the notes are 2/3 of their written length.
@lilypond[quote,ragged-right,fragment,verbatim,relative=2]
-g4 \times 2/3 {c4 c c} d4 d4
+a2 \times 2/3 {b4 b b}
+c4 c \times 2/3 {b4 a g}
+
@end lilypond
-Tuplets may be nested; for example,
+Tuplets may be nested:
@lilypond[fragment,ragged-right,verbatim,relative=2]
-\times 2/3 {
- a4 a
- \times 3/5 { a a a a a }
+\relative c'' {
+ \autoBeamOff
+ c4 \times 4/5 { f8 e f \times 2/3 {e[ f g] } } f4 |
}
@end lilypond
@funindex tupletNumberFormatFunction
@funindex tupletSpannerDuration
+@c when available
+@c @lilypondfile [ragged-right,line-width=16\cm,staffsize=14,quote]
+@c {Entering-several-tuplets-using-only-one-\times-command.ly}
+
+@ignore
+@c TODO Remove when snippet works ok
@c Sent to Snippet 5 Feb 08
The property @code{tupletSpannerDuration} specifies how long each
bracket should last. With this, you can make lots of tuplets
\set tupletSpannerDuration = #(ly:make-moment 1 4)
\times 2/3 { c8 c c c c c }
@end lilypond
+@end ignore
@noindent
For more information about @code{make-moment}, see
@funindex TupletBracket
If nested tuplets do not begin at the same moment their
-appearance may be modified in the usual way with
+appearance may be modified in the usual way with
@code{\override} commands:
@c NOTE Tuplet brackets collide if notes are high on staff
However, if the nested tuplets begin at the same musical moment,
@code{\override} commands cannot be applied to just one of them
--- they apply to both. So to change the appearance of nested
-tuplets beginning at the same musical moment individually, the
-@code{\tweak} function must be used (see @ref{Objects connected
+-- they apply to both. So to change the appearance of nested
+tuplets beginning at the same musical moment individually, the
+@code{\tweak} function must be used (see @ref{Objects connected
to the input}). The @code{\tweak} function is applied to the
following @code{\times} command as it appears in the input stream,
and so can distinguish between separate @code{\times} commands
even if their tuplets begin at the same musical moment.
-In this example, the @code{\tweak} command is used to specify
-fraction text for the outer @code{TupletNumber} and denominator
-text for the @code{TupletNumber} of the first of the three
+In this example, the @code{\tweak} command is used to specify
+fraction text for the outer @code{TupletNumber} and denominator
+text for the @code{TupletNumber} of the first of the three
inner tuplets.
@c NOTE Tuplet brackets collide if notes are high on staff
tuplet above the staff. The second @code{\tweak} positions the
@code{TupletBracket} of the first of the three inner tuplets below
the staff. Note that the @code{\tweak} command needs to be used
-only for events that begin at the same music moment: the outer
+only for events that begin at the same music moment: the outer
tuplet and the first of the three inner tuplets. To position the
@code{TupletBracket}s of the second and third of the inner tuplets
below the staff, we can use @code{\override} in the usual way.
@funindex tupletFullLength
@funindex tupletFullLengthNote
-Tuplet brackets can be made to run to prefatory matter or the
+Tuplet brackets can be made to run to prefatory matter or the
next note.
Default tuplet brackets end at the right edge of the final note
of the tuplet; full-length tuplet brackets extend farther to the
right, either to cover all the non-rhythmic notation up to the
-following note, or to cover only the whitespace before the next
+following note, or to cover only the whitespace before the next
item of notation, be that a clef, time signature, key signature,
or another note. The example shows how to switch tuplets to
full length mode and how to modify what material they cover.
\time 4/4
\times 4/5 { c4 c1 }
\time 3/4
- c4
+ c4
}
@end lilypond
@code{\compressMusic} works similarly to \times, but does not
create a tuplet bracket. One application is in polymetric
-notation, as shown in the following example. See
+notation, as shown in the following example. See
@ref{Polymetric notation}.
-@c not added yet. -gp
+@c when available
@c @lilypondfile [ragged-right,line-width=16\cm,staffsize=14,quote]
@c {printing-music-with-different-time-signatures.ly}
@seealso
-Music Glossary: @rglos{triplet}, @rglos{tuplet},
+Music Glossary: @rglos{triplet}, @rglos{tuplet},
@rglos{polymetric}.
