a4 b c d
@}
-
+
\score @{
\new Staff \melody
\layout @{ @}
@code{\layout} or @code{\midi}.
If we simply cut and paste the @code{melody} section, we would end up with
-two @code{melody} sections. So let's rename them. We'll call the one
-for the soprano @code{sopranoMusic}, and the one for the cello can be
-called @code{celloMusic}. While we're doing this, let's rename @code{text}
+two @code{melody} sections. So let's rename them. We'll call the section
+for the soprano @code{sopranoMusic} and the section for the cello
+@code{celloMusic}. While we're doing this, let's rename @code{text}
to be @code{sopranoLyrics}. Remember to rename both instances of all
these names -- both the initial definition (the
@code{melody = relative c' @{ } part) and the name's use (in the
@noindent
underneath the soprano stuff. We also need to add @code{<<} and
@code{>>} around the music -- that tells LilyPond that there's
-more than one thing (in this case staff) happening at once. The
+more than one thing (in this case, @code{Staff}) happening at once. The
@code{\score} looks like this now
@example
that there @emph{is} no mystery. This line explains it
all:
-@example
-A @code{\score} must begin with a single music expression.
-@end example
+@quotation
+@emph{A @code{\score} must begin with a single music expression.}
+@end quotation
@noindent
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