+
+New features in 1.4
+
* Finale (.etf), PMX (.pmx) and musedata import tools.
* Point and click functionality using emacs and Xdvi.
-* Automatic part combining for orchestral scores.
+* Comprehensive documentation, including tutorial.
+
+* Self-documenting: generated internal documentation.
+
+* Includes an extensive glossary of musical terms.
* Improved design and implementation: Complete rewrite of the
internals: LilyPond is smaller, cleaner, more flexible, etc.
- More pervasive GUILE integration resulting in:
- - Improved speed (undone for now, by .73 + .74),
- with comparable memory footprint
+ - Improved speed with comparable memory footprint
- - More tweakability using less memory with new property push
+ - More tweakability using less memory with the new `property push'
mechanism.
- Improved robustness: Lily almost never crashes.
-* Piano pedal support
+* New font selection scheme similar to Latex-NFSS.
+
+* Medieval notation features: clefs, custodes
+
+* Piano pedal support, Arpeggios, Glissandi
* MIDI: dynamics, tempo changes
* Typography: More elegant slurs, aligned dynamics, text crescendos,
-* Better lyrics placement: Automagical phrasing, melisma alignment,
- stanza numbering.
+* Better lyrics placement: Automatical phrasing, melisma alignment,
+ and stanza numbering.
* Part combining for orchestral scores and hymns: two voices are
- combined automatic into a staff automatically, including Solo/`a2
+ combined into a staff automatically, including Solo/a2
indications as appropriate.
* Chordnames are now configurable in every respect
-* Included extensive glossary
+* Easy-play notation
+
+* Finished ouverture Coriolan as full orchestral score example.
+
+* Mutopia ports collection: easy accessible music archive.
+
+* AsciiScript: ASCII-art output
+
+* Translations into Japanese, French and Russian
* Many bugfixes.
-* Finished ouverture Coriolan as full orchestral score example.
-* AsciiScript [check if broken, decide wether to keep]
+Removed features
-* Translations into Japanese and Russian
+* margin shape