@c \version "2.11.61"
-@ignore
-GDP TODO list
-
-1.2.3.4 Polymetric notation
-Quite extensive changes. Could you please check through. Divided
-into three
-sections. Necessarily uses tweaks.
-@end ignore
-
@node Rhythms
@section Rhythms
force a particular direction manually, for details
see @ref{Direction and placement}.
-@predefined
+@predefined
@code{\autoBeamOff},
@code{\dotsUp},
@code{\dotsDown},
@code{\dotsNeutral}.
+@endpredefined
@seealso
-
Music Glossary:
@rglos{breve},
@rglos{longa},
To modify the duration of notes without printing a tuplet bracket,
see @ref{Scaling durations}.
-@predefined
+@predefined
@code{\tupletUp},
@code{\tupletDown},
@code{\tupletNeutral}.
+@endpredefined
@snippets
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
{permitting-line-breaks-within-beamed-tuplets.ly}
-@seealso
+@seealso
Music Glossary:
@rglos{triplet},
@rglos{tuplet},
@rinternals{TupletNumber},
@rinternals{TimeScaledMusic}.
+
@knownissues
@cindex grace notes within tuplet brackets
When the first note on a staff is a grace note followed by a
@seealso
-
Notation Reference:
@ref{Tuplets},
@ref{Invisible rests},
@predefined
-
@code{\tieUp},
@code{\tieDown},
@code{\tieNeutral},
@code{\tieDotted},
@code{\tieDashed},
@code{\tieSolid}.
+@endpredefined
@snippets
@seealso
-
Music Glossary:
@rglos{tie},
@rglos{laissez vibrer}.
@seealso
-
Notation Reference:
@ref{Full measure rests}.
\skip 1 \skip1 \skip 1
@end lilypond
-@seealso
+@seealso
Snippets:
@rlsr{Rhythms}.
When a multi-measure rest immediately follows a @code{\partial}
setting, resulting bar-check warnings may not be displayed.
+
@predefined
@code{\textLengthOn},
@code{\textLengthOff},
@code{\fermataMarkup},
@code{\compressFullBarRests},
@code{\expandFullBarRests}.
+@endpredefined
+
@snippets
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
{multi--measure-rest-markup.ly}
-@seealso
+@seealso
Music Glossary:
@rglos{multi-measure rest}.
Mensural time signatures are covered in
@ref{Mensural time signatures}.
-@predefined
+@predefined
@code{\numericTimeSignature},
@code{\defaultTimeSignature}.
+@endpredefined
-@snippets
-
-@c TODO Send as snippet called "Changing the time signature without affecting the beat length"
-The @code{\time} command sets the properties
-@code{timeSignatureFraction}, @code{beatLength}, and
-@code{measureLength} in the @code{Timing} context, which is
-normally aliased to @code{Score}. Changing the value of
-@code{timeSignatureFraction} causes the new time signature symbol
-to be printed without changing the other properties:
+@snippets
-@lilypond[quote,verbatim,relative=2]
-\time 3/4
-a16 a a a a a a a a a a a
-% Change time signature but keep 3/4 beaming
-% due to unchanged beatLength
-\set Score.timeSignatureFraction = #'(12 . 16)
-a16 a a a a a a a a a a a
-\time 12/16
-% Lose 3/4 beaming now beatLength has changed to 16
-a16 a a a a a a a a a a a
-@end lilypond
+@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
+{changing-the-time-signature-without-affecting-the-beaming.ly}
@cindex compound time signatures
@cindex time signature, compound
@seealso
-
Music Glossary:
@rglos{time signature}
command: i.e., @code{\partial 4} is internally translated to
@code{-4}, meaning @qq{there is a quarter note left in the measure.}
-@seealso
+@seealso
Music Glossary:
@rglos{anacrusis}.
Internal Reference:
@rinternals{Timing_translator}.
+
@knownissues
The @code{\partial} command is intended to be used only at the
d4 e d c
@end lilypond
-@predefined
+@predefined
@code{\cadenzaOn},
@code{\cadenzaOff}.
+@endpredefined
-@seealso
+@seealso
Music Glossary:
@rglos{cadenza}.
