@funindex \chordmode
@funindex \relative
-@refbugs
+@knownissues
The relative conversion will not affect @code{\transpose},
@code{\chordmode} or @code{\relative} sections in its argument.
@end lilypond
-@commonprop
+@snippets
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc]
{preventing-extra-naturals-from-being-automatically-added.ly}
Snippets: @lsrdir{Pitches,Pitches}.
-@refbugs
+@knownissues
There are no generally accepted standards for denoting
quarter-tone accidentals, so LilyPond's symbol does not conform to
see @ref{Instrument transpositions}.
-@commonprop
+@snippets
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc]
{transposing-pitches-with-minimum-accidentals-smart-transpose.ly}
@funindex \chordmode
@funindex \relative
-@refbugs
+@knownissues
The relative conversion will not affect @code{\transpose},
@end lilypond
-@commonprop
+@snippets
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc]
{clefs-commonly-tweaked-properties.ly}
@end lilypond
-@commonprop
+@snippets
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc]
{preventing-natural-signs-from-being-printed-when-the-key-signature-changes.ly}
2@tie{}(for 15ma), and -2 (for 15ma bassa) as arguments.
-@commonprop
+@snippets
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc]
{ottava-text.ly}
@end lilypond
@item piano
-@funindex piano accidentals
+@cindex piano accidentals
@cindex piano accidentals
@cindex accidentals, piano
@cindex piano accidental style
@end lilypond
@end table
-@commonprop
+@snippets
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc]
{dodecaphonic-style-accidentals-for-each-note-including-naturals.ly}
@internalsref{PianoStaff}, @internalsref{Staff}.
-@refbugs
+@cindex accidentals and simultaneous notes
+@cindex simultaneous notes and accidentals
+@cindex accidentals in chords
+@cindex chords, accidentals in
+
+@knownissues
Simultaneous notes are considered to be entered in sequential
mode. This means that in a chord the accidentals are typeset as
@node Ambitus
@subsubsection Ambitus
+
@cindex ambitus
+@cindex range of pitches
+@cindex pitch range
-The term @notation{ambitus} or @notation{ambit} denotes a range of
+The term @notation{ambitus} (pl. ambitus) denotes a range of
pitches for a given voice in a part of music. It may also denote
the pitch range that a musical instrument is capable of playing.
-Ambits are printed on vocal parts so that performers can easily
+Ambitus are printed on vocal parts so that performers can easily
determine if it matches their capabilities.
-Ambits are denoted at the beginning of a piece near the initial
+Ambitus are denoted at the beginning of a piece near the initial
clef. The range is graphically specified by two note heads that
represent the lowest and highest pitches. Accidentals are only
printed if they are not part of the key signature.
@end lilypond
-@commonprop
+@snippets
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc]
{adding-ambiti-per-voice.ly}
@seealso
+Music Glossary: @rglos{ambitus}.
+
Snippets: @lsrdir{Pitches,Pitches}.
Internals Reference: @internalsref{Ambitus},
@internalsref{Staff}, @internalsref{Voice}.
-@refbugs
+@knownissues
There is no collision handling in the case of multiple per-voice
ambitus.
@node Note heads
@subsection Note heads
+This section suggests ways of altering note heads.
+
@menu
* Special note heads::
* Easy notation note heads::
@subsubsection Special note heads
@cindex note heads, special
+@cindex note heads, cross
+@cindex note heads, diamond
+@cindex note heads, parlato
+@cindex note heads, harmonic
+@cindex note heads, guitar
+@cindex special note heads
+@cindex cross note heads
+@cindex diamond note heads
+@cindex parlato note heads
+@cindex harmonic note heads
+@cindex guitar note heads
Different note heads are used by various instruments for various
meanings -- crosses are used for @q{parlato} with vocalists,
@cindex note heads, easy notation
@cindex easy notation
@cindex Hal Leonard
+@cindex beginners' music
+@cindex music, beginners'
+@cindex easy play note heads
+@cindex note heads, easy play
The @q{easy play} note head includes a note name inside the head.
It is used in music for beginners.
in a large font size. To print with a larger font, see @ref{Setting the
staff size}.
-@refcommands
+@predefined
@funindex \easyHeadsOn
@funindex \easyHeadsOff
@subsubsection Shape note heads
@cindex note heads, shape
+@cindex note heads, Aiken
+@cindex note heads, sacred harp
+@cindex shape notes
+@cindex Aiken shape note heads
+@cindex sacred harp note heads
@funindex \key
@funindex shapeNoteStyles
@funindex \aikenHeads
Shapes are typeset according to the step in the scale, where
the base of the scale is determined by the @code{\key} command.
-@commonprop
+@snippets
@lilypondfile[verbatim,lilyquote,ragged-right,texidoc]
{applying-noteheads-styles-depending-on-the-step-of-the-scale.ly}
+@noindent
+To see all note head styles, see @ref{Note head styles}.
@seealso
Snippets: @lsrdir{Pitches,Pitches}.
+Notation Reference: @ref{Note head styles}.
+
@node Improvisation
@subsubsection Improvisation
@end lilypond
-@refcommands
+@predefined
@funindex \improvisationOn
@funindex \improvisationOff