@cindex quarter tones
@cindex semi-flats, semi-sharps
-@lilypond[fragment,quote,verbatim,relative=3]
+@lilypond[fragment,quote,verbatim,relative=2]
ceses4
ceseh
ces
An invisible rest (also called a `skip') can be entered like a note
with note name `@code{s}' or with @code{\skip @var{duration}}
-@lilypond[fragment,quote,raggedright,verbatim]
+@lilypond[fragment,quote,raggedright,verbatim,relative=2]
a2 s4 a4 \skip 1 a4
@end lilypond
In the following example, the first three notes take up exactly two
beats, but no triplet bracket is printed.
-@lilypond[quote,fragment,relative=3,verbatim]
+@lilypond[quote,fragment,relative=2,verbatim]
\time 2/4
a4*2/3 gis4*2/3 a4*2/3
a4
the measure, so the next bar line will fall at 2/4 + 3/8.
@lilypond[verbatim]
-{
+\relative {
\set Score.measureLength = #(ly:make-moment 5 4)
c1 c4
c1 c4
can be forced up or down using @code{^} and @code{_},
e.g.
-@lilypond[quote,verbatim,fragment,relative=3]
+@lilypond[quote,verbatim,fragment,relative=2]
c\fermata c^\fermata c_\fermata
@end lilypond
they are entered decides which one comes first.
-@lilypond[verbatim]
+@lilypond[verbatim,raggedright]
\relative g''{
\once \override TextScript #'script-priority = #-100
a4^\prall^\markup { \sharp }
@code{\stopTrillSpan},
-@lilypond[verbatim]
+@lilypond[verbatim,raggedright]
\relative \new Voice {
<< { c1 \startTrillSpan }
{ s2. \grace { d16[\stopTrillSpan e] } } >>
@lilypond[quote,relative=2,verbatim,fragment]
<< \new Staff { e4 \grace { c16[ d e f] } e4 }
- \new Staff { c'4 \grace { g8[ b] } c4 } >>
+ \new Staff { c4 \grace { g8[ b] } c4 } >>
@end lilypond
patterns that divide the measure length are replaced by slashes
@lilypond[quote,verbatim,raggedright]
-\repeat "percent" 4 { c'4 }
-\repeat "percent" 2 { c'2 es'2 f'4 fis'4 g'4 c''4 }
+\new Voice {
+ \repeat "percent" 4 { c'4 }
+ \repeat "percent" 2 { c'2 es'2 f'4 fis'4 g'4 c''4 }
+}
@end lilypond
@seealso
Stanza numbers can be added by setting @code{stanza}, e.g.
-@lilypond[quote,verbatim,relative=2]
-\context Voice {
+@lilypond[quote,verbatim,relative=2,fragment]
+\new Voice {
\time 3/4 g2 e4 a2 f4 g2.
} \addlyrics {
\set stanza = "1. "
@code{vocalName}. A short version may be entered as @code{vocNam}.
-@lilypond[quote,verbatim,relative=2]
-\context Voice {
+@lilypond[fragment,quote,verbatim,relative=2]
+\new Voice {
\time 3/4 g2 e4 a2 f4 g2.
} \addlyrics {
\set vocalName = "Bert "
@cindex @code{\setEasyHeads}
@code{\setEasyHeads}
-@node Sound
-@section Sound
-@cindex Sound
-
-Entered music can also be converted to MIDI output. The performance
-is intended for proof-hearing the music for errors.
-
-Ties, dynamics and tempo changes are interpreted. Dynamic marks,
-crescendi and decrescendi translate into MIDI volume levels. Dynamic
-marks translate to a fixed fraction of the available MIDI volume
-range, crescendi and decrescendi make the volume vary linearly between
-their two extremities. The fractions can be adjusted by
-@code{dynamicAbsoluteVolumeFunction} in @internalsref{Voice} context.
-For each type of MIDI instrument, a volume range can be defined. This
-gives a basic equalizer control, which can enhance the quality of
-the MIDI output remarkably. The equalizer can be controlled by
-setting @code{instrumentEqualizer}.
-
-@refbugs
-
-Many musically interesting effects, such as swing, articulation,
-slurring, etc., are not translated to MIDI.
-
-The MIDI output allocates a channel for each Staff, and one for global
-settings. Hence, the MIDI file should not have more than 15 staves
-(or 14 if you do not use drums). Other staves will remain silent.
-
-Not all MIDI players correctly handle tempo change in the MIDI
-output. Players that are known to work include
-@uref{http://timidity.sourceforge.net/,timidity}
-
-
-@menu
-* MIDI block::
-* MIDI instrument names::
-@end menu
-
-
-@node MIDI block
-@subsection MIDI block
-@cindex MIDI block
-
-
-The MIDI block is analogous to the paper block, but it is somewhat
-simpler. The @code{\midi} block can contain
-@cindex MIDI block
-
-@itemize @bullet
- @item a @code{\tempo} definition, and
- @item context definitions.
-@end itemize
-
-A number followed by a period is interpreted as a real number, so
-for setting the tempo for dotted notes, an extra space should be
-inserted, for example
-
-@example
- \midi @{ \tempo 4 . = 120 @}
-@end example
-
-
-@cindex context definition
-
-Context definitions follow precisely the same syntax as within the
-\paper block. Translation modules for sound are called performers.
-The contexts for MIDI output are defined in @file{ly/performer-init.ly}.
-
-
-@node MIDI instrument names
-@subsection MIDI instrument names
-
-@cindex instrument names
-@cindex @code{Staff.midiInstrument}
-
-The MIDI instrument name is set by the @code{Staff.midiInstrument}
-property. The instrument name should be chosen from the list in
-@ref{MIDI instruments}.
-
-@refbugs
-
-If the selected string does not exactly match, the default is used,
-which is the Grand Piano.
projects / lilypond.git / blobdiff