Snippets:
@rlsr{Rhythms}.
+
@knownissues
LilyPond will insert line breaks and page breaks only at a
@node Polymetric notation
@unnumberedsubsubsec Polymetric notation
+@c This section necessarily uses \set
+@c This is acceptable -td
+
@cindex double time signatures
@cindex signatures, polymetric
@cindex polymetric signatures
@cindex meter, polymetric
-Polymetric notation is supported, either explicitly or through
-clever use of markup features.
+Polymetric notation is supported, either explicitly or by modifying
+the visible time signature symbol and scaling the note durations.
-@strong{Staves with different time signatures, equal measure lengths}
+@strong{@i{Staves with different time signatures, equal measure lengths}}
This notation can be created by setting a common time signature
for each staff but replacing the symbol manually by setting
@code{timeSignatureFraction} to the desired fraction and scaling
the printed durations in each staff to the common time
-signature. This is done with @code{\scaleDurations}, which
-is used in a similar way to @code{\times}, but does not create
-a tuplet bracket, see @ref{Scaling durations}.
+signature; see @ref{Time signature}. The scaling is done with
+@code{\scaleDurations}, which is used in a similar way to
+@code{\times}, but does not create a tuplet bracket; see
+@ref{Scaling durations}.
In this example, music with the time signatures of 3/4, 9/8, and
10/8 are used in parallel. In the second staff, shown durations
are multiplied by 2/3, as 2/3 * 9/8 = 3/4, and in the third
staff, shown durations are multiplied by 3/5, as 3/5 * 10/8 = 3/4.
+It will often be necessary to insert beams manually, as the
+duration scaling affects the autobeaming rules.
@lilypond[quote,verbatim,fragment]
-\relative c' { <<
+\relative c' <<
\new Staff {
\time 3/4
c4 c c |
\time 3/4
\set Staff.timeSignatureFraction = #'(9 . 8)
\scaleDurations #'(2 . 3)
- \repeat unfold 6 { c8[ c c] }
+ \repeat unfold 6 { c8[ c c] }
}
\new Staff {
\time 3/4
\scaleDurations #'(3 . 5) {
\repeat unfold 2 { c8[ c c] }
\repeat unfold 2 { c8[ c] } |
- c4. c4. \times 2/3 { c8 c c } c4
+ c4. c4. \times 2/3 { c8[ c c] } c4
}
}
->> }
+>>
@end lilypond
-@strong{Staves with different time signatures, unequal bar lengths}
+@strong{@i{Staves with different time signatures, unequal bar lengths}}
Each staff can be given its own independent time signature by
-moving the @code{Timing_translator} to the @code{Staff} context.
+moving the @code{Timing_translator} and the
+@code{Default_bar_line_engraver} to the @code{Staff} context.
@lilypond[quote,verbatim]
\layout {
@seealso
-
Music Glossary:
@rglos{polymetric},
@rglos{polymetric time signature},
@rglos{meter}.
-Notation Reference: @ref{Scaling durations}
+Notation Reference:
+@ref{Time signature},
+@ref{Scaling durations}.
Snippets:
@rlsr{Rhythms}.
Internals Reference:
@rinternals{TimeSignature},
@rinternals{Timing_translator},
+@rinternals{Default_bar_line_engraver},
@rinternals{Staff}.
+
@knownissues
When using different time signatures in parallel, notes
measures are not entirely filled, then the ties show exactly how
much each measure is off.
-@seealso
+@seealso
Music Glossary: @rglos{tie}
Learning Manual:
>>
@end lilypond
+
@predefined
@code{\improvisationOn},
@code{\improvisationOff}.
+@endpredefined
+
@snippets
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
{guitar-strum-rhythms.ly}
-@seealso
+@seealso
Snippets:
@rlsr{Rhythms}.
@rinternals{RhythmicStaff},
@rinternals{Pitch_squash_engraver}.
+
@node Beams
@subsection Beams
to define beaming patterns that differ from the defaults. The
default beaming rules for most common time signatures are defined
in @file{scm/@/auto@/-beam@/.scm}. If there are no beaming rules
-defined for the time signature being used the beaming is controlled
-by the values of three context properties, @code{measureLength},
-@code{beatLength} and @code{beatGrouping}. Both the beaming rules
-and the context properties can be overridden, see
-@ref{Setting automatic beam behavior}.
