version that you are working on. See TRANSLATION for details.
@end ignore
-@c \version "2.11.51"
+@c \version "2.11.61"
@node World music
@section World music
* References for Arabic music::
* Arabic note names ::
* Arabic key signatures::
-* Arabic time signatures::
-* Further reading::
+* Arabic time signatures::
+* Arabic music example::
+* Further reading::
@end menu
@item Complex time signatures may require that notes be grouped
manually as described in @ref{Manual beams}.
+@item @notation{Takasim} which are rhythmically free
+improvisations may be written down omitting bar lines as
+described in @ref{Unmetered music}.
+
@end itemize
@seealso
@end lilypond
+@cindex Arabic semi-flat symbol
+@cindex Semi-flat symbol appearance
+
+The symbol for semi-flat does not match the symbol which is used
+in Arabic notation. The @code{\dwn} symbol defined in
+@code{arabic.ly} may be used preceding a flat symbol as a work
+around if it is important to use the specific Arabic semi-flat
+symbol. The appearance of the semi-flat symbol in the key
+signature cannot be altered by using this method.
+
+
+@lilypond[quote,verbatim]
+\include "arabic.ly"
+\relative do' {
+ \set Staff.extraNatural = ##f
+ dod dob dosd \dwn dob dobsb dodsd do do
+}
+@end lilypond
+
+
@seealso
Notation Reference:
@snippets
-
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{non-traditional-key-signatures.ly}
-
@seealso
Notation Reference:
automatic beaming. You can override this by switching off
automatic beaming and beaming the notes manually. Where matching
existing typeset music is not an issue, you may still want to
-adjust the beaming behaviour and/or using compound time
-signatures.
-
-@c FIXME: move to snippet? -gp note for gp
-For improvisations or @notation{taqasim} which are temporarily
-free, the time signature can be omitted and @code{\cadenzaOn} can
-be used. You might need to adjust the accidental style, since the
-absence of bar lines will cause the accidental to be marked only
-once:
-
-@example
-#(set-accidental-style 'forget)
-@end example
+adjust the beaming behaviour and/or use compound time signatures.
@snippets
@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
{compound-time-signatures.ly}
+@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
+{arabic-improvisation.ly}
@seealso
Snippets:
@rlsr{World music}.
+
+@node Arabic music example
+@unnumberedsubsubsec Arabic music example
+
+@cindex Arabic music example
+@cindex Arabic music template
+@cindex Template Arabic music
+
+Here is a template that also uses the start of a Turkish Semai
+that is familiar in Arabic music education in order to illustrate
+some of the peculiarities of Arabic music notation, such as medium
+intervals and unusual modes that are discussed in this section.
+
+@lilypond[quote,verbatim]
+\include "arabic.ly"
+\score {
+ \relative re' {
+ \set Staff.extraNatural = ##f
+ \set Staff.autoBeaming = ##f
+ \key re \bayati
+ \time 10/8
+
+ re4 re'8 re16 [misb re do] sisb [la sisb do] re4 r8
+ re16 [misb do re] sisb [do] la [sisb sol8] la [sisb] do [re] misb
+ fa4 fa16 [misb] misb8. [re16] re8 [misb] re [do] sisb
+ do4 sisb8 misb16 [re do sisb] la [do sisb la] la4 r8
+ }
+ \header {
+ title = "Semai Muhayer"
+ composer = "Jamil Bek"
+ }
+}
+@end lilypond
+
+@seealso
+
+Snippets:
+@rlsr{World music}
+
+
+
@node Further reading
@unnumberedsubsubsec Further reading