--*-outline-layout:(2 (-1 -1 0 :) 0);outline-stylish-prefixes:nil -*-
+i-*-outline-layout:(2 (-1 -1 0 :) 0);outline-stylish-prefixes:nil -*-
* GNU LilyPond TODO
Features you cannot find in the documentation as working, should be
Grep -i for TODO, FIXME and ugh/ugr/urg.
.* TODO
+. * make this file understandable for 3rd parties.
. * use Rhythmic_head::position_i () for all Staff_referenced
-. * .po -> .pot.
+. * eradicate all VIRTUAL_COPY_CONS () macros ; use indexed creation,
+ eg.
+
+ ctor_dict["Score_element"]->clone_func (orig);
+ ctor_dict["Score_element"]->create_func ();
+
+. * acc at tied note after linebreak.
+. * note head on stem err msg in dutch.
+. * why need to run -C mf twice?
. * setting indent to 0 with \shape fails
+. * here's no difference at all in output. When either is jacked up to 7.0,
+everything works and matches up; when either is set just a bit above the
+default 5.0 (5.4 is what I was hoping to use), stems miss note heads. So
+it's some sort of a numerical (truncation/roundoff) problem.
+John
+. * Fixed size staff/system heights;
. * ly2dvi : don't repeat opus if same.
. * breaks before mmrests are favored.
. * hara kiri _8 clef.
. * mudela-book doco
. * rerun profile
. * fix or replace feta-accordion.mf
-. * fix configure with CFLAGS or LDFLAGS, try:
-+ CFLAGS=-g LDFLAGS='-Wl,--warn-common' ./configure
-+ configure will use them while testing the compiler, but they don't
-+ appear in config.make
-
-. * Break_req handling is silly (break_forbid () + \break fucks up.)
. * script engraver
-. * Chords:
-. * Bass/inversion pitch when not part of Chord
-Sometimes a series of changing chords will be blocked out over a static tone
-in the bass, usually this was referred to as a pedal tone (and it's been
-continued to be used, even in contemporary music). Another less frequently
-used practice is putting a non-chordal tone in the bass (that is not acting
-as a pedal tone) in order to create tension or make a more colorful sound.
-There are examples of this in the classsical literature, but its use is much
-more prevalent today. For example, the chord sequence Dm7 - Dm7/G is such a
-sequence, and the Dm7/G defies easy classification. Is it a G7(no 3rd)add
-9/11? Or is it a G7(no 3rd)add2/4? Or perhaps Dm7 add11? It's a heck of a
-lot easier to read to just leave it as Dm7/G!
-. * Diminished does not mean 5-
-When speaking of a chord, dimished can mean one of two things: A diminished
-triad or a dimished seventh chord (which is distinctly different from what's
-known as the 'half-diminished' chord). The triad is a root with a flat
-third and flat fifth, and is notated (at least in America, someone else will
-have to fill me in on other countries) as (using C as the root) Cdim, or Co.
-The diminished seventh has a root with a flat third, flat fifth, and a
-doubly flatted seventh (which is enharmonically equivalent to a sixth, and
-from which comes tons of confusion). It is usually notated as (again, using
-C as the root) Cdim7 or Co7.
+. * bracket pdf hack
. * Mondrup:
-
- I would like the possibility of forcing clef- and key- changes to be
printed _after_ the new bar line
. * make all Feta (including dynamics) available to the user in
textual scripts. Examples: "D.S. al \coda", "\mf espress.".
-. * ? -Q, --find-old-relative show all changes in relative syntax
-What's old about absolute to relative conversion? Could maybe use for
-abc2ly, midi2ly?
+. * Write scritp that uses --find-old-relative to do auto relativization.
+. * Junk shared cruft (duration, moment) in lib/
+
.* Cleanups needed
. * \$ and $ identifier syntax in examples.
. * Junk ghost positioning objects eg, Script leans on Staffside
leans on Staff.
. * bracket ps code.
-. * mudela-book
-. * center option (??)
-. * make mudela-book understand usepackage{geometry}
. * Key_engraver, Local_key_item
. * Think of comprehensive solution for "if (grace_b == self_grace_b_)"
. * String[String.length] doesn't trap.
be stacked vertically, avoiding collisions with the notes
in all voices.
-. * break priority setting from SCM.
. * Matanya's tips:
. * don't shorten stems/staffs closer to each other.
. * accidentals closer to note head
page three, the c-sharp on the second line should be a quarter with
a circle, not a quarter tied to a sixteenth. is this at all
possible with lily?
-. * scm-ify \property values.
. * make dependencies () a virtual function.
. * deprecate hangOnClef.
. * Abstraction for engravers:
. * SGML input
. * Documentation
-. * remove links to non-free SW.
. * internal documentation
-. * a general paper.
-. * \properties
-. * left/rightbeamcount
-. * various other new properties.
-. * introduction?
-. * info?
-. * LaTeX?
-. * more manpages?
-. * Doc (C) stuff of sheet music
-. * a better format? SGML? TeX? Info?
-. * a better tutorial
. * more spanners (smallish)
. * Glissando
. * lines:
. * Ledger lines, should be separate item: Ledger_lines
-. * set different line sizes / thicknesses
. * beam stem showthrough, inter beam sizes (french vs german style)
. * Collisions
. * Keys:
. * merge key{item} & localkey{item}?
-. * spacing, national styles?
+. * spacing
. * Support for TAB
. * redo Notehead to allow digits as heads
. * should adjust stemlength for flag number.
. * breaking:
-. * caching breakpoints
. * saving them
. * specify number of lines
. * \translator -> ?
. * fix \partial
. * \bla {} vs \bla ;
-. * mix engraver hacking with music ?
. * \once\property KEY = VAL
. * input property
-. * abstract grammar.
. * Figure out semicolons.
. * <c f a>4 ?
. * Viola mode?
.* SMALLISH PROJECTS
-. * fix confusing naming in Engraver vs Engraver_group_engraver (context)
-
. * A range for context errors (eg. mark both { and }. )
. * lyric in staff (sharpsharp in staff, text below)
projects / lilypond.git / blobdiff