+defined for a particular beam's duration in the time signature being
+used, its beaming is controlled by the values of three context
+properties, @code{measureLength}, @code{beatLength} and
+@code{beatGrouping}. Both the beaming rules and the context
+properties can be overridden, see @ref{Setting automatic beam behavior}.
@cindex autoBeamOn
@cindex autoBeamOff
c16 c8
@end lilypond
+
@predefined
@code{\autoBeamOff},
@code{\autoBeamOn}.
+@endpredefined
+
@snippets
@cindex break, line
@cindex line breaks
-@c TODO convert to snippet called "Beams across line breaks"
-@c This snippet exists but doesn't show the effect - replaced it
-@c with this 18 Oct 08
-
-Line breaks are normally forbidden when beams cross bar lines.
-This behavior can be changed by setting the @code{breakable}
-property:
-
-@lilypond[relative=2,verbatim,quote]
-\override Beam #'breakable = ##t
-c8 \repeat unfold 15 { c[ c] } c
-@end lilypond
-
-@cindex beams and line breaks
-@cindex beams, kneed
-@cindex kneed beams
-@cindex auto-knee-gap
-
-@c TODO convert to snippet called "Changing beam knee gap"
-@c Added to lsr 18 Oct 08
-
-Kneed beams are inserted automatically when a large gap is
-detected between the note heads. This behavior can be tuned
-through the @code{auto-knee-gap} property. A kneed beam is
-drawn if the gap is larger than the value of
-@code{auto-knee-gap} plus the width of the beam object (which
-depends on the duration of the notes and the slope of the beam).
-By default @code{auto-knee-gap} is set to 5.5 staff spaces.
+@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
+{beams-across-line-breaks.ly}
-@lilypond[fragment,quote,verbatim]
-f8 f''8 f8 f''8
-\override Beam #'auto-knee-gap = #6
-f8 f''8 f8 f''8
-@end lilypond
+@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
+{changing-beam-knee-gap.ly}
@seealso
-
Notation Reference:
@ref{Manual beams},
@ref{Setting automatic beam behavior}.
Installed Files:
-@file{scm/auto-beam.scm}.
+@file{scm/@/auto@/-beam@/.scm}.
Snippets:
@rlsr{Rhythms}.
first, modifying the grouping of beats, applies to uncommon time
signatures, i.e. those for which there are no predefined rules
defining the beam end points. The second method, modifying the
-beam end points, must be used for those time signatures for which
-beam ending rules are pre-defined. There are predefined rules for
-time signatures of 3/2, 3/4, 4/4, 2/4, 4/8, 4/16, 6/8, 9/8 and 12/8.
+specification of the beam end points, can be used for any time
+signature. This second method @strong{must} be used for those time
+signatures and beam durations combinations for which beam ending
+rules are pre-defined, unless these have all been reverted. There
+are predefined rules for time signatures of 3/2, 3/4, 4/4, 2/4,
+4/8, 4/16, 6/8, 9/8 and 12/8.
@i{@strong{Modifying the grouping of beats}}
-If there are no beam-ending rules defined for the time signature
-in use the beaming is controlled by three context properties:
+If there are no beam-ending rules defined for the beam duration of a
+particular beam in the time signature in use, its beaming is
+controlled by three context properties:
@code{measureLength}, @code{beatLength} and @code{beatGrouping}.
These properties may be set in the @code{Score}, @code{Staff} or
@code{Voice} contexts to delimit their scope.
@end itemize
-By default these properties are derived from the time signature set
-by the @code{\time} command. The @code{measureLength} is, by
-default, exactly the same length as the measure length given by the
-time signature, and the default @code{beatLength} is given by the
-denominator of the time signature.
+@warning{These three properties become effective for a particular
+beam @strong{only} if there are no beam-ending rules predefined for
+that beam's duration in the time signature in use, or if these
+beam-ending rules have all been reverted.}
+
+By default the @code{measureLength} and @code{beatLength} are
+derived from the time signature set by the @code{\time} command.
