Notation Reference:
@ref{Automatic beams},
@ref{Ties},
+@ref{Stems},
@ref{Writing rhythms},
@ref{Writing rests},
@ref{Vocal music},
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
{changing-the-tuplet-number.ly}
+@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
+{non-default-tuplet-numbers.ly}
+
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
{permitting-line-breaks-within-beamed-tuplets.ly}
@rglos{cadenza}.
Notation Reference:
-@c ref{Controlling visibility of objects}.
+@ref{Visibility of objects}.
Snippets:
@rlsr{Rhythms}.
do not affect the calculation and placement of subsequent automatic
bar lines.
-The simple bar line and five types of double bar line are available
+Two types of simple bar lines and five types of double bar lines are available
for manual insertion:
@lilypond[quote,relative=1,verbatim]
-f1 \bar "|" g \bar "||" a \bar ".|" b \bar ".|." c \bar "|.|" d \bar "|." e
+f1 \bar "|" f \bar "." g \bar "||" a \bar ".|" b \bar ".|." c \bar "|.|" d \bar "|." e
@end lilypond
@noindent
f1 \bar "|:" g \bar ":|:" a \bar ":|.|:" b \bar ":|.:" c \bar ":|" d
@end lilypond
+Additionally, a bar line can be printed as a simple tick:
+@lilypond[quote,relative=1,verbatim]
+f1 \bar "'"
+@end lilypond
+However, as such ticks are typically used in Gregorian chant, it is preferable
+to use @code{\divisioMinima} there instead, described in the section
+@ref{Divisiones} in Gregorian chant.
+
+
@cindex repeats
Although the bar line types signifying repeats may be inserted