Expand 's to is.

[lilypond.git] / Documentation / user / tutorial.itely

diff --git a/Documentation/user/tutorial.itely b/Documentation/user/tutorial.itely
index f858104dca0f6478360484f229fa16ff82b60500..2a39da5bf17aa2de77044f0cd52da8c5ffeb3314 100644 (file)
--- a/Documentation/user/tutorial.itely
+++ b/Documentation/user/tutorial.itely
@@ -632,8 +632,8 @@ for complex music like polyphonic scores.
 Note that this example only has one staff, whereas
 the previous example had three seperate staves.  That is because this
 example begins with a single note.  To determine the number of staves,
-LilyPond looks at the first element.  If it's a single note, there's one
-staff; if there's a simultaneous expression, there's more than one staff.
+LilyPond looks at the first element.  If it is a single note, there is one
+staff; if there is a simultaneous expression, there is more than one staff.
 
 @lilypond[fragment,quote,verbatim,relative=2] 
 {
@@ -748,7 +748,7 @@ c-3 e-5 b-2 a-1
 
 Articulations and fingerings are usually placed automatically, but you
 can specify a direction using @samp{^} (up) or @samp{_} (down).  You can
-also use multiple articulations on the same note.  In most cases, it's
+also use multiple articulations on the same note.  In most cases, it is
 best to let LilyPond determine the articulation directions.
 
 @lilypond[fragment,quote,verbatim,relative=2]
@@ -948,7 +948,7 @@ statement marks for which version of LilyPond the file was written.
 To mark a file for version 2.1.17, use
 
 @example
-\version "2.1.17"
+\version "2.3.16"
 @end example
 
 @noindent
@@ -1047,19 +1047,19 @@ In popular music, it is common to denote accompaniment with chord names.
 Such chords can be entered like notes,
 
 @lilypond[quote,verbatim,raggedright]
-\chords { c2 f4. g8 }
+\chordmode { c2 f4. g8 }
 @end lilypond
 
 @noindent
 Now each pitch is read as the root of a chord instead of a note.
-This mode is switched on with @code{\chords}
+This mode is switched on with @code{\chordmode}
 
 
 Other chords can be created by adding modifiers after a colon.  The
 following example shows a few common modifiers
 
 @lilypond[quote,verbatim]
-\chords { c2 f4:m g4:maj7 gis1:dim7 }
+\chordmode { c2 f4:m g4:maj7 gis1:dim7 }
 @end lilypond
 
 For lead sheets, chords are not printed on staves, but as names on a
@@ -1068,7 +1068,7 @@ line of themselves.  Hence, we have to override the context with
 context
 
 @lilypond[quote,verbatim]
-\new ChordNames \chords { c2 f4.:m g4.:maj7 gis8:dim7 }
+\chordmode { c2 f4.:m g4.:maj7 gis8:dim7 }
 @end lilypond
 
 @cindex lead sheet
@@ -1077,7 +1077,7 @@ a lead sheet, for example,
 
 @example
 <<
-  \new ChordNames \chords @{ @emph{chords} @}
+  \chordmode @{ @emph{chords} @}
   @emph{the melody}
   \addlyrics @{ @emph{the text} @}
 >>
@@ -1086,7 +1086,7 @@ a lead sheet, for example,
 
 @lilypond[quote,raggedright]
 <<
-  \new ChordNames \chords { r2 c:sus4 f } 
+  \chordmode { r2 c:sus4 f } 
   \relative {
     r4 c' \times 2/3 { f g g }
     \times 2/3 { g4( a2) }