oboes = \notes \relative c'' \context Voice = oboe {
\stemUp s4 g8. b,16 c8 r <e'8.^\p g> <f16 a>
- \grace { <e8( g> } <d4 )f> <c2 e>
+ \grace <e8( g> <d4 )f> <c2 e>
\times 2/3 { <d8 \< f> <e g> <f a> }
<
{ \times 2/3 { a8 g c } \! c2 }
}
>
\stemBoth
- \grace { <c,8( e> } <)b8. d8.-\trill> <c16 e> |
+ \grace <c,8( e> <)b8. d8.-\trill> <c16 e> |
[<d ( f> < )f8. a>] <)b,8 d> r [<d16( f> <f8. )a>] <b,8 d> r |
[<c16( e> < )e8. g>] <c8 e,>
}
defined above.
@separate
@example
-\grace @{ <e8 g> @} < d4 f> <c2 e>
+\grace <e8 g> < d4 f> <c2 e>
@end example
@cindex @code{\grace}
@cindex ornaments
@cindex grace notes
-
-[FIXME]
@code{\grace} introduces grace notes. It takes one argument, in this
case a chord.
it from the other context. Stems go down in this voice.
@separate
@example
-\grace @{
+\grace
@end example
-[FIXME]
@cindex Grace context
When a grace section is processed, a @code{Grace} context is
created. This context acts like a miniature score of its own. It has
@separate
@example
\stemBoth
-\grace @{ <c,8( e> @} <)b8. d8.-\trill> <c16 e> |
+\grace <c,8( e> <)b8. d8.-\trill> <c16 e> |
@end example
@cindex trill
@cindex stemBoth