+The @code{measureLength} is set to be exactly the same length as
+the measure length given by the time signature, and the
+@code{beatLength} is set to be the same as one over the denominator
+of the time signature.
+
+The default value of @code{beatGrouping} is taken from a table in
+@file{scm/@/music@/-functions@/.scm}. To find this, see
+@rlearning{Other sources of information}. It defines the beat
+grouping for 5/8, 6/8, 8/8, 9/8 and 12/8 time signatures.
Both @code{measureLength} and @code{beatLength} are @i{moments},
units of musical duration. A quantity of type @i{moment} is
@snippets
-@c TODO -- convert to snippet called "Grouping beats"
-@c Added to lsr 18 Oct 08 -td
-
-Beaming patterns may be altered with the @code{beatGrouping} property,
-
-@lilypond[quote,verbatim,relative=2]
-\time 5/16
-\set beatGrouping = #'(2 3)
-c8[^"(2+3)" c16 c8]
-\set beatGrouping = #'(3 2)
-c8[^"(3+2)" c16 c8]
-@end lilypond
-
-@c TODO Convert to snippet called "Specifying context with beatGrouping"
-
-By specifying the context, the effect of @code{beatGrouping} can be
-limited to the context specified, and values set in higher-level
-contexts overridden:
-
-@lilypond[quote,verbatim]
-\score {
- \new Staff <<
- \time 7/8
- \new Voice {
- \relative c'' {
- \set Staff.beatGrouping = #'(2 3 2)
- a8 a a a a a a
- }
- }
- \new Voice {
- \relative c' {
- \voiceTwo
- \set Voice.beatGrouping = #'(1 3 3)
- f8 f f f f f f
- }
- }
- >>
-}
-@end lilypond
-
-
-@c TODO Send as snippet?
-
-The property @code{measureLength} determines where bar lines
-should be inserted and, with @code{beatLength} and
-@code{beatGrouping}, how automatic beams should be generated
-for time signatures for which no beam end rules are defined.
-
-@lilypond[quote,verbatim,relative=2]
-\time 3/4 % auto beam on 1/4 note groups
-a16 a a a a a a a a a a a a a a a
-\time 12/16 % no defined auto-beaming for this time sig
-a16 a a a a a a a a a a a a a a a
-\time 3/4
-a16 a a a a a a a a a a a a a a a
-\set Score.timeSignatureFraction = #'(12 . 16) %keep 3/4 beaming
- % due to beatLength
-a16 a a a a a a a a a a a a a a a
-\set Score.beatLength = #(ly:make-moment 1 8) %beam on 1/8 notes
-a16 a a a a a a a a a a a a a a a
-\set Score.beatLength = #(ly:make-moment 1 16)
-\set Score.beatGrouping = #'(3 4 2 3) %beam on 3/16, 7/16, 9/16, 12/16
-a16 a a a a a a a a a a a a a a a
-@end lilypond
+@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
+{grouping-beats.ly}
+@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
+{specifying-context-with-beatgrouping.ly}
-@c End of snippet
+@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
+{using-beatlength-and-beatgrouping.ly}
@funindex subdivideBeams
-@c TODO convert to snippet called "Sub-dividing beams"
-@c Added to lsr 18 Oct 08
-
-The beams of consecutive 16th (or shorter) notes are, by default,
-not sub-divided. That is, the three (or more) beams stretch
-unbroken over entire groups of notes. This behavior can
-be modified to sub-divide the beams into sub-groups by setting
-the property @code{subdivideBeams}. When set, multiple beams
-will be sub-divided at intervals defined by the current value of
-@code{beatLength} by reducing the multiple beams to just one beam
-between the sub-groups.
