Features you cannot find in the documentation as working, should be
mentioned here. This is an assorted collection of stuff that will be
done, might be done, or is an idea that we want to think about.
-m
Most of the items are marked in the code as well
Grep -i for TODO, FIXME and ugh/ugr/urg.
.* TODO
-. * use Rhythmic_head::position_i () for all Staff_referenced
-. * make diff and make release should leave junk in out/, not in ../test/
-. * setting indent to 0 with \shape fails
-. * junk -M ?
+. * use hash tabs iso. alist_ for elt property?
+. * control paper-size/-file from commandline ?
+ lilypond --paper=paper16 foo.ly
+ lilypond --paper=paper20 foo.ly
+ lilypond --paper=paper-as9 foo.ly
+. * fix tremolos.
+. * change ) c4 to c4-)
+. * internationalize GUILE msgs.
+. * unbroken marks.
+. * write smobifying howto.
+. * put property test files in refman.
+. * alignment within @itemize
+. * interstaff stems
+. * junk dstream output.
+. * Change website to be index to documentation.
+. * \grace { c d } c1 in midi
+. * \prop slurdir in grace notes
+. * Make fingering and playing instructions Music_wrappers?
+. * \eltproperty "=Context" "Elt_name" "prop-name" #value
+. * script columns
+. * Must stop before this music ends:
+verse=\lyrics {
+. * input/test/grace.sly: wierd big spacing on grace notes
+. * TODO^2:
+. * make a TODO.texi, like http://www.gnu.org/software/guile/ideas.html
+. * make this file understandable for 3rd parties.
+. * \accepts -> \acceptedby
+. * context in embedded SCM errors.
+. * acc at tied note after linebreak.
+. * fontSize for time sigs and beams.
+. * fix font-naming and selecting
+. * add context information to warnings
+Paper:
+waarschuwing: Kan niet beide uiteinden van bindingsboog vinden
+MIDI:
+pa.ly:33:23: waarschuwing: Schroot verzoek: `Span_req':
+ g' a4 bes8 \grace f8(
+ )es16 d es8 r c |
+. * chord tonic: placement of accidental C#, Cb (from scm and C++)
+. * note head on stem err msg in dutch.
+. * why need to run -C mf twice?
+. * here's no difference at all in output. When either is jacked up to 7.0,
+everything works and matches up; when either is set just a bit above the
+default 5.0 (5.4 is what I was hoping to use), stems miss note heads. So
+it's some sort of a numerical (truncation/roundoff) problem.
+John
+. * fix #'margin-shape; setting indent to 0 with \shape fails
+. * Fixed size staff/system heights;
+. * ly2dvi : don't repeat opus if same.
+. * hara kiri _8 clef.
+. * junk -M ?
. * mudela-book doco
-. * Depracate Wordwrap
-. * rerun profile
-. * fix or replace feta-accordion.mf
-. * fix configure with CFLAGS or LDFLAGS, try:
-+ CFLAGS=-g LDFLAGS='-Wl,--warn-common' ./configure
-+ configure will use them while testing the compiler, but they don't
-+ appear in config.make
-
-. * Break_req handling is silly (break_forbid () + \break fucks up.)
-. * script engraver
-. * HaraKiriStaffContext removes bar lines and doesn't remove
- staff margin text on removed staff lines.
-. * Chords:
-. * Bass/inversion pitch when not part of Chord
-Sometimes a series of changing chords will be blocked out over a static tone
-in the bass, usually this was referred to as a pedal tone (and it's been
-continued to be used, even in contemporary music). Another less frequently
-used practice is putting a non-chordal tone in the bass (that is not acting
-as a pedal tone) in order to create tension or make a more colorful sound.
-There are examples of this in the classsical literature, but its use is much
-more prevalent today. For example, the chord sequence Dm7 - Dm7/G is such a
-sequence, and the Dm7/G defies easy classification. Is it a G7(no 3rd)add
-9/11? Or is it a G7(no 3rd)add2/4? Or perhaps Dm7 add11? It's a heck of a
-lot easier to read to just leave it as Dm7/G!
-. * Diminished does not mean 5-
-When speaking of a chord, dimished can mean one of two things: A diminished
-triad or a dimished seventh chord (which is distinctly different from what's
-known as the 'half-diminished' chord). The triad is a root with a flat
-third and flat fifth, and is notated (at least in America, someone else will
-have to fill me in on other countries) as (using C as the root) Cdim, or Co.
-The diminished seventh has a root with a flat third, flat fifth, and a
-doubly flatted seventh (which is enharmonically equivalent to a sixth, and
-from which comes tons of confusion). It is usually notated as (again, using
-C as the root) Cdim7 or Co7.
