
 piece is useful to indicate the original key and tempo. While today
 musicians are used to bar lines in order to faster recognize rhythmic
@@ -12,8 +38,10 @@ patterns, bar lines were not yet invented during the period of mensural
 music; in fact, the meter often changed after every few notes. As a
 compromise, bar lines are often printed between the staves rather than
 on the staves. 
-" }
-% begin verbatim
+
+"
+  doctitle = "Ancient notation template -- modern transcription of mensural music"
+} % begin verbatim
 global = {
   \set Score.skipBars = ##t
 
@@ -62,7 +90,7 @@ global = {
 
 discantusNotes = {
   \transpose c' c'' {
-    \set Staff.instrumentName = "Discantus  "
+    \set Staff.instrumentName = #"Discantus  "
 
     % incipit
     \clef "neomensural-c1"
@@ -98,7 +126,7 @@ discantusLyrics = \lyricmode {
 
 altusNotes = {
   \transpose c' c'' {
-    \set Staff.instrumentName = "Altus  "
+    \set Staff.instrumentName = #"Altus  "
 
     % incipit
     \clef "neomensural-c3"
@@ -132,7 +160,7 @@ altusLyrics = \lyricmode {
 
 tenorNotes = {
   \transpose c' c' {
-    \set Staff.instrumentName = "Tenor  "
+    \set Staff.instrumentName = #"Tenor  "
 
     % incipit
     \clef "neomensural-c4"
@@ -166,7 +194,7 @@ tenorLyrics = \lyricmode {
 
 bassusNotes = {
   \transpose c' c' {
-    \set Staff.instrumentName = "Bassus  "
+    \set Staff.instrumentName = #"Bassus  "
 
     % incipit
     \clef "bass"