DOC -- Indexing for editorial and pitches -- Ralph Palmer's work

[lilypond.git] / Documentation / user / pitches.itely

diff --git a/Documentation/user/pitches.itely b/Documentation/user/pitches.itely
index 977ac59fe36104e619a24967d2e5e03b1bf6b854..9224f8e1bb04995e34361f2209c7dd1e9dc070b0 100644 (file)
--- a/Documentation/user/pitches.itely
+++ b/Documentation/user/pitches.itely
@@ -47,7 +47,9 @@ mode.  In most cases, relative mode will be more convenient.
 @cindex pitches
 @cindex absolute
 @cindex absolute octave specification
+@cindex octave specification, absolute
 @cindex absolute octave entry
+@cindex octave entry, absolute
 
 A pitch name is specified using lowercase letters@tie{}@code{a}
 through@tie{}@code{g}.  The note names @code{c} to @code{b} are
@@ -62,6 +64,7 @@ d e f g
 @end lilypond
 
 @cindex octave changing mark
+
 @funindex '
 @funindex ,
 
@@ -93,7 +96,11 @@ Snippets:
 
 @cindex relative
 @cindex relative octave entry
+@cindex octave entry, relative
 @cindex relative octave specification
+@cindex ocatve specification, relative
+
+@funindex relative
 @funindex \relative
 
 When octaves are specified in absolute mode it is easy to
@@ -168,6 +175,9 @@ large intervals:
 }
 @end lilypond
 
+@cindex chords and relative octave entry
+@cindex relative octave entry and chords
+
 If the preceding item is a chord, the first note of the chord is
 used as the reference point for the octave placement of a
 following note or chord.  Inside chords, the next note is always
@@ -219,9 +229,13 @@ Internals Reference:
 
 @cindex relative octave entry and transposition
 @cindex transposition and relative octave entry
+
 @funindex \transpose
+@funindex transpose
 @funindex \chordmode
+@funindex chordmode
 @funindex \relative
+@funindex relative
 
 
 @knownissues
@@ -256,6 +270,7 @@ see @rlearning{Accidentals and key signatures}.}
 
 @cindex note names, Dutch
 @cindex note names, default
+@cindex default note names
 @cindex sharp
 @cindex flat
 @cindex double sharp
@@ -286,7 +301,8 @@ a4 aes a2
 @end lilypond
 
 @cindex quarter tones
-@cindex semi-flats, semi-sharps
+@cindex semi-flats
+@cindex semi-sharps
 
 Quarter tones may be added; the following is a series of Cs with
 increasing pitches:
@@ -301,11 +317,13 @@ ceseh1 ces ceh c cih cis cisih
 @cindex accidental, cautionary
 @cindex accidental, parenthesized
 @cindex reminder accidental
-@funindex ?
 @cindex cautionary accidental
 @cindex parenthesized accidental
+
+@funindex ?
 @funindex !
 
+
 Normally accidentals are printed automatically, but you may also
 print them manually.  A reminder accidental can be forced by
 adding an exclamation mark@tie{}@code{!} after the pitch.  A
@@ -530,8 +548,10 @@ This section discusses how to modify pitches.
 @cindex octave correction
 @cindex octave check
 @cindex control pitch
+
 @funindex =
 @funindex \octaveCheck
+@funindex octaveCheck
 @funindex controlpitch
 
 In relative mode, it is easy to forget an octave changing mark.
@@ -605,7 +625,9 @@ Internals Reference:
 @cindex transposition of notes
 @cindex pitches, transposition of
 @cindex notes, transposition of
+
 @funindex \transpose
+@funindex transpose
 
 A music expression can be transposed with @code{\transpose}.  The
 syntax is
@@ -670,8 +692,6 @@ music = \relative c' { c d e f }
 }
 @end lilypond
 
-@cindex transposing instruments
-@cindex instruments, transposing
 
 @code{\transpose} may also be used in a different way, to input
 written notes for a transposing instrument.  The previous examples
@@ -719,8 +739,11 @@ Internals Reference:
 
 
 @funindex \transpose
+@funindex transpose
 @funindex \chordmode
+@funindex chordmode
 @funindex \relative
+@funindex relative
 
 @knownissues
 
@@ -748,7 +771,6 @@ This section discusses how to alter the output of pitches.
 @node Clef
 @unnumberedsubsubsec Clef
 
-@funindex \clef
 @cindex G clef
 @cindex C clef
 @cindex F clef
@@ -781,6 +803,9 @@ This section discusses how to alter the output of pitches.
 @cindex clef, varbaritone
 @cindex subbass clef, subbass
 
+@funindex \clef
+@funindex clef
+
 The clef may be altered.  Middle C is shown in every example.
 