-
+. * bracket pdf hack
. * Mondrup:
-
-- I would like the possibility of forcing clef- and key- changes to be
-printed _after_ the new bar line
-
-- I would like an option to define the number of systems on which the
-score must be distributed. As it is now it seems that I may only
-influence that indirectly through the gourlay_maxmeasures property.
-
- if I change the property minVerticalAlign in a multi staff score with
lyrics the change affects the lyrics too. I would like the change to
_only_ affect staves.
- I would like to be able to influence the sloping of xtuplet brackets
-- for one of my test scores containing a modern edition of an early
-17'th century composition I have a leading measure containing the
-orginal clefs and note values of the original composition. I use the
-"harmonic" and "diamond" note head styles for that measure and would
-like to have the stems of these notes _centered_ on the notehead as in
-the mensural music notation.
-
- after the leading measure in the above mentioned score I want a double
bar line fully drawn across the staves and after that keep to the
ChoirStaff bar line types in the rest of the scores
+. * Write script that uses --find-old-relative to do auto relativization.
-- autoBeamMelisma: if I explicitly beam notes in a staff with auto
-beaming disabled I would like to have these beams also to be
-melismatic.
-
-. * make all Feta (including dynamics) available to the user in
- textual scripts. Examples: "D.S. al \coda", "\mf espress.".
-
-. * ? -Q, --find-old-relative show all changes in relative syntax
-What's old about absolute to relative conversion? Could maybe use for
-abc2ly, midi2ly?
.* Cleanups needed
-. * \$ and $ identifier syntax in examples.
-. * Junk ghost positioning objects eg, Script leans on Staffside
- leans on Staff.
-. * bracket ps code.
-. * mudela-book
-. * center option (??)
-. * make mudela-book understand usepackage{geometry}
+. * \$ and $ identifier syntax in examples.
. * Key_engraver, Local_key_item
. * Think of comprehensive solution for "if (grace_b == self_grace_b_)"
. * String[String.length] doesn't trap.
-. * Beam
-. * Stem
. * Rhythmic_column and interaction stem/rhythmic_column/note_head/dots.
-. * Duration
. * clef engraver
. * parser
. * Lookup::text -> needs to be TeX independent.
. * junk Music_iterator::first_b_
-. * Bezier
-.* BUGS
-. * [c8. c16 c16 c16] in 6/8 timesig.
+.* ACCIDENTALS
+. * half-sharps, half-flats
+. * adaptive accidental spacing.
+. * accidentals closer to note head
+
+
+.* BEAMS
+. * [c8. c16 c16 c16] in 6/8 timesig.
+. * Rewrite Stem, Beam (hairy)
+. * beams over barlines
+. * Rests and beams don't work too well together. Example:
+ [ r8 g''16 des'] [r8 c16 a]
+. * autoBeamMelisma: if I explicitly beam notes in a staff with auto
+beaming disabled I would like to have these beams also to be
+melismatic.
+. * The stemLength property should affect also beamed stems.
. * staffside spanner (crescendo!) along with staffswitch.
+. * * auto melismaBusy for beams.
-. *
-> \context Staff <
+. * \context Staff <
> {\voiceone''4. r8}
> \voicetwo c,4 r4}
> >
-. * sort out breve shapes.
. * \time forces keysig?
.* STUFF
. * We need feta-din*.mf files for more sizes than 10.
-- Rests and beams don't work too well together. Example:
- [ r8 g''16 des'] [r8 c16 a]
-
-- The stemLength property should affect also beamed stems.
-
. * align left edge of broken tuplet-spanner (have a test case?)
. * fix dynamics decently, ie. use kerning & ligatures.
. * key restorations & repeats
. * paperXX.ly \quartwidth, font setting not up to date. (Should read from AFM?)
-. * * auto melismaBusy for beams.
. *In Caro Mio Ben, bar 8, there's a syllable that starts on a note, and
ends on a pair of grace notes. Standard practice is to mark this with
a slur starting on the main note and ending on the grace note, so a
In bar 27, there's a crescendo that's supposed to start at the start
of the grace notes and extend to the note after the grace notes.
-. * 5. Sometimes lyrics extend past the right end of the staff. I guess that
-this is a similar problem (if not another symptom of the same problem) as
-one of the spacing bugs mentioned in the TODO.
-. * 4. Lyrics and grace sections don't go too well together.
- The words are aligned with the main note, not the start of the
- grace note. This is usually wrong, but is sometimes right.
-. * decimal point in \paper {}
-. * tie-direction
-. * repeats and partial measures.
+. * 4. Lyrics and grace sections don't go too well together.
+ The words are aligned with the main note, not the start of the
+ grace note. This is usually wrong, but is sometimes right.
