Merge branch 'master' of ssh://jneem@git.sv.gnu.org/srv/git/lilypond into tmp

[lilypond.git] / Documentation / user / rhythms.itely

diff --git a/Documentation/user/rhythms.itely b/Documentation/user/rhythms.itely
index 85a43d2ce6fb94118f5a2d27d7bf3a807f8be79f..435210b4a65d54d29b7527e5f98e5eb620ab650f 100644 (file)
--- a/Documentation/user/rhythms.itely
+++ b/Documentation/user/rhythms.itely
@@ -128,7 +128,6 @@ see @ref{Direction and placement}.
 
 
 @seealso
-
 Music Glossary:
 @rglos{breve},
 @rglos{longa},
@@ -234,8 +233,8 @@ see @ref{Scaling durations}.
 @lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
 {permitting-line-breaks-within-beamed-tuplets.ly}
 
-@seealso
 
+@seealso
 Music Glossary:
 @rglos{triplet},
 @rglos{tuplet},
@@ -257,6 +256,7 @@ Internals Reference:
 @rinternals{TupletNumber},
 @rinternals{TimeScaledMusic}.
 
+
 @knownissues
 @cindex grace notes within tuplet brackets
 When the first note on a staff is a grace note followed by a
@@ -329,7 +329,6 @@ notation, see @ref{Polymetric notation}.
 
 
 @seealso
-
 Notation Reference:
 @ref{Tuplets},
 @ref{Invisible rests},
@@ -459,7 +458,6 @@ commands.
 
 
 @seealso
-
 Music Glossary:
 @rglos{tie},
 @rglos{laissez vibrer}.
@@ -561,7 +559,6 @@ a4\rest d4\rest
 
 
 @seealso
-
 Notation Reference:
 @ref{Full measure rests}.
 
@@ -634,8 +631,8 @@ any kind.
 \skip 1 \skip1 \skip 1
 @end lilypond
 
-@seealso
 
+@seealso
 Snippets:
 @rlsr{Rhythms}.
 
@@ -784,8 +781,8 @@ setting, resulting bar-check warnings may not be displayed.
 @lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
 {multi--measure-rest-markup.ly}
 
-@seealso
 
+@seealso
 Music Glossary:
 @rglos{multi-measure rest}.
 
@@ -910,7 +907,6 @@ Mensural time signatures are covered in
 
 
 @seealso
-
 Music Glossary:
 @rglos{time signature}
 
@@ -972,8 +968,8 @@ that this is set to a negative number by the @code{\partial}
 command: i.e., @code{\partial 4} is internally translated to
 @code{-4}, meaning @qq{there is a quarter note left in the measure.}
 
-@seealso
 
+@seealso
 Music Glossary:
 @rglos{anacrusis}.
 
@@ -986,6 +982,7 @@ Snippets:
 Internal Reference:
 @rinternals{Timing_translator}.
 
+
 @knownissues
 
 The @code{\partial} command is intended to be used only at the
@@ -1039,7 +1036,6 @@ d4 e d c
 
 
 @seealso
-
 Music Glossary:
 @rglos{cadenza}.
 
@@ -1049,6 +1045,7 @@ Notation Reference:
 Snippets:
 @rlsr{Rhythms}.
 
+
 @knownissues
 
 LilyPond will insert line breaks and page breaks only at a
@@ -1171,7 +1168,6 @@ moving the @code{Timing_translator} and the
 
 
 @seealso
-
 Music Glossary:
 @rglos{polymetric},
 @rglos{polymetric time signature},
@@ -1190,6 +1186,7 @@ Internals Reference:
 @rinternals{Default_bar_line_engraver},
 @rinternals{Staff}.
 
+
 @knownissues
 
 When using different time signatures in parallel, notes
@@ -1225,8 +1222,8 @@ inserts ties.  One of its uses is to debug complex scores: if the
 measures are not entirely filled, then the ties show exactly how
 much each measure is off.
 
-@seealso
 
+@seealso
 Music Glossary: @rglos{tie}
 
 Learning Manual:
@@ -1315,8 +1312,8 @@ be done with the @code{Pitch_squash_engraver} and
 @lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
 {guitar-strum-rhythms.ly}
 
-@seealso
 
+@seealso
 Snippets:
 @rlsr{Rhythms}.
 
@@ -1324,6 +1321,7 @@ Internals Reference:
 @rinternals{RhythmicStaff},
 @rinternals{Pitch_squash_engraver}.
 
+
 @node Beams
 @subsection Beams
 
@@ -1397,8 +1395,8 @@ c16 c8
 @lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
 {changing-beam-knee-gap.ly}
 
-@seealso
 
+@seealso
 Notation Reference:
 @ref{Manual beams},
 @ref{Setting automatic beam behavior}.
@@ -1713,8 +1711,8 @@ The same holds for polyphonic voices, entered with @code{<<
 @dots{} \\ @dots{} >>}.  If a polyphonic voice ends while an
 automatic beam is still accepting notes, it is not typeset.
 
-@seealso
 
+@seealso
 Snippets:
 @rlsr{Rhythms}.
 
@@ -1828,13 +1826,12 @@ note durations only approximately, but the MIDI output is exact.
 The @code{\featherDurations} command only works with very short
 music snippets, and when numbers in the fraction are small.
 
-@seealso
 
+@seealso
 Snippets:
 @rlsr{Rhythms}.
 
 
-
 @node Bars
 @subsection Bars
 
@@ -1982,8 +1979,8 @@ The default bar type used for automatically inserted bar lines is
 @code{"|"}.  This may be changed at any time
 with @code{\set Timing.defaultBarType = }@var{bartype}.
 
-@seealso
 
+@seealso
 Notation Reference:
 @ref{Line breaking},
 @ref{Repeats},
@@ -2131,7 +2128,6 @@ Bar numbers can be removed entirely by removing the
 
 
 @seealso
-
 Snippets:
 @rlsr{Rhythms}.
 
@@ -2233,8 +2229,8 @@ are entering from.  This can be checked with
 will print a warning if the @code{currentBarNumber} is not 123
 when it is processed.
 
-@seealso
 
+@seealso
 Snippets:
 @rlsr{Rhythms}.
 
@@ -2342,8 +2338,8 @@ printed with @code{\musicglyph}.
 For common tweaks to the positioning of rehearsal marks, see
 @ref{Formatting text}.
 
-@seealso
 
+@seealso
 Notation Reference:
 @ref{The Feta font},
 @ref{Formatting text}.
@@ -2359,6 +2355,7 @@ Snippets:
 
 Internals Reference: @rinternals{RehearsalMark}.
 
+
 @node Special rhythmic concerns
 @subsection Special rhythmic concerns
 
@@ -2537,7 +2534,6 @@ in other staves:
 
 
 @seealso
-
 Music Glossary:
 @rglos{grace notes},
 @rglos{acciaccatura},
@@ -2618,8 +2614,8 @@ MyCadenza = \relative c' {
 >>
 @end lilypond
 
-@seealso
 
+@seealso
 Music Glossary:
 @rglos{cadenza}.
 
@@ -2700,7 +2696,6 @@ notes.
 
 
 @seealso
-
 This manual: @ref{Bar numbers}, @ref{Unmetered music}
 
 Snippets: