two_voice = \melodic
< \multi 2;
- { \octave c'; \stem -1;
+ { \octave c'; \stem \down;
c4 d e f g2~ g4 a [c8 d e f] c2| }
- { \stem 1;
+ { \stem \up;
g4 f e g ~ g2 g2 c4 g4 g2 }
>
two_voice_steminvert = \melodic
< \multi 2;
- { \octave c'; \stem 1;
+ { \octave c'; \stem \up;
% the f and g on 4th beat are exceptionally ugh.
c4 d e f g2 g4 a | }
- { \stem -1;
+ { \stem \down;
g4 f e g g2 g2 }
>
three_voice = \melodic
< \multi 2;
- { \stem 1;
+ { \stem \up;
g4 f e f g a g2 }
- { \hshift 1; \stem 1;
+ { \hshift 1; \stem \up;
e2 e2 e2 e2 }
- { \stem -1;
+ { \stem \down;
c4 d e d c d es }
>
rests = \melodic
< \multi 2;
- { \stem 1;
+ { \stem \up;
| r8 r r r r r r r
[c' b a g] [f e d c]
}
- { \stem -1;
+ { \stem \down;
[c8 d e f] [g a b c']
r r r r r r r r
}
restsII = \melodic {
\octave c';
< \multi2;
- { \stem 1; g' f' e' d' c' b a g f e d c }
- { \stem -1; r r r r r r r r r r r r }
+ { \stem \up; g' f' e' d' c' b a g f e d c }
+ { \stem \down; r r r r r r r r r r r r }
>
< \multi2;
- { \stem 1; r r r r r r r r r r r r }
- { \stem -1; c d e f g a b c' d' e' f' g' }
+ { \stem \up; r r r r r r r r r r r r }
+ { \stem \down; c d e f g a b c' d' e' f' g' }
>
r8 r4
< \multi2; r8 r8 >
< \multi2; r8 r8 r8 r8 >
< \multi2; r r >
< \multi2; r r r >
- \stem 1;
+ \stem \up;
[c''8 r8 c''8 c''8]
[c8 r8 c8 c8]
- \stem -1;
+ \stem \down;
[c8 r8 c8 c8]
[c''8 r8 c''8 c''8]
}