. * rhythmic staff & accidentals.
. * use melismaBusy in Lyric context to typeset melismata correctly.
. * ly2dvi/lilypond logfile.
. * do --safe for PS output?
. * msgfmt -o check?
. * collision of lyrics with span_bars. See star-spangled.
-. * Auto_beam debugging output (waarom/wanneer heb jij die weggehaald?)
. * It is impossible to typeset two textual scripts that are stacked
- on top of eachother and avoids note collisions and at the same
+ on top of each other and avoids note collisions and at the same
time are typeset with different textStyle. I tried to move around
the text_engraver and other engravers between Voice and Thread
but the granularity is not fine enough, the scripts have to
be stacked vertically, avoiding collisions with the notes
in all voices.
-. * break priority setting from SCM.
. * Matanya's tips:
. * don't shorten stems/staffs closer to each other.
-. * accidentals closer to note head
. * to space the staffs/staffgroups contained in the score.
. * heavier beams?
-
-. * tuplets that are written as "number : note", for example
- "3 : [image of a half note here]". possible?
-. * a note with a circle after it, meaning:
-
- note + circle = note + 1/4 of its length
-
- the circle is like a dot that's not filled in. for example, on
- page three, the c-sharp on the second line should be a quarter with
- a circle, not a quarter tied to a sixteenth. is this at all
- possible with lily?
-. * scm-ify \property values.
-. * make dependencies () a virtual function.
-. * deprecate hangOnClef.
. * Abstraction for engravers:
. * make "in-between" engraver (Tie)
. * make wide_spanner_engraver (line_group_spanner, staff_symbol)
. * store req -> element, element -> element causes for warnings
-. * compulsory hshift
. * My wish list for lyrics. I dream of a time when I will have enough time to
become familiar enough with the source code to be able to implement some of
these myself, but I don't know when that will be, so I thought I'd "publish"
. * --prefix option?
. * -I option per filetype?
. * kpathsea?
-. * fix vertical alignment and stafflines
. * declaring Performers
. * text-items clash with stems/beams
. * --include, -I option for ly2dvi (pass on to lily)
* { a4 a16 } c <-- duration of c?
* < a4 b8 > c <-- duration of c?
. * \tempo 4. = 90;
-. * make sure all ex's have a mudela-version
. * do rest-collisions for Multi_measure_rests as well.
. * split error/warning in error/warning/non_fatal_error
-. * add a Duration_convert member to Duration_iter to set parameters.
- Junk global duration settings.
-. * en-,discouraged linebreaking:
-. * handle DISALLOW < penalty > FORCE
. * discourage breaking of slurs
. * fix variable define/lookup parser global<->paper
. * fix title/instrument placements; see input/test/title.ly
. * I'd like to change the \repetitions command to Jan's suggested
syntax: \repeat "repeatsymbol" 2 {...}, but I'm not sure that
I understand the implementation of repeats well enough.
-. * add full cello suites to web site (kom op, Maarten!)
. * add mudela-book-doc source to webstie.
-. * Rethink Time_description
-\cadenza , \meter, should all be \properties
. * fix singleStaffBracket
. * rename
. * partial -> anacrouse
. * move paper vars into engraver properties
. * add new glyphs to font.ly
-. * check for groff / troff/ nroff et
. * more intelligent file searching
. * disable spaces in TeX stuff
. * handle ^C for tmp/file creation.
touching it.
. * put errorlevel in Input class
. * junk nesting slurs
-. * distinguish between unset and empty properties.
+
.* FONT
. * the bracket is ugly (wings are too parabolic, should be more circular)
. * patch: don't touch timestamp if all patches fail.
. * MetaPost: should not generate setgray for unfill
-. * mfplain.ini not in tetex 0.9
-. * mf-to-table -> add space 'before ; in AFM output. (-> check AFM
-spec. Is this a bug in afm2tfm?)
. * check out GCC signatures?
. * glibc 2.0:
f = fopen ("/dev/null", "r")
assert (feof (f))
-. * tetex: mfplain.mem
+. * tetex: mfplain.mem -> INSTALL
+. * mfplain.ini not in tetex 0.9 -> INSTALL
+
.* PROJECTS
. * Scripts:
. * stack parameterised scripts for fingering and footing:
. * convert-mudela:
-. * automatically add a \version if not present.
. * better parsing
. * make smarter
. * convert-mudela -e empty.ly
. * use properties for:
. * default tempo.
-. * cadenza mode?
. * page handling:
. * PS output
. * \header
. * output header info to MIDI too.
+. * dump \header into easily parsable format.
. * a musical dictionary. See Documentation/vocabulary-*, other
languages:
. * german
. * dutch
. * swedish
- .. ?