Notation Reference: @ref{Time administration},
Snippets: @lsrdir{Rhythms,Rhythms}.
Internals Reference: @internalsref{TupletBracket},
-@internalsref{TupletNumber}, and @internalsref{TimeScaledMusic}.
+@internalsref{TupletNumber}, @internalsref{TimeScaledMusic}.
+
+@refbugs
+Lines may be broken within a tuplet with @code{\bar "" \break},
+but the tuplet bracket does not correctly carry over.
@node Scaling durations
@end lilypond
The duration of skip or spacing notes may also be modified by
-a multiplier. This is useful for skipping many measures, e.g.,
+a multiplier. This is useful for skipping many measures, e.g.,
@code{s1*23}.
@seealso
@funindex ~
A tie connects two adjacent note heads of the same pitch. The tie
-in effect extends the length of a note.
+in effect extends the length of a note.
@warning{Ties should not be confused with @emph{slurs}, which
indicate articulation, or @emph{phrasing slurs}, which indicate
@lilypond[fragment,quote,ragged-right,relative=2,verbatim]
\repeat volta 2 { c g <c e>2 ~ }
-\alternative {{ <c e>2. r4 } {<c e>2\repeatTie d4 c }}
+\alternative {{ <c e>2. r4 } {<c e>2\repeatTie d4 c }}
@end lilypond
@cindex laissez vibrer
<c f g>\laissezVibrer
@end lilypond
-The direction of a tie can be specified with @code{\tieUp} or
+The vertical placement of ties may be controlled; see
+@ref{Controlling direction}.
+
+@quotation
+DELETE THIS ?
@code{\tieDown} (see example below). @code{\tieNeutral} reverts
to the default behaviour again.
@lilypond[relative=2,ragged-right,quote,verbatim,fragment]
c4_~ c c^~ c)
@end lilypond
+@end quotation
+@refcommands
-@seealso
-
-Music Glossary: @rglos{tie},
-@c [TODO]add @rglos{laissez vibrer}. when there is a glossary entry.
-
-Snippets: @lsrdir{Rhythms,Rhythms}
-
-Internals Reference:
-@internalsref{LaissezVibrerTie}
-@internalsref{LaissezVibrerTieColumn}
-
-Example files:
-@c @lsr{connecting,laissez-vibrer-ties.ly}
+@funindex \tieUp
+@code{\tieUp},
+@funindex \tieDown
+@code{\tieDown},
+@funindex \tieNeutral
+@code{\tieNeutral},
+@funindex \tieDotted
+@code{\tieDotted},
+@funindex \tieDashed
+@code{\tieDashed},
+@funindex \tieSolid
+@code{\tieSolid}.
@commonprop
@end lilypond
-@refcommands
+@seealso
-@funindex \tieUp
-@code{\tieUp},
-@funindex \tieDown
-@code{\tieDown},
-@funindex \tieNeutral
-@code{\tieNeutral},
-@funindex \tieDotted
-@code{\tieDotted},
-@funindex \tieDashed
-@code{\tieDashed},
-@funindex \tieSolid
-@code{\tieSolid}.
+Music Glossary: @rglos{tie},
+@c [TODO]add @rglos{laissez vibrer}. when there is a glossary entry.
+Snippets: @lsrdir{Rhythms,Rhythms}
+
+Internals Reference:
+@internalsref{LaissezVibrerTie}
+@internalsref{LaissezVibrerTieColumn}
+
+Example files:
+@c @lsr{connecting,laissez-vibrer-ties.ly}
-@seealso
@subsection Writing rests
@menu
-* Rests::
-* Skips::
-* Full measure rests::
+* Rests::
+* Skips::
+* Full measure rests::
@end menu
@node Rests
A multi-note beamed @emph{acciaccatura} is printed without a slash,
and looks exactly the same as a multi-note beamed
@emph{appoggiatura}.
-@c TODO Add link to LSR snippet to add slash when available
+@c TODO Add link to LSR snippet to add slash when available
Grace note synchronization can also lead to surprises. Staff
notation, such as key signatures, bar lines, etc., are also
+
projects / lilypond.git / blobdiff