 @lilypond[verbatim,quote,relative=1]
@@ -825,6 +850,7 @@ and @ref{Gregorian clefs}.
 @cindex clef, transposing
 @cindex octave transposition
 @cindex choral tenor clef
+@cindex tenor clef, choral
 
 By adding@tie{}@code{_8} or@tie{}@code{^8} to the clef name, the
 clef is transposed one octave down or up, respectively,
@@ -866,7 +892,9 @@ Internals Reference:
 @unnumberedsubsubsec Key signature
 
 @cindex key signature
+
 @funindex \key
+@funindex key
 
 @c duplicated in Key signature and Accidentals
 @warning{New users are sometimes confused about accidentals and
@@ -885,14 +913,24 @@ at the start of the staff.  The key signature may be altered:
 @end example
 
 @funindex \major
+@funindex major
 @funindex \minor
+@funindex minor
 @funindex \ionian
+@funindex ionian
 @funindex \locrian
+@funindex locrian
 @funindex \aeolian
+@funindex aeolian
 @funindex \mixolydian
+@funindex mixolydian
 @funindex \lydian
+@funindex lydian
 @funindex \phrygian
+@funindex phrygian
 @funindex \dorian
+@funindex dorian
+
 @cindex church modes
 @cindex modes
 @cindex major
@@ -958,7 +996,10 @@ Internals Reference:
 @cindex 8va
 @cindex 8ve
 @cindex octavation
+
 @funindex set-octavation
+@funindex \ottava
+@funindex ottava
 
 @notation{Ottava brackets} introduce an extra transposition of an
 octave for the staff:
@@ -1002,7 +1043,9 @@ Internals Reference:
 @cindex transposing instrument
 @cindex MIDI
 @cindex MIDI transposition
+
 @funindex \transposition
+@funindex transposition
 
 When typesetting scores that involve transposing instruments, some
 parts can be typeset in a different pitch than the
@@ -1096,8 +1139,10 @@ Snippets:
 @cindex accidentals, automatic
 @cindex automatic accidentals
 @cindex default accidental style
+
 @funindex set-accidental-style
 @funindex voice
+@funindex default
 
 There are many different conventions on how to typeset
 accidentals.  LilyPond provides a function to specify which
@@ -1124,7 +1169,6 @@ style in all staves of the current @code{StaffGroup}, use:
 The following accidental styles are supported.  To demonstrate
 each style, we use the following example:
 
-@funindex default
 
 @lilypond[verbatim,quote]
 musicA = {
@@ -1198,6 +1242,7 @@ both staves.
 
 @cindex default accidental style
 @cindex accidental style, default
+
 @funindex default
 
 This is the default typesetting behavior.  It corresponds to
@@ -1261,6 +1306,7 @@ musicB = {
 @cindex modern accidental style
 @cindex accidental style, modern-cautionary
 @cindex modern-cautionary accidental style
+
 @funindex voice
 
 The normal behavior is to remember the accidentals at
@@ -1328,6 +1374,7 @@ musicB = {
 
 @cindex accidentals, modern style
 @cindex modern style accidentals
+
 @funindex modern
 
 This rule corresponds to the common practice in the twentieth
@@ -1392,6 +1439,7 @@ musicB = {
 @cindex modern cautionary accidental style
 @cindex modern style accidentals
 @cindex modern style cautionary accidentals
+
 @funindex modern-cautionary
 
 This rule is similar to @code{modern}, but the @q{extra}
@@ -1455,6 +1503,7 @@ musicB = {
 @cindex modern accidental style
 @cindex modern accidentals
 @cindex multivoice accidentals
+
 @funindex modern-voice
 
 This rule is used for multivoice accidentals to be read both by
@@ -1515,6 +1564,7 @@ musicB = {
 @cindex accidental style, cautionary, modern voice
 @cindex accidental style, modern voice cautionary
 @cindex accidental style, voice, modern cautionary
+
 @funindex modern-voice-cautionary
 
 @item modern-voice-cautionary
@@ -1577,6 +1627,7 @@ musicB = {
 @cindex accidentals, piano
 @cindex piano accidental style
 @cindex piano accidentals
+
 @funindex piano
 
 This rule reflects twentieth-century practice for piano notation.
@@ -1635,7 +1686,6 @@ musicB = {
 
 @item piano-cautionary
 
-@funindex piano-cautionary
 @cindex accidentals, piano cautionary
 @cindex cautionary accidentals, piano
 @cindex piano cautionary accidentals
@@ -1643,6 +1693,8 @@ musicB = {
 @cindex cautionary accidental style, piano
 @cindex piano cautionary accidental style
 
+@funindex piano-cautionary
+
 This is the same as @code{piano} but with the extra accidentals
 typeset as cautionaries.
 