-
-@code{beatLength) must be
-set to a fraction giving the duration of the beam sub-group
-using the @code{make-moment} function, as shown here:
-
-@lilypond[quote,relative=2,verbatim]
-c32[ c c c c c c c]
-\set subdivideBeams = ##t
-c32[ c c c c c c c]
-% Set beam sub-group length to an eighth note
-\set Score.beatLength = #(ly:make-moment 1 8)
-c32[ c c c c c c c]
-% Set beam sub-group length to a sixteenth note
-\set Score.beatLength = #(ly:make-moment 1 16)
-c32[ c c c c c c c]
-@end lilypond
+@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
+{sub-dividing-beams.ly}
@cindex measure groupings
@cindex beats, grouping
@cindex grouping beats
@cindex measure sub-grouping
-@c TODO Sent as snippet called "Conducting signs, measure grouping signs" 18 Oct 08 -td
-Options to group beats within a bar are available through the
-Scheme function @code{set-time-signature}, which takes three
-arguments: the number of beats, the beat length, and the internal
-grouping of beats in the measure. If the
-@rinternals{Measure_grouping_engraver} is included, the function
-will also create @rinternals{MeasureGrouping} signs. Such signs
-ease reading rhythmically complex modern music. In the example,
-the 9/8 measure is subdivided in 2, 2, 2 and 3. This is passed to
-@code{set-time-signature} as the third argument: @code{'(2 2 2 3)}:
-
-@lilypond[quote,ragged-right,verbatim]
-\score {
- \relative c'' {
- #(set-time-signature 9 8 '(2 2 2 3))
- g8[ g] d[ d] g[ g] a8[( bes g]) |
- #(set-time-signature 5 8 '(3 2))
- a4. g4
- }
- \layout {
- \context {
- \Staff
- \consists "Measure_grouping_engraver"
- }
- }
-}
-@end lilypond
-@c TODO End of snippet called "grouping beats"
+@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
+{conducting-signs,-measure-grouping-signs.ly}
@strong{@i{Modifying the beam end points}}
-In normal time signatures, automatic beams can start on any note but
-can end at only a few positions within the measure, namely at
+In common time signatures, automatic beams can start on any note
+but can end at only a few positions within the measure, namely at
durations specified by the properties in @code{autoBeamSettings}.
These properties consist of a list of rules defining where beams can
end. The default @code{autoBeamSettings} rules are defined in
-@file{scm/@/auto@/-beam@/.scm}.
+@file{scm/@/auto@/-beam@/.scm}. To find this, see
+@rlearning{Other sources of information}.
-This method @strong{must} be used for the common time signatures,
-and is also particularly suitable for many other time signatures
-if the time signature of the measures changes frequently. Because
-the rules can be written to apply to a specific time signature they
-need to be set up only once with rules for each time signature.
-Attempting to achieve the same result by modifying the beat grouping
-would require the insertion of @code{\set} commands every time the
-time signature changed, unless the default values in that time
-signature were suitable.
+This method @strong{must} be used for the time signatures for which
+beam-ending rules are defined by default, unless these have all
+been reverted. It is also particularly suitable for many other time
+signatures if the time signature of the measures changes frequently,
+or if the beaming should be different for different beam durations.
In order to add a rule to the list, use
<< {a8 a a a16 a a a a8 a} \\ {f4. f8 f f f} >>
@end lilypond
-@c TODO Add example using Score for multiple staves?
-@c Hmm. Not sure it works correctly. Needs more investigation.
-
@warning{If any unexpected beam behavior occurs, check the default
automatic beam settings in @file{scm/@/auto@/-beam@/.scm} for
possible interference, because the beam endings defined there will
@snippets
-@c TODO Add to LSR with name "Beam grouping in 7/8 time"
-@c Added 19 Oct 08
-There are no default automatic beam groupings specified for 7/8
-time, so if automatic beams are required the grouping must be
-specified. For example, to group all beams 2-3-2 in 7/8 time,
-specify beam endings at 2/8 and 5/8:
-
-@lilypond[quote,verbatim,relative=2]
-\time 7/8
-% rhythm 2-3-2
-a8 a a a a a a
-#(override-auto-beam-setting '(end * * 7 8) 2 8)
-#(override-auto-beam-setting '(end * * 7 8) 5 8)
-a8 a a a a a a
-@end lilypond
-
-@ignore
-@c Seems like setting beam starting points is no longer
-@c necessary, and/or has no effect. Remove mention?
-
-The same syntax can be used to specify beam starting points.
-
-@c TODO Does this example add anything?
