lilypond-book robustness: ensure EOL at the end of @verbatim

[lilypond.git] / Documentation / user / pitches.itely

diff --git a/Documentation/user/pitches.itely b/Documentation/user/pitches.itely
index 1b7c2c8e1d7499ab4e08170e1322b927d366ad60..fce608a7c86883bcf1d8f37f66851cbf7af1f45c 100644 (file)
--- a/Documentation/user/pitches.itely
+++ b/Documentation/user/pitches.itely
@@ -175,6 +175,47 @@ large intervals:
 }
 @end lilypond
 
+When @code{\relative} blocks are nested, the innermost
+@code{\relative} block applies.
+
+@lilypond[verbatim,quote]
+\relative c' {
+  c d e f
+  \relative c'' {
+    c d e f
+  }
+}
+@end lilypond
+
+@code{\relative} has no effect on @code{\chordmode} blocks.
+
+@lilypond[verbatim,quote]
+\new Staff {
+  \relative c''' {
+    \chordmode { c1 }
+  }
+  \chordmode { c1 }
+}
+@end lilypond
+
+@code{\relative} is not allowed inside of @code{\chordmode} blocks.
+
+Music inside a @code{\transpose} block is absolute unless a
+@code{\relative} is included.
+
+@lilypond[verbatim,quote]
+\relative c' {
+  d e
+  \transpose f g {
+    d e
+    \relative c' {
+      d e
+    }
+  }
+}
+@end lilypond
+
+
 @cindex chords and relative octave entry
 @cindex relative octave entry and chords
 
@@ -238,13 +279,6 @@ Internals Reference:
 @funindex relative
 
 
-@knownissues
-
-The relative conversion will not affect @code{\transpose},
-@code{\chordmode} or @code{\relative} sections in its argument.
-To use relative mode within transposed music, an additional
-@code{\relative} must be placed inside @code{\transpose}.
-
 @c DEPRECATED
 If no @var{startpitch} is specified for @code{\relative},
 then@tie{}@code{c'} is assumed.  However, this is a deprecated
@@ -466,7 +500,7 @@ and the accidental suffixes they define are:
   @tab -s/-sharp @tab -f/-flat @tab -ss/-x/-sharpsharp
     @tab -ff/-flatflat
 @item @file{espanol.ly}
-  @tab -s @tab -b @tab -ss @tab -bb
+  @tab -s @tab -b @tab -ss/-x @tab -bb
 @item @file{italiano.ly}
   @tab -d @tab -b @tab -dd @tab -bb
 @item @file{norsk.ly}
@@ -521,6 +555,8 @@ languages, no special names have been defined yet.
   @tab -ih @tab -eh @tab -isih @tab -eseh
 @item @file{english.ly}
   @tab -qs @tab -qf @tab -tqs @tab -tqf
+@item @file{espanol.ly}
+  @tab -cs @tab -cb @tab -tcs @tab -tcb
 @item @file{italiano.ly}
   @tab -sd @tab -sb @tab -dsd @tab -bsb
 @item @file{portugues.ly}
@@ -648,6 +684,9 @@ with pitch @var{frompitch} is changed to @var{topitch} and any
 other note is transposed by the same interval.  Both pitches are
 entered in absolute mode.
 
+@warning{Music inside a @code{@bs{}transpose} block is absolute
+unless a @code{@bs{}relative} is included in the block.}
+
 Consider a piece written in the key of D-major.  It can be
 transposed up to E-major; note that the key signature is
 automatically transposed as well.
@@ -734,6 +773,7 @@ see @ref{Instrument transpositions}.
 
 @seealso
 Notation Reference:
+@ref{Relative octave entry},
 @ref{Instrument transpositions}.
 
 Snippets:
@@ -757,7 +797,6 @@ The relative conversion will not affect @code{\transpose},
 To use relative mode within transposed music, an additional
 @code{\relative} must be placed inside @code{\transpose}.
 
-
 @node Displaying pitches
 @subsection Displaying pitches
 
@@ -846,6 +885,16 @@ c2 c
 c2 c
 \clef tab
 c2 c
+
+\break
+
+\clef G
+c2 c
+\clef F
+c2 c
+\clef C
+c2 c
+
 @end lilypond
 
 Further supported clefs are described under @ref{Mensural clefs}