+++ /dev/null
-@c -*- coding: utf-8; mode: texinfo; -*-
-@ignore
- Translation of GIT committish: FILL-IN-HEAD-COMMITTISH
-
- When revising a translation, copy the HEAD committish of the
- version that you are working on. See TRANSLATION for details.
-@end ignore
-
-@c \version "2.12.0"
-
-@node Wind instruments
-@section Wind instruments
-
-@lilypondfile[quote]{wind-headword.ly}
-
-This section includes some elements of music notation that arise when
-writing for winds.
-
-@menu
-* Common notation for wind instruments::
-* Bagpipes::
-@end menu
-
-@node Common notation for wind instruments
-@subsection Common notation for wind instruments
-
-This section discusses some issues common to most wind instruments.
-
-@menu
-* References for wind instruments::
-* Fingerings::
-@end menu
-
-@node References for wind instruments
-@unnumberedsubsubsec References for wind instruments
-
-@cindex wind instruments
-
-Many notation issues for wind instruments pertain to breathing and
-tonguing:
-
-@itemize
-@item Breathing can be specified by rests or @ref{Breath marks}.
-@item Legato playing is indicated by @ref{Slurs}.
-@item Different types of tonguings, ranging from legato to non-legato to
-stacatto are usually shown by articulation marks, sometimes combined
-with slurs, see @ref{Articulations and ornamentations} and @ref{List of
-articulations}.
-@item Flutter tonguing is usually indicated by placing a tremolo mark
-and a text markup on the note. See @ref{Tremolo repeats}.
-@end itemize
-
-There are also other aspects of musical notation that can apply to wind
-instruments:
-
-@itemize
-@item Many wind instruments are transposing intruments, see
-@ref{Instrument transpositions}.
-@item The slide glissando are characteristic of the trombone, but other
-winds may perform keyed or valved glissandi. See @ref{Glissando}.
-@item Harmonic series glissandi, which are possible on all brass
-instruments but common for French Horns, are usually written out as
-@ref{Grace notes}.
-@item Pitch inflections at the end of a note are discussed in @ref{Falls
-and doits}.
-@item Key slaps or valve slaps are often shown by the @code{cross} style
-of @ref{Special note heads}.
-@item Woodwinds can overblow low notes to sound harmonics. These are
-shown by the @code{flageolet} articulation. See @ref{List of articulations}.
-@item The use of brass mutes is usually indicated by a text markup, but
-where there are many rapid changes it is better to use the
-@code{stopped} and @code{open} articulations. See @ref{Articulations and
-ornamentations} and @ref{List of articulations}.
-@item Stopped horns are indicated by the @code{stopped} articulation.
-See @ref{Articulations and ornamentations}.
-@end itemize
-
-@snippets
-
-@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
-{changing--flageolet-mark-size.ly}
-
-
-@seealso
-Notation Reference:
-@ref{Breath marks},
-@ref{Slurs},
-@ref{Articulations and ornamentations},
-@ref{List of articulations},
-@ref{Tremolo repeats},
-@ref{Instrument transpositions},
-@ref{Glissando},
-@ref{Grace notes},
-@ref{Falls and doits},
-@ref{Special note heads},
-
-Snippets:
-@rlsr{Winds}
-
-
-@node Fingerings
-@unnumberedsubsubsec Fingerings
-@c TODO add link to LSR snippet by Libero Mureddo once he has added
-@c it (after August 15th).
-All wind instruments other than the trombone require the use of several
-fingers to produce each pitch.
-
-TBC
-
-@node Bagpipes
-@subsection Bagpipes
-
-This section includes extra information for writing for bagpipes.
-
-@menu
-* Bagpipe definitions::
-* Bagpipe example::
-@end menu
-
-@node Bagpipe definitions
-@unnumberedsubsubsec Bagpipe definitions
-
-@cindex bagpipe
-@cindex Scottish highland bagpipe
-@cindex grace notes
-@funindex \taor
-@funindex taor
-@funindex \hideKeySignature
-@funindex hideKeySignature
-@funindex \showKeySignature
-@funindex showKeySignature
-
-LilyPond contains special definitions for music for the Scottish
-highland bagpipe; to use them, add
-
-@example
-\include "bagpipe.ly"
-@end example
-
-@noindent
-at the top of your input file. This lets you add the special grace notes
-common to bagpipe music with short commands. For example, you could
-write @code{\taor} instead of
-
-@example
-\grace @{ \small G32[ d G e] @}
-@end example
-
-@code{bagpipe.ly} also contains pitch definitions for the bagpipe
-notes in the appropriate octaves, so you do not need to worry about
-@code{\relative} or @code{\transpose}.
-
-@lilypond[ragged-right,verbatim,quote,notime]
-\include "bagpipe.ly"
-{ \grg G4 \grg a \grg b \grg c \grg d \grg e \grg f \grA g A }
-@end lilypond
-
-Bagpipe music nominally uses the key of D Major (even though that
-isn't really true). However, since that is the only key that can be used,
-the key signature is normally not written out. To set this up correctly,
-always start your music with @code{\hideKeySignature}. If you for some
-reason want to show the key signature, you can use @code{\showKeySignature}
-instead.
-
-Some modern music use cross fingering on c and f to flatten those notes.
-This can be indicated by @code{cflat} or @code{fflat}. Similarly, the
-piobaireachd high g can be written @code{gflat} when it occurs in light
-music.
-
-
-@seealso
-@rlsr{Winds}
-
-
-@node Bagpipe example
-@unnumberedsubsubsec Bagpipe example
-
-@cindex bagpipe example
-@cindex Amazing Grace bagpipe example
-
-This is what the well known tune Amazing Grace looks like in bagpipe
-notation.
-
-@lilypond[verbatim,quote]
-\include "bagpipe.ly"
-\layout {
- indent = 0.0\cm
- \context { \Score \remove "Bar_number_engraver" }
-}
-
-\header {
- title = "Amazing Grace"
- meter = "Hymn"
- arranger = "Trad. arr."
-}
-
-{
- \hideKeySignature
- \time 3/4
- \grg \partial 4 a8. d16
- \slurd d2 \grg f8[ e32 d16.]
- \grg f2 \grg f8 e
- \thrwd d2 \grg b4
- \grG a2 \grg a8. d16
- \slurd d2 \grg f8[ e32 d16.]
- \grg f2 \grg e8. f16
- \dblA A2 \grg A4
- \grg A2 f8. A16
- \grg A2 \hdblf f8[ e32 d16.]
- \grg f2 \grg f8 e
- \thrwd d2 \grg b4
- \grG a2 \grg a8. d16
- \slurd d2 \grg f8[ e32 d16.]
- \grg f2 e4
- \thrwd d2.
- \slurd d2
- \bar "|."
-}
-@end lilypond
-
-
-@seealso
-@rlsr{Winds}
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