($(outdir)/%.1): build man

[lilypond.git] / Documentation / user / refman.itely

diff --git a/Documentation/user/refman.itely b/Documentation/user/refman.itely
index 94bb40d6c314a214384deb67c136ab8fd51020a8..7df47a991a5ca26cab04959151cab2d13c303a92 100644 (file)
--- a/Documentation/user/refman.itely
+++ b/Documentation/user/refman.itely
@@ -4018,6 +4018,7 @@ some common problems in orchestral music.
 * Multi measure rests::         
 * Automatic part combining::    
 * Hiding staves::               
+* Different editions from one source::  
 * Sound output for transposing instruments::  
 @end menu
 
@@ -4392,7 +4393,8 @@ measure:
   >
 @end lilypond
 
-The part combiner is slated to be rewritten [TODO: explain why].
+The part combiner is rather buggy, and it will be replaced by a better
+mechanism in the near future.
 
 @cindex @code{Thread_devnull_engraver}
 @cindex @code{Voice_engraver}
@@ -4443,16 +4445,17 @@ In the following example, we see two versions of a piece of music, one
 for the full score, and one with cue notes for the instrumental part:
 
 @example
- c1
+    c1
     \relative c' <
        \tag #'part <
          R1 \\
-         {
+         @{
              \property Voice.fontSize = #-1
-             c4_"cue" f2 g4 } 
+             c4_"cue" f2 g4 @} 
         >
        \tag #'score R1
      >
+     c1
 @end example
 
 The same can be applied to articulations, texts, etc.: they are
@@ -4470,11 +4473,11 @@ This defines a note with a conditional fingering indication.
 By applying the @code{remove-tag} function, tagged expressions can be
 filtered. For example,
 @example
-\simultaneous {
+\simultaneous @{
         @var{the music}
        \apply #(remove-tag 'score) @var{the music}
        \apply #(remove-tag 'part) @var{the music}
-}
+@}
 @end example
 would yield