Begin using 3-value @lsr macros.

[lilypond.git] / Documentation / user / staff.itely

diff --git a/Documentation/user/staff.itely b/Documentation/user/staff.itely
index cc4a830cae0d77720d31d4cc8b5b866d58704ba5..fa067f8e9510afc794779685bab74631659d49fe 100644 (file)
--- a/Documentation/user/staff.itely
+++ b/Documentation/user/staff.itely
@@ -116,7 +116,7 @@ the command @code{\override Staff.BarLine #'transparent = ##t}
 
 Staff groups can be nested, using the context
 @code{InnerStaffGroup} or @code{InnerChoirStaff}; see
-@lsr{staff,staff-brackets.ly}
+@c @lsr{staff,staff-brackets.ly}
 @c snippet 137
 
 @commonprop
@@ -148,8 +148,7 @@ instantiated manually
 @c FIXME: Graham will deal with this.  -gp
 @c snippet 201
 To display a bracket even if there is only one staff, see
-@lsr{staff,display-bracket-with-only-one-staff-in-a
-system.ly}
+@c @lsr{staff,display-bracket-with-only-one-staff-in-a system.ly}
 
 @seealso
 
@@ -174,8 +173,8 @@ The layout object which draws the lines of a staff is called
 @code{staff symbol}.  The staff symbol may be tuned in the number,
 thickness and distance of lines, using properties.  This is
 demonstrated in the example files
-@lsr{staff,changing-the-number-of-lines-in-a-staff.ly} and
-@lsr{staff,changing-the-staff-size.ly}.
+@c @lsr{staff,changing-the-number-of-lines-in-a-staff.ly} and
+@c @lsr{staff,changing-the-staff-size.ly}.
 
 In addition, staves may be started and stopped at will.  This is
 done with @code{\startStaff} and @code{\stopStaff}.
@@ -378,8 +377,7 @@ For more details, see @ref{Text markup}.
 @seealso
 
 Music Glossary: @rglos{metronome}, @rglos{metronomic indication},
-@rglos{tempo indication}.
-@c FIXME : add @rglos{Mälzels Metronome}, @rglos{M.M.}, @rglos{tempo}?
+@rglos{tempo indication}, @rglos{metronome mark}.
 
 Notation Reference: @ref{Text markup}.
 
@@ -528,6 +526,7 @@ Internals Reference: @internalsref{InstrumentName},
 @cindex cues
 @cindex quoting other voices
 @cindex fragments
+@cindex cue notes
 
 With quotations, fragments of other parts can be inserted into a
 part directly.  Before a part can be quoted, it must be marked
@@ -645,6 +644,11 @@ Internals Reference: @internalsref{QuoteMusic}, @internalsref{Voice}.
 @node Formatting cue notes
 @unnumberedsubsubsec Formatting cue notes
 
+@cindex cues
+@cindex cue notes
+@cindex cue notes, formatting
+@cindex fragments
+@cindex quoting other voices 
 @cindex cues, formatting
 
 The previous section deals with inserting notes from another
@@ -658,7 +662,7 @@ The syntax is
 @end example
 
 This will insert notes from the part @var{name} into a
-@internalsref{Voice} called @code{cue}.  This happens
+@code{Voice} called @code{cue}.  This happens
 simultaneously with @var{music}, which usually is a rest.  When
 the cue notes start, the staff in effect becomes polyphonic for a
 moment.  The argument @var{updown} determines whether the cue
@@ -696,19 +700,20 @@ smaller = {
 @end lilypond
 
 
-Here are a couple of hints for successful cue notes
+Here are a couple of hints for successful cue notes:
 
 @itemize
 @item
 Cue notes have smaller font sizes.
 
 @item
-the cued part is marked with the instrument playing the cue.
+The cued part is marked with the instrument playing the cue.
 
 @item
-when the original part takes over again, this should be marked
+When the original part takes over again, this should be marked
 with the name of the original instrument.
 
+@item
 Any other changes introduced by the cued part should also be
 undone.  For example, if the cued instrument plays in a different
 clef, the original clef should be stated once again.
@@ -744,8 +749,8 @@ cbsn = \relative c, {
 
 @seealso
 
-Snippets: @lsrdir{staff}
-
+Snippets: @lsrdir{staff}.
 
+Internals Reference: @internalsref{Voice}.