Doc-es: update of PO.

[lilypond.git] / Documentation / user / rhythms.itely

diff --git a/Documentation/user/rhythms.itely b/Documentation/user/rhythms.itely
index ae818694ac58e58df740519421e86697363f7f7f..d38bda3ba6c7eb375eee4184388e2de3fdde92b8 100644 (file)
--- a/Documentation/user/rhythms.itely
+++ b/Documentation/user/rhythms.itely
@@ -62,7 +62,7 @@ specified.  Shorter values are possible, but only as beamed notes.
 @lilypond[quote,verbatim,relative=2]
 \time 8/1
 c\longa c\breve c1 c2
-c4 c8 c16 c32 c64 c64
+c4 c8 c16 c32 c64 c128 c128
 @end lilypond
 
 @noindent
@@ -74,7 +74,7 @@ Here are the same durations with automatic beaming turned off.
 \time 8/1
 \autoBeamOff
 c\longa c\breve c1 c2
-c4 c8 c16 c32 c64 c64
+c4 c8 c16 c32 c64 c128 c128
 @end lilypond
 
 A note with the duration of a quadruple breve may be entered with
@@ -383,7 +383,7 @@ indicate articulation, or @emph{phrasing slurs}, which indicate
 musical phrasing.  A tie is just a way of extending a note
 duration, similar to the augmentation dot.}
 
-A tie is entered using the tilde symbol @code{~}
+A tie is entered using the tilde symbol (@code{~}).
 
 @lilypond[quote,verbatim,relative=2]
 a2 ~ a
@@ -481,9 +481,37 @@ Predefined commands, or for details, see
 @funindex \tieSolid
 @funindex tieSolid
 
-Solid, dotted or dashed ties may be specified, see Predefined
-commands.
+Ties may be made dashed, dotted, or a combination of solid and
+dashed.
 
+@lilypond[quote, verbatim, relative=1]
+\tieDotted
+c2 ~ c
+\tieDashed
+c2 ~ c
+\tieHalfDashed
+c2 ~ c
+\tieHalfSolid
+c2 ~ c
+\tieSolid
+c2 ~ c
+@end lilypond
+
+Custom dash patterns can be specified:
+
+@lilypond[quote, verbatim, relative=1]
+\tieDashPattern #0.3 #0.75
+c2 ~ c
+\tieDashPattern #0.7 #1.5
+c2 ~ c
+\tieSolid
+c2 ~ c
+@end lilypond
+
+Dash pattern definitions for ties have the same structure as 
+dash pattern definitions for slurs.
+For more information about complex dash patterns,
+see the snippets under @ref{Slurs}. 
 
 @predefined
 @code{\tieUp},
@@ -491,6 +519,9 @@ commands.
 @code{\tieNeutral},
 @code{\tieDotted},
 @code{\tieDashed},
+@code{\tieDashPattern},
+@code{\tieHalfDashed},
+@code{\tieHalfSolid},
 @code{\tieSolid}.
 @endpredefined
 
@@ -509,7 +540,9 @@ Music Glossary:
 @rglos{tie},
 @rglos{laissez vibrer}.
 
-Notation Reference: @ref{Automatic note splitting}.
+Notation Reference: 
+@ref{Slurs},
+@ref{Automatic note splitting}.
 
 Snippets:
 @rlsr{Rhythms}.
@@ -849,16 +882,16 @@ setting, resulting bar-check warnings may not be displayed.
 @cindex kirchenpausen
 
 @lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
-{changing-form-of-multi--measure-rests.ly}
+{changing-form-of-multi-measure-rests.ly}
 
 @cindex multi-measure rests, positioning
 @cindex positioning multi-measure rests
 
 @lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
-{positioning-multi--measure-rests.ly}
+{positioning-multi-measure-rests.ly}
 
 @lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
-{multi--measure-rest-markup.ly}
+{multi-measure-rest-markup.ly}
 
 
 @seealso
@@ -1544,9 +1577,6 @@ Internals Reference: @rinternals{Beam}.
 
 @knownissues
 
-Automatically kneed cross-staff beams cannot be used together with
-hidden staves.  See @ref{Hiding staves}.
-
 Beams can collide with note heads and accidentals in other voices
 
 
@@ -2611,7 +2641,7 @@ set directions.  Hence, when introducing layout tweaks to
 override the special settings, they should be placed inside
 the grace expression. The overrides should also be reverted
 inside the grace expression. Here, the grace note's default stem
-direction is overriden and then reverted.
+direction is overridden and then reverted.
 
 @lilypond[quote,verbatim,relative=2]
 \new Voice {