. * chords
. * guitar chords (fret diagrams)
. * input converters
. * NIFF?
-. * ABC?
-. * SMDL?
+. * musedata
. * add to MIDI output:
. * sharp / flat on trills (in MIDI ??)
. * slurs
. * accents
. * dynamics
-> Would it be hard to add support for proper dynamics in MIDI output? I
-> would really like to have this feature...
-
-Concretely spoken, for dynamics you have to write a performer
-(Dynamics_performer), that will take the input requests. If I
-understand correctly, every MIDI note played must have its dynamic
-strength set separately. That means the the Dynamics_performer must
-set the strength of every Audio_note it finds. This means that one
-has to modify existing Audio items. The best way of doing this is
-with a broadcast/acknowledge process.
-
-So the best way of handling this, is
-
- 1 supporting dynamic settings in Audio_note
-
- 2 Write a Dynamics_performer that will modify
- any notes it finds to set appropriate strengths.
-
-I'd say that the work involved is not hard, but you have to be fluent
-with C++ and need some insight into the working of Notation Contexts
-and friends. I guess I could do it in a day or so, but if you are not
-so fluent with the inner workings of LilyPond, it could take you some
-more time (A few more days?).
-
-Please note, that I am *not* going to code this myself: my days are
-valuable, and I think I have more interesting things to do than fixing
-the MIDI output (I don't even have a soundcard). But I *do* want to help
-you or other people with implementing this, so if you need help, don't
-hesitate to ask.
. * account for rhythmic position in measure
. * etc.
-. * Output class, handles : (smallish)
-. * help text /(c) notice?
-. * version line
-. * warning /errors/progress
-. * abort on error/warning; exit status
-. * quiet/ignore-version options
-. * logfile output
+. * logfile output?
. * PS
. * speed up PS code.
. * PS lines to .eps files
. * write custom prolog
-
-. * SGML input
-
-. * Documentation
-. * remove links to non-free SW.
-. * internal documentation
-. * a general paper.
-. * \properties
-. * left/rightbeamcount
-. * various other new properties.
-. * introduction?
-. * info?
-. * LaTeX?
-. * more manpages?
-. * Doc (C) stuff of sheet music
-. * a better format? SGML? TeX? Info?
-. * a better tutorial
+. * fix ps font switching
. * more spanners (smallish)
. * Glissando
. * trill
-. * Rewrite Stem, Beam (hairy)
-. * general shaving on Beam and Stem
-. * use plet grouping
-. * beams over bars
-
-. * lines:
-. * Ledger lines, should be separate item: Ledger_lines
-. * set different line sizes / thicknesses
-. * beam stem showthrough, inter beam sizes (french vs german style)
-
-. * Collisions
-. * left/right note balls should be handled by Collision:
- < \multi 2; { \stem 1; <b c> } { <f as b> } >
-
. * Keys:
. * merge key{item} & localkey{item}?
-. * spacing, national styles?
+. * spacing
. * Support for TAB
. * redo Notehead to allow digits as heads
. * should adjust stemlength for flag number.
. * breaking:
-. * caching breakpoints
-. * saving them
. * specify number of lines
.* INPUTLANGUAGE
. * \translator -> ?
. * fix \partial
. * \bla {} vs \bla ;
-. * mix engraver hacking with music ?
. * \once\property KEY = VAL
. * input property
-. * abstract grammar.
. * Figure out semicolons.
. * <c f a>4 ?
-. * Viola mode?
-
- @c c g e g
- for
- c g es g,
-
- @A c g e g
- for
- cis gis e gis
. * configure pitch_byte
. * rest name configurable
.* SMALLISH PROJECTS
-. * fix confusing naming in Engraver vs Engraver_group_engraver (context)
-
-. * A range for context errors (eg. mark both { and }. )
-
. * lyric in staff (sharpsharp in staff, text below)
. * write Dynamic_line (to group dynamics horizontally)
-. * use Real for all y positions.
-
-. * half-sharps, half-flats
-
-. * adaptive accidental spacing.
-
. * handle EOF graciously in error messages.
. * midi esp.: use I32 iso int where 32 bits are needed (or assumed...)
% --|--- --|---
(where "to" is a tiny bow)
-. * auxilliary file for caching info.
. * Text_crescendo
.* IDEAS
. * Output data structures of Mudela in XML/SGML.
. * create libmudela, or liblily_frontend
. * move MIDI stuff (including Quantization) to a ANSI C libmidi library.
-. * Spacing_request for manually adjusting spacing
-. * caching breakpoints
-. * used fixedpoint arithmetic for min. energy.
* OUTLINE SETUP
.* .EMACS
projects / lilypond.git / blobdiff