-@c -*- coding: latin-1; mode: texinfo; -*-
+@c -*- coding: utf-8; mode: texinfo; -*-
+@c This file is part of lilypond.tely
+@ignore
+ Translation of GIT committish: FILL-IN-HEAD-COMMITTISH
+
+ When revising a translation, copy the HEAD committish of the
+ version that you are working on. See TRANSLATION for details.
+@end ignore
+
+@c \version "2.12.0"
@node Preface
@unnumbered Preface
It must have been during a rehearsal of the EJE (Eindhoven Youth
-Orchestra), somewhere in 1995 that Jan, one of the cranked violists
+Orchestra), somewhere in 1995 that Jan, one of the cranked violists,
told Han-Wen, one of the distorted French horn players, about the
grand new project he was working on. It was an automated system for
printing music (to be precise, it was MPP, a preprocessor for
an instrument. In the beginning, discovering how it works is fun, and
the things you cannot do are challenging. After the initial excitement,
you have to practice and practice. Scales and studies can be dull, and
-if you are not motivated by others---teachers, conductors or
-audience---it is very tempting to give up. You continue, and gradually
+if you are not motivated by others -- teachers, conductors or
+audience -- it is very tempting to give up. You continue, and gradually
playing becomes a part of your life. Some days it comes naturally, and
it is wonderful, and on some days it just does not work, but you keep
playing, day after day.
Utrecht/Eindhoven, The Netherlands, July 2002.
-@menu
-* Notes for version 2.4::
-@end menu
-
-@node Notes for version 2.4
-@unnumberedsec Notes for version 2.4
-
-The most important developments in 2.4 are related. In LilyPond 2.4
-@TeX{} is no longer strictly necessary to engrave music. This is
-because LilyPond can now also layout pages and determine page breaks.
-Another notable feature is the syntax, which has been simplified even
-further compared to previous versions.
-
-
-
-
-Han-Wen and Jan
-
-Utrecht/Eindhoven, The Netherlands, September 2004.