remove

[lilypond.git] / Documentation / user / notation.itely

diff --git a/Documentation/user/notation.itely b/Documentation/user/notation.itely
index de10780a6fb21b9beb2847ff3db04d7641a6940f..d1b3a265df55a7b3275430e04b4631b411951e84 100644 (file)
--- a/Documentation/user/notation.itely
+++ b/Documentation/user/notation.itely
@@ -1,4 +1,4 @@
-@c Note: -*-texinfo-*-
+@c -*- coding: latin-1; mode: texinfo; -*-
 @c This file is part of lilypond.tely
 
 @c A menu is needed before every deeper *section nesting of @node's; run
@@ -821,6 +821,9 @@ Not all durations (especially those containing tuplets) can be
 represented exactly with normal notes and dots, but the engraver will
 not insert tuplets.
 
+The @internalsref{Completion_heads_engraver} can be combined with
+@code{\lyricsto} or @code{\addlyrics}.
+
 @seealso
 
 Examples: @inputfileref{input/regression,completion-heads.ly}.
@@ -4434,8 +4437,8 @@ twoWays = \transpose c c' {
   <f bes d'>
 }
 
-  << \context ChordNames \twoWays
-     \context Voice \twoWays >> 
+<< \context ChordNames \twoWays
+   \context Voice \twoWays >> 
 @end lilypond
 
 This example also shows that the chord printing routines do not try to
@@ -4458,7 +4461,7 @@ In chord mode sets of pitches (chords) are entered with normal note
 names.  A chord is entered by the root, which is entered like a
 normal pitch
 
-@lilypond[quote,raggedright,fragment,verbatim,relative=2]
+@lilypond[quote,raggedright,fragment,verbatim]
   \chordmode { es4. d8 c2 }
 @end lilypond
 
@@ -4689,7 +4692,7 @@ The predefined variables @code{\germanChords},
 @code{\semiGermanChords} set these variables.  The effect is
 demonstrated here,
 
-@lilypondfile[raggedright,]{chord-names-german.ly}
+@lilypondfile[raggedright]{chord-names-german.ly}
 
 There are also two other chord name schemes implemented: an alternate
 Jazz chord notation, and a systematic scheme called Banter chords.  The
@@ -4740,9 +4743,10 @@ Fret diagrams can be added to music as a markup to the desired note. The
 markup contains information about the desired fret diagram, as shown in the
 following example
 
-@lilypond[verbatim, raggetright, quote]
+@lilypond[verbatim, quote]
 \context Voice {
   d' ^\markup \fret-diagram #"6-x;5-x;4-o;3-2;2-3;1-2;"
+  d' d' d'
   fis' ^\markup \override #'(size . 0.75) {
     \override #'(finger-code . below-string) {
       \fret-diagram-verbose #'((place-fret 6 2 1) (barre 6 1 2)
@@ -4751,6 +4755,7 @@ following example
                                (place-fret 1 2 1))
     }
   }
+  fis' fis' fis'
   c' ^\markup  \override #'(dot-radius . 0.35) {
     \override #'(finger-code . in-dot) {
       \override #'(dot-color . white) {
@@ -4758,6 +4763,7 @@ following example
       }
     }
   }
+  c' c' c' c'
 }
 @end lilypond
 
@@ -5487,8 +5493,8 @@ to an articulation, for example,
 
 This defines a note with a conditional fingering indication.
 
-By applying the @code{\keepWithTag} command, tagged expressions
-can be filtered.  For example,
+By applying the @code{\keepWithTag} and @code{\removeWithTag}
+commands, tagged expressions can be filtered.  For example,
 @example
 <<
   @var{the music}
@@ -5507,6 +5513,8 @@ of symbols, for example,
   \tag #'(original-part transposed-part) @dots{}
 @end example
 
+
+
 @seealso
 
 Examples: @inputfileref{input/regression,tag-filter.ly}.