Merge branch 'original' into HEAD

[lilypond.git] / Documentation / user / pitches.itely

diff --git a/Documentation/user/pitches.itely b/Documentation/user/pitches.itely
index 4022056ecc39fc8ecfd9a72a194e5688ffb40d34..05b71b88db4a3859da8d9fa1707fa56ceb6caab0 100644 (file)
--- a/Documentation/user/pitches.itely
+++ b/Documentation/user/pitches.itely
@@ -207,7 +207,7 @@ Snippets: @lsrdir{Pitches,Pitches}.
 @funindex \chordmode
 @funindex \relative
 
-@refbugs
+@knownissues
 
 The relative conversion will not affect @code{\transpose},
 @code{\chordmode} or @code{\relative} sections in its argument.
@@ -309,7 +309,7 @@ cis
 @end lilypond
 
 
-@commonprop
+@snippets
 
 @lilypondfile[verbatim,lilyquote,ragged-right,texidoc]
 {preventing-extra-naturals-from-being-automatically-added.ly}
@@ -328,7 +328,7 @@ Notation Reference: @ref{Automatic accidentals},
 Snippets: @lsrdir{Pitches,Pitches}.
 
 
-@refbugs
+@knownissues
 
 There are no generally accepted standards for denoting
 quarter-tone accidentals, so LilyPond's symbol does not conform to
@@ -615,7 +615,7 @@ For more information about transposing instruments,
 see @ref{Instrument transpositions}.
 
 
-@commonprop
+@snippets
 
 @lilypondfile[verbatim,lilyquote,ragged-right,texidoc]
 {transposing-pitches-with-minimum-accidentals-smart-transpose.ly}
@@ -633,7 +633,7 @@ Internals Reference: @internalsref{TransposedMusic}.
 @funindex \chordmode
 @funindex \relative
 
-@refbugs
+@knownissues
 
 
 The relative conversion will not affect @code{\transpose},
@@ -752,7 +752,7 @@ c2 c
 @end lilypond
 
 
-@commonprop
+@snippets
 
 @lilypondfile[verbatim,lilyquote,ragged-right,texidoc]
 {clefs-commonly-tweaked-properties.ly}
@@ -816,7 +816,7 @@ fis
 @end lilypond
 
 
-@commonprop
+@snippets
 
 @lilypondfile[verbatim,lilyquote,ragged-right,texidoc]
 {preventing-natural-signs-from-being-printed-when-the-key-signature-changes.ly}
@@ -861,7 +861,7 @@ The @code{set-octavation} function also takes -1 (for 8va bassa),
 2@tie{}(for 15ma), and -2 (for 15ma bassa) as arguments.
 
 
-@commonprop
+@snippets
 
 @lilypondfile[verbatim,lilyquote,ragged-right,texidoc]
 {ottava-text.ly}
@@ -1433,7 +1433,7 @@ musicB = {
 @end lilypond
 
 @item piano
-@funindex piano accidentals
+@cindex piano accidentals
 @cindex piano accidentals
 @cindex accidentals, piano
 @cindex piano accidental style
@@ -1661,7 +1661,7 @@ musicB = {
 @end lilypond
 @end table
 
-@commonprop
+@snippets
 
 @lilypondfile[verbatim,lilyquote,ragged-right,texidoc]
 {dodecaphonic-style-accidentals-for-each-note-including-naturals.ly}
@@ -1682,7 +1682,7 @@ Internals Reference: @internalsref{Accidental_engraver},
 @cindex accidentals in chords
 @cindex chords, accidentals in
 
-@refbugs
+@knownissues
 
 Simultaneous notes are considered to be entered in sequential
 mode.  This means that in a chord the accidentals are typeset as
@@ -1698,17 +1698,16 @@ problematic notes.
 @subsubsection Ambitus
 
 @cindex ambitus
-@cindex ambit
 @cindex range of pitches
 @cindex pitch range
 
-The term @notation{ambitus} or @notation{ambit} denotes a range of
+The term @notation{ambitus} (pl. ambitus) denotes a range of
 pitches for a given voice in a part of music.  It may also denote
 the pitch range that a musical instrument is capable of playing.
-Ambits are printed on vocal parts so that performers can easily
+Ambitus are printed on vocal parts so that performers can easily
 determine if it matches their capabilities.
 
-Ambits are denoted at the beginning of a piece near the initial
+Ambitus are denoted at the beginning of a piece near the initial
 clef.  The range is graphically specified by two note heads that
 represent the lowest and highest pitches.  Accidentals are only
 printed if they are not part of the key signature.
@@ -1727,7 +1726,7 @@ printed if they are not part of the key signature.
 @end lilypond
 
 
-@commonprop
+@snippets
 
 @lilypondfile[verbatim,lilyquote,ragged-right,texidoc]
 {adding-ambiti-per-voice.ly}
@@ -1748,7 +1747,7 @@ Internals Reference: @internalsref{Ambitus},
 @internalsref{Staff}, @internalsref{Voice}.
 
 
-@refbugs
+@knownissues
 
 There is no collision handling in the case of multiple per-voice
 ambitus.
@@ -1757,6 +1756,8 @@ ambitus.
 @node Note heads
 @subsection Note heads
 
+This section suggests ways of altering note heads.
+
 @menu
 * Special note heads::          
 * Easy notation note heads::    
@@ -1841,7 +1842,7 @@ The command @code{\easyHeadsOn} overrides settings for the
 in a large font size.  To print with a larger font, see @ref{Setting the
 staff size}.
 
-@refcommands
+@predefined
 
 @funindex \easyHeadsOn
 @funindex \easyHeadsOff
@@ -1887,16 +1888,20 @@ c,8 d4 e8 a2 g1
 Shapes are typeset according to the step in the scale, where
 the base of the scale is determined by the @code{\key} command.
 
-@commonprop
+@snippets
 
 @lilypondfile[verbatim,lilyquote,ragged-right,texidoc]
 {applying-noteheads-styles-depending-on-the-step-of-the-scale.ly}
 
+@noindent
+To see all note head styles, see @ref{Note head styles}.
 
 @seealso
 
 Snippets: @lsrdir{Pitches,Pitches}.
 
+Notation Reference: @ref{Note head styles}.
+
 
 @node Improvisation
 @subsubsection Improvisation
@@ -1925,7 +1930,7 @@ rhythm.  Such note heads can be created:
 @end lilypond
 
 
-@refcommands
+@predefined
 
 @funindex \improvisationOn
 @funindex \improvisationOff