-
-In this
-example, automatic beams can only end on a dotted quarter note
-@example
-#(override-auto-beam-setting '(end * * * *) 3 8)
-#(override-auto-beam-setting '(end * * * *) 1 2)
-#(override-auto-beam-setting '(end * * * *) 7 8)
-@end example
-
-In 4/4 time signature, this means that automatic beams could end only on
-3/8 and on the fourth beat of the measure (after 3/4, that is 2 times
-3/8, has passed within the measure).
-
-@end ignore
-
-@c TODO Convert to snippet called "Reverting default beam endings"
-@c Added to lsr 19 Oct 08
-
-To typeset beams grouped @code{3-4-3-2} in 12/8 it is necessary
-first to override the default beam endings in 12/8, and then to
-set up the new beaming endings:
-
-@lilypond[verbatim,quote,relative=2]
-\time 12/8
-
-% Default beaming
-a8 a a a a a a a a a a a
+@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
+{beam-grouping-in-7-8-time.ly}
-% Revert default values in scm/auto-beam.scm for 12/8 time
-#(revert-auto-beam-setting '(end * * 12 8) 3 8)
-#(revert-auto-beam-setting '(end * * 12 8) 3 4)
-#(revert-auto-beam-setting '(end * * 12 8) 9 8)
-a8 a a a a a a a a a a a
+@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
+{reverting-default-beam-endings.ly}
-% Set new values for beam endings
-#(override-auto-beam-setting '(end * * 12 8) 3 8)
-#(override-auto-beam-setting '(end * * 12 8) 7 8)
-#(override-auto-beam-setting '(end * * 12 8) 10 8)
-a8 a a a a a a a a a a a
-@end lilypond
+@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
+{beam-endings-in-score-context.ly}
@predefined
-
@funindex \autoBeamOff
@code{\autoBeamOff},
@funindex \autoBeamOn
@code{\autoBeamOn}.
+@endpredefined
@knownissues
@dots{} \\ @dots{} >>}. If a polyphonic voice ends while an
automatic beam is still accepting notes, it is not typeset.
-@seealso
+@seealso
Snippets:
@rlsr{Rhythms}.
@snippets
+@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
+{flat-flags-and-beam-nibs.ly}
+
@node Feathered beams
@unnumberedsubsubsec Feathered beams
The @code{\featherDurations} command only works with very short
music snippets, and when numbers in the fraction are small.
-@seealso
+@seealso
Snippets:
@rlsr{Rhythms}.
-
@node Bars
@subsection Bars
In scores with many staves, a @code{\bar} command in one staff is
automatically applied to all staves. The resulting bar lines are
connected between different staves of a @code{StaffGroup},
-@code{InnerStaffGroup}, @code{PianoStaff}, or @code{GrandStaff}.
+@code{PianoStaff}, or @code{GrandStaff}.
@lilypond[quote,fragment,verbatim]
<<
@code{"|"}. This may be changed at any time
with @code{\set Timing.defaultBarType = }@var{bartype}.
-@seealso
+@seealso
Notation Reference:
@ref{Line breaking},
@ref{Repeats},
@seealso
-
Snippets:
@rlsr{Rhythms}.
will print a warning if the @code{currentBarNumber} is not 123
when it is processed.
-@seealso
+@seealso
Snippets:
@rlsr{Rhythms}.
For common tweaks to the positioning of rehearsal marks, see
@ref{Formatting text}.
-@seealso
+@seealso
Notation Reference:
@ref{The Feta font},
@ref{Formatting text}.
Internals Reference: @rinternals{RehearsalMark}.
+
@node Special rhythmic concerns
@subsection Special rhythmic concerns
@seealso
-
Music Glossary:
@rglos{grace notes},
@rglos{acciaccatura},
A multi-note beamed @i{acciaccatura} is printed without a slash,
and looks exactly the same as a multi-note beamed
@i{appoggiatura}.
+
@c TODO Add link to LSR snippet to add slash when available
Grace note synchronization can also lead to surprises. Staff
>>
@end lilypond
-@seealso
+@seealso
Music Glossary:
@rglos{cadenza}.
@seealso
-
This manual: @ref{Bar numbers}, @ref{Unmetered music}
Snippets:
projects / lilypond.git / blobdiff