middle C.
By adding (or removing) quotes @code{'} or commas @code{,} from
-the @w{@code{\relative c' @{}} command, we can change the starting
+the @code{@w{\relative c' @{}} command, we can change the starting
octave:
@lilypond[verbatim,quote]
To change a note by two (or more!) octaves, we use multiple
@code{''} or @code{,,} -- but be careful that you use two single
quotes @code{''} and not one double quote @code{"}@tie{}! The
-initial value in @w{@code{\relative c'}} may also be modified like
+initial value in @code{@w{\relative c'}} may also be modified like
this.
@c " - keeps quotes in order for context-sensitive editor -td
@cindex files, tips for constructing
LilyPond input must be surrounded by @{ @} marks or a
-@w{@code{\relative c'' @{ ... @}}}, as we saw in @ref{Working on
+@code{@w{\relative c'' @{ ... @}}}, as we saw in @ref{Working on
input files}. For the rest of this manual, most examples will
omit this. To replicate the examples, you may copy and paste the
displayed input, but you @strong{must} add the
-@w{@code{\relative c'' @{ @}}} like this:
+@code{@w{\relative c'' @{ @}}} like this:
@example
\relative c'' @{
Why omit the braces? Most examples in this manual can be inserted
into the middle of a longer piece of music. For these examples,
-it does not make sense to add @w{@code{\relative c'' @{ @}}} --
+it does not make sense to add @code{@w{\relative c'' @{ @}}} --
you should not place a @code{\relative} inside another
-@code{\relative}! If we included @w{@code{\relative c'' @{ @}}}
+@code{\relative}! If we included @code{@w{\relative c'' @{ @}}}
around every example, you would not be able to copy a small
documentation example and paste it inside a longer piece of your
own. Most people want to add material to an existing piece, so we
note with pitch E-natural.} In the key of A-flat major, it
@emph{does} get an accidental:
-@lilypond[verbatim,quote,relative=2]
+@lilypond[verbatim,quote,relative=1]
\key aes \major
e
@end lilypond