version that you are working on. See TRANSLATION for details.
@end ignore
-@c \version "2.11.38"
+@c \version "2.11.51"
@node Unfretted string instruments
@section Unfretted string instruments
This section includes extra information for writing for unfretted
string instruments.
-@ignore
-The subsection on Bowed instruments is commmented out
-until we have something to say about them -td
-@end ignore
-
@menu
-* Common notation for unfretted strings::
-@c * Bowed instruments::
-* Plucked instruments::
+* Common notation for unfretted strings::
+* Bowed instruments::
+* Plucked instruments::
@end menu
@node Common notation for unfretted strings
@subsection Common notation for unfretted strings
@menu
-* References for unfretted strings::
+* References for unfretted strings::
@end menu
@node References for unfretted strings
@subsubsection References for unfretted strings
-@c TODO Add refs to fingerings, \thumb, bowings
+@c TODO Add refs to fingerings, \thumb
@c TODO Add multiple fingering indications?
-@c TODO Add snippet showing pizzicato markings
TBC
@c TODO Decide whether to resurrect Bowed instruments subsection
@c and if so which of the above should go there
-@ignore
@node Bowed instruments
@subsection Bowed instruments
@menu
-* Artificial harmonics (strings)::
+* References for bowed strings::
@end menu
-@node Artificial harmonics (strings)
-@subsubsection Artificial harmonics (strings)
+@node References for bowed strings
+@subsubsection References for bowed strings
+
+@c link to slurs, articulation (for \upbow \downbow). maybe
+@c an example as well.
+@c TODO Add snippet showing pizzicato markings
@cindex artificial harmonics
<c g'\harmonic>4
@end lilypond
-@end ignore
@node Plucked instruments
@subsection Plucked instruments
+
@menu
-* Harp::
+* Harp::
@end menu
@node Harp
@subsubsection Harp
-Sacred Harp notation uses four shaped note heads. In the major,
-the tonic is a triangle and then proceeding up the scale you
-have circle, square, triangle, circle, square, diamond. In the
-minor, the shapes should be assigned to keep the same interval
-relationships, e.g. you assign them for the relative major. (This
-means that the scale in the minor gives the tonic a square.)
+TBC
-@c TODO add example of \sacredHarpHeads, or a ref?
+Some possibilities:
+- glissandi
+- tremolo (for bisbigliando)
+- natural harmonics
+- directional arpeggio and non-arpeggio
+- workaroung for keeping both staves visible in an orchestral
+ score,
+http://lists.gnu.org/archive/html/lilypond-user/2007-08/msg00386.html
+and http://lsr.dsi.unimi.it/LSR/Item?u=1&id=312
+An LSR snippet could be used to demonstrate the main items; in the
+case of glissandi, it would be desirable to have a demonstration
+of different styles.
-@knownissues
-The \sacredHarpHeads command gives the wrong shapes when the key
-is minor. A work-around is to switch the key to the relative
-major to obtain the right shapes.