alto = \melodic{
- \meter {4/4}
- \duration{ 8 }
- \key {bes es as}
+ \meter 4/4;
+ \duration 8 ;
+ \key bes es as;
- \clef "alto"
+ \clef "alto";
% these are chords (i.e. non-divisi)
%30
<
- { \octave{ c }
+ { \octave c ;
[ c c-. ] c2.( |
%31
[ ) c c-. ] c4. c-. c4( |
%33
[ ) c c-. ] c4. c-. c4
- \group "+bla"
- \stem{ 1 }[ c16^"div." c16 c16 c16 ] c4 c2
- \group "-"
+ \group "+bla";
+ \stem 1 ;[ c16^"div." c16 c16 c16 ] c4 c2
+ \group "-";
}
%30:2
{
- \octave{ 'c }
- \textstyle "italic"
+ \octave 'c ;
+ \textstyle "italic";
% this should be a \dynamic, rather than text
[ c c_"cresc. \ \ - \ \ \ \ - \ \ \ \ - \ \ \ \
- \ \ \ \ - \ \ \ \ - \ \ \ \ - \ \ \ \
- \ \ \ \ - \ \ \ \ - \ \ \ \ - \ \ \ \
- \ \ \ \ - \ \ \ \ -" ] c2.( |
- \textstyle "roman"
+ \textstyle "roman";
%31:2
[ ) c c-. ] c2.( |
%32:2
[ ) c c-. ] c4. c-. c4( |
%33:2
[ ) c c-. ] c4. c-. c4 |
- \octave{c }
+ \octave c ;
%34
- \group "+b"
+ \group "+b";
% these are two \voices (i.e. divisi)
% the c4 and c2, however are really 16th...
% we-ll say "simile" for now...
%
- \octave{ 'c }
- \textstyle "italic"
- \stem{ -1 } [ as16 ff as16 as16 as16 ] as4_"simile" as2
- \textstyle "roman"
- \group "-"
+ \octave 'c ;
+ \textstyle "italic";
+ \stem -1 ;
+ [ as16 \ff as16 as16 as16 ] as4_"simile" as2
+ \textstyle "roman";
+ \group "-";
}
>