@@ -1694,10 +1746,11 @@ musicB = {
 
 @item neo-modern
 
-@funindex neo-modern
 @cindex neo-modern accidental style
 @cindex accidental style, neo-modern
 
+@funindex neo-modern
+
 This rule reproduces a common practice in contemporary music:
 accidentals are printed like with @code{modern}, but they are printed
 again if the same note appears later in the same measure -- except
@@ -1751,10 +1804,11 @@ musicB = {
 
 @item neo-modern-cautionary
 
-@funindex neo-modern-cautionary
 @cindex neo-modern-cautionary accidental style
 @cindex accidental style, neo-modern-cautionary
 
+@funindex neo-modern-cautionary
+
 This rule is similar to @code{neo-modern}, but the extra
 accidentals are printed as cautionary accidentals.
 
@@ -1807,10 +1861,11 @@ musicB = {
 
 @item dodecaphonic
 
-@funindex dodecaphonic
 @cindex dodecaphonic accidental style
 @cindex dodecaphonic style, neo-modern
 
+@funindex dodecaphonic
+
 This rule reflects a practice introduced by composers at
 the beginning of the 20th century, in an attempt to
 abolish the hierarchy between natural and non-natural notes.
@@ -1866,10 +1921,11 @@ musicB = {
 
 @item teaching
 
-@funindex teaching
 @cindex teaching accidental style
 @cindex accidental style, teaching
 
+@funindex teaching
+
 This rule is intended for students, and makes it easy to create
 scale sheets with automagically created cautionary accidentals.
 Accidentals are printed like with @code{modern}, but cautionary
@@ -1928,10 +1984,11 @@ musicB = {
 
 @item no-reset
 
-@funindex no-reset
 @cindex accidental style, no reset
 @cindex no reset accidental style
 
+@funindex no-reset
+
 This is the same as @code{default} but with accidentals lasting
 @q{forever} and not only within the same measure:
 
@@ -1983,10 +2040,11 @@ musicB = {
 
 @item forget
 
-@funindex forget
 @cindex forget accidental style
 @cindex accidental style, forget
 
+@funindex forget
+
 This is the opposite of @code{no-reset}: Accidentals are not
 remembered at all -- and hence all accidentals are typeset
 relative to the key signature, regardless of what came before in
@@ -2173,6 +2231,7 @@ This section suggests ways of altering note heads.
 @cindex guitar note heads
 @cindex note head styles
 @cindex styles, note heads
+
 @funindex cross
 
 Note heads may be altered:
@@ -2227,6 +2286,11 @@ Internals Reference:
 @cindex easy play note heads
 @cindex note heads, easy play
 
+@funindex \easyHeadsOn
+@funindex easyHeadsOn
+@funindex \easyHeadsOff
+@funindex easyHeadsOff
+
 The @q{easy play} note head includes a note name inside the head.
 It is used in music for beginners.  To make the letters readable,
 it should be printed in a large font size.  To print with a larger
@@ -2245,9 +2309,7 @@ font, see @ref{Setting the staff size}.
 
 
 @predefined
-@funindex \easyHeadsOn
 @code{\easyHeadsOn},
-@funindex \easyHeadsOff
 @code{\easyHeadsOff}.
 @endpredefined
 
@@ -2275,9 +2337,13 @@ Internals Reference:
 @cindex shape notes
 @cindex Aiken shape note heads
 @cindex sacred harp note heads
+
 @funindex \key
+@funindex key
 @funindex \aikenHeads
+@funindex aikenHeads
 @funindex \sacredHarpHeads
+@funindex sacredHarpHeads
 
 In shape note head notation, the shape of the note head
 corresponds to the harmonic function of a note in the scale.  This
@@ -2296,9 +2362,7 @@ base of the scale is determined by the @code{\key} command.
 
 
 @predefined
-@funindex \aikenHeads
 @code{\aikenHeads},
-@funindex \sacredHarpHeads
 @code{\sacredHarpHeads}.
 @endpredefined
 
@@ -2334,6 +2398,11 @@ Internals Reference:
 @cindex note heads, improvisation
 @cindex note heads, slashed
 
+@funindex \improvisationOn
+@funindex improvisationOn
+@funindex \improvisationOff
+@funindex improvisationOff
+
 Improvisation is sometimes denoted with slashed note heads, where
 the performer may choose any pitch but should play the specified
 rhythm.  Such note heads can be created:
@@ -2354,9 +2423,7 @@ rhythm.  Such note heads can be created:
 
 
 @predefined
-@funindex \improvisationOn
 @code{\improvisationOn},
-@funindex \improvisationOff
 @code{\improvisationOff}.
 @endpredefined