* References for vocal music and lyrics::
* Opera::
* Song books::
-* Chants::
* Spoken music::
+* Chants::
* Ancient vocal music::
@end menu
@c it might be better to present it first - vv
You can define melismata entirely in the lyrics, by entering @code{_}
-for every extra note that has to be added to the the melisma.
+for every extra note that has to be added to the melisma.
@c FIXME: clarify: __ is used to crate a lyric extender,
@c _ is used to add a note to a melisma, so both __ and _ are needed.
@subsection Stanzas
@menu
-* Adding stanza numbers ::
+* Adding stanza numbers::
* Adding dynamics marks to stanzas::
* Adding singers' names to stanzas::
* Stanzas with different rhythms::
-* Printing stanzas at the end ::
-* Printing stanzas at the end in multiple columns ::
+* Printing stanzas at the end::
+* Printing stanzas at the end in multiple columns::
@end menu
voice ignore the melisma. This is done by setting
@code{ignoreMelismata} in the Lyrics context.
-There is one tricky aspect: the setting for @code{ignoreMelismata}
-must be set one syllable @emph{before} the non-melismatic syllable
-in the text, as shown here,
@c TODO: breaks compile
@c seems to be fixed, does not break compile anymore --FV
more slow -- ly
}
\new Lyrics \lyricsto "lahlah" {
- \set ignoreMelismata = ##t % applies to "fas"
- go fas -- ter
+ go
+ \set ignoreMelismata = ##t
+ fas -- ter
\unset ignoreMelismata
still
}
@end lilypond
-The @code{ignoreMelismata} applies to the syllable @q{fas}, so it
-should be entered before @q{go}.
-
-
@subsubheading Switching to an alternative melody
More complex variations in text underlay